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Articles 1 - 30 of 122
Full-Text Articles in English Language and Literature
The Phrasal Verb In American English: Using Corpora To Track Down Historical Trends In Particle Distribution, Register Variation, And Noun Collocations, David Brown, Chris Palmer
The Phrasal Verb In American English: Using Corpora To Track Down Historical Trends In Particle Distribution, Register Variation, And Noun Collocations, David Brown, Chris Palmer
David C. Brown
Use Of Wikis In Second/Foreign Language Classes: A Literature Review, Mimi Li
Use Of Wikis In Second/Foreign Language Classes: A Literature Review, Mimi Li
Mimi Li
Wikis, as emerging Web 2.0 tools, have been increasingly implemented in language classrooms. To explore the current state of research and inform future studies, this article reviews the past research on the use of wikis in second/foreign language classes. Using Google Scholar and the ERIC database, the researcher examines twenty-one empirical studies published in fourteen peer-reviewed journals from 2008 to 2011. Specifically, the researcher takes a holistic review of this body of literature, including theoretical frameworks, research goals, contexts and participants, tasks and wiki applications, and research methods and instruments. The researcher identifies four main research themes investigated in the …
Recovering Melville’S Hand: An Inaugural Report On Digital Discovery And Analysis At Melville’S Marginalia Online, Steven Olsen-Smith
Recovering Melville’S Hand: An Inaugural Report On Digital Discovery And Analysis At Melville’S Marginalia Online, Steven Olsen-Smith
Steven Olsen-Smith
This installment of “Melville’s Hand,” a department of Leviathan originally conceived by Founding Editor John Bryant, is the first to appear in the journal since staff at Melville’s Marginalia Online (MMO) printed newly documented marginalia in issue 10.3 of 2008. Through the vision of Bryant’s successor as Editor Samuel Otter and of Associate Editor Brian Yothers, the present installment also constitutes the inaugural printing of what we hope will remain an annual contribution by the online project to Leviathan (appearing in every June issue) for years to come. What gives us confidence that MMO will generate significant material …
Culinary Jane Austen, Christopher D. Wilkes
Culinary Jane Austen, Christopher D. Wilkes
Christopher D Wilkes
In the world of domestic intimacy that Jane Austen fashions for us, food, its production, preparation and consumption, appears almost nowhere, at least in the novels themselves. But there is a complex moral economy that surrounds food, and its analysis tells us much of the broader social and economic hierarchies that swirled around the Austen families, as they engaged in a struggle for social recognition and social maintenance. When we take the Austen films into account, this analysis gains sharpness, and makes what is often inferred very clear indeed. This paper examines the social meaning of these culinary habits, first …
Zombies, Sea-Monsters And Vampires: Jane Austen Flirts With The Horror Genre, Christopher Wilkes
Zombies, Sea-Monsters And Vampires: Jane Austen Flirts With The Horror Genre, Christopher Wilkes
Christopher D Wilkes
Notes for a panel at Pacific University.
Quiet Catastrophe: Robert Smithson’S Spiral Jetty, Vanished, Clark Lunberry
Quiet Catastrophe: Robert Smithson’S Spiral Jetty, Vanished, Clark Lunberry
Clark Lunberry
Maps to Nowhere: Seen from above, Robert Smithson's Spiral Jetty emerges dramatically from the rocky shores of Utah's Great Salt Lake. Like a swirling vortex steadied and then stilled, the earthwork begins as a straight line of stone extending far into the water, the form then curving, arching and coiling in upon itself until abruptly coming to an end. Rocks and boulders are seen in various shapes and sizes, with brown soil packed and flattened within the spiral, making a broad path that one might walk upon. The water washes upon the earthwork's shaped shores, surrounding and filling it, a …
So Much Depends: Printed Matter, Dying Words, And The Entropic Poem, Clark Lunberry
So Much Depends: Printed Matter, Dying Words, And The Entropic Poem, Clark Lunberry
Clark Lunberry
Growing up in Rutherford, New Jersey, in the 1940s, Robert Smithson would periodically visit his pediatrician, William Carlos Williams, who had his home and medical practice across town at Nine Ridge Road. There were, no doubt, the routine checkups, the childhood ailments and inoculations, the doctor looking into the mouth, the ears, the eyes of the little boy. Many years later, in 1958—Williams by then retired and Smithson a young artist—they would once again meet informally at the poet’s home.1 Nearing the end of his long life, Williams—no longer practicing medicine—was nonetheless still very much practicing poetry, laboring away at …
Review Of Herbert Blau’S Reality Principles: From The Absurd To The Virtual, Clark Lunberry
Review Of Herbert Blau’S Reality Principles: From The Absurd To The Virtual, Clark Lunberry
Clark Lunberry
In his most recent book of collected essays on theatre and performance, the esteemed scholar and theatre director Herbert Blau (who died on 3 May 2013 at age 87) recounts a story from his early days as a director of an actor’s lament with his rehearsed role, “I don’t feel this, I’m not feeling this at all.” To which Blau forcefully replied, “I couldn’t care less what you feel, or don’t, feelings are cheap! I only care what you think. What we’re doing here is thinking, trying to understand”. In a chapter entitled “The Emotional Memory of Directing,” Blau is …
Wiping Blood From The Walls: Medea’S Pleasures Of Terror, Clark Lunberry
Wiping Blood From The Walls: Medea’S Pleasures Of Terror, Clark Lunberry
Clark Lunberry
I was there and then I wasn’t. The actors were before me and then they weren’t. The curtain opened, it closed, and—in the play of appearances and disappearances—something was seen in the vanishings. Remaining, what I now write is a kind of recollected narrative, a reportorial account of British director Deborah Warner’s recent adaptation of Euripides’ Medea. As a member of its audience one evening, I look back from the strict vantage of the remembered event, from the dual perspective of having seen the performance, but of seeing it no longer, of having been a spectator to the play, but …
Review Of Nagihan Haliloğlu’S Narrating From The Margins: Self-Representation Of Female And Colonial Subjectivities In Jean Rhys’S Novels, Lee Garver
Lee Garver
Book review of: Narrating from the Margins: Self-Representation of Female and Colonial Subjectivities in Jean Rhys’s Novels by Nagihan Haliloğlu. 222 pages, 2011, $64.00 USD (hardcover) Amsterdam, Rodopi
Review Of "Bernard Shaw And Gabriel Pascal." Edited By Bernard F. Dukore., Lee Garver
Review Of "Bernard Shaw And Gabriel Pascal." Edited By Bernard F. Dukore., Lee Garver
Lee Garver
Dr. Lee Garver's review of Bernard Shaw and Gabriel Pascal. Edited by Bernard F. Dukore. Volume 3 of Selected Correspondence of Bernard Shaw. Toronto: University of Toronto Press, 1996. Pp. 224. $40.00.
Coming In From The Margins: Reappraising And Recentering Katherine Mansfield, Lee Garver
Coming In From The Margins: Reappraising And Recentering Katherine Mansfield, Lee Garver
Lee Garver
Review essay of three volumes pertaining to the works of Katherine Mansfield.
Hulme Among The Progressives, Lee Garver
Hulme Among The Progressives, Lee Garver
Lee Garver
Dr. Lee Garver's contribution to: Comentale, Edward P., and Andrzej Gąsiorek. T.E. Hulme and the Question of Modernism. Aldershot, England: Ashgate, 2006.
Review Of Martha Fodeski Black’S Shaw And Joyce: “The Last Word In Stolentelling.”, Lee Garver
Review Of Martha Fodeski Black’S Shaw And Joyce: “The Last Word In Stolentelling.”, Lee Garver
Lee Garver
Dr. Lee Garver's review of Shaw and Joyce: "The Last Word in Stolentelling." Martha Fodasky Black. Gainesville: University of Florida Press, 1995. Pp. 445. $49.95.
The Political Katherine Mansfield, Lee Garver
The Political Katherine Mansfield, Lee Garver
Lee Garver
Ideologies that have been superseded by more enduring political discourses and literary figures who have been succeeded by greater authors are frequently relegated to the footnotes of cultural scholarship. But sometimes these lesser-known subjects of literary history, properly attended to, provide unique opportunities for a richer understanding of aesthetic developments. The study of British modernism, in particular, can benefit from a willingness to examine forgotten political-cultural relationships. Indeed, the period's extreme ideological complexity and cross-fertilization has served to mask the important political roles played by less celebrated artists in the formulation of modernist aesthetic doctrine. This is particularly true of …
All The Baby’S Air, Lydia Copeland Gwyn
All The Baby’S Air, Lydia Copeland Gwyn
Lydia Copeland Gwyn
How (Not) To Sell A Military Memoir In Britain, Esmeralda Kleinreesink, Neil Jenkings, Rachel Woodward
How (Not) To Sell A Military Memoir In Britain, Esmeralda Kleinreesink, Neil Jenkings, Rachel Woodward
Esmeralda Kleinreesink
The Philosopher And The Geisha: Alphonso Lingis And The Multi-Mediated Performance Of Philosophical Discourse, Clark Lunberry
The Philosopher And The Geisha: Alphonso Lingis And The Multi-Mediated Performance Of Philosophical Discourse, Clark Lunberry
Clark Lunberry
No abstract provided.
Nature And Technology: Angelic And Sacrificial Strategies In Tolkien’S The Lord Of The Rings, Gwenyth Hood
Nature And Technology: Angelic And Sacrificial Strategies In Tolkien’S The Lord Of The Rings, Gwenyth Hood
Gwenyth Hood
Tolkien is often lightly accused of having a romantic view of nature, in that he portrays the natural environment as an embodiment of goodness, while technology is evil. Indeed, more than one critic has seen The Lord of the Rings as an attack on modem science and technology. This view is more commonly expressed word-of-the-mouth than in print, but it can be found even there, with Lee Donald Rossi, in his dissertation, classing Tolkien and Lewis as "reactionary fantasists" who would "get rid of most of the machines and return to a primarily agrarian economy" and Walter Scheps noting that …
The Latest Model, Gwenyth Hood
The Latest Model, Gwenyth Hood
Gwenyth Hood
Though it was only superficial, the lesion on the three-year old's arm looked sinister. Oddly symmetrical and oval, it looked like a pinkish field of delicate needlepricks on the pudgy arm and elbow, oozing a little and forming a crust the color of lemon yogurt on the edges. The child sniffled as Sandra gently explored his injury. His cheekswere still red from bawling.
The Earthly Paradise In Tolkien’S The Lord Of The Rings, Gwenyth Hood
The Earthly Paradise In Tolkien’S The Lord Of The Rings, Gwenyth Hood
Gwenyth Hood
Valinor, modelled on the Earthly Paradise, is described more fully in Tolkien's posthumously published works than in The Lord of the Rings. Yet the fleeting Valinorean images within the trilogy have a powerful impact, heightening and simultaneously providing consolation for the horrors of Mordor.
Heroic Orual And The Tasks Of Psyche, Gwenyth Hood
Heroic Orual And The Tasks Of Psyche, Gwenyth Hood
Gwenyth Hood
C.S. Lewis's last novel, Till We have Faces: A Myth Retold, concerns transformations. After all, it deals with the myth of Psyche. In Greek, Psyche means not only soul but also butterfly.1 This brings to mind the metamorphosis of a crawling caterpillar into a winged butterfly, analogous to the protagonist's transformation from mortal to goddess. In Lewis's retelling, not only does a mortal human becomes an immortal goddess,2 but also, an ugly soul turns beautiful, a coarse, barbaric populace grows into a gracious civilization, and cruel divinities with a thirst for human blood become loving guardians of the human race. …
Falcandus And Fulcaudus Epistola Ad Petrum Liber De Regno Sicilie Literary Form And Author's Identity, Gwenyth Hood
Falcandus And Fulcaudus Epistola Ad Petrum Liber De Regno Sicilie Literary Form And Author's Identity, Gwenyth Hood
Gwenyth Hood
In Paris, in 1550, when the printing press was still relatively new, Gervais de Tournay published a medieval chronicle under the title, Historia Hugonis Falcandi Siculi De rebus gestis in Siciliae regno iam primum typis excusa [« The History of Hugo Falcandus the Sicilian, concerning things done in the Kingdom of Sicily, now printed for the first time »]. He had discovered this history, as he explains in his preface, in a codex placed at his disposal by Matthew Longuejoue, bishop of Soissons, a codex so ravaged by time that it looked repulsive enough to poison the hand that dared …
Medieval Love-Madness And Divine Love, Gwenyth Hood
Medieval Love-Madness And Divine Love, Gwenyth Hood
Gwenyth Hood
Lovers in the Middle Ages had a tendency to go mad. In fact, they were subject to a whole range of disorders which nowadays are considered symptoms of mental illness, from pining away to outright suicide, to raging and raving madness. Of course, then as now, these manifestations of inner turmoil were not mutually exclusive. Malory's Sir Lancelot goes raging mad at one stage of his career and starves himself to death at the end of it. There are also more or less pure examples of each type: of pining away, Malory's Elaine, the fair maid of Astalot; of suicide, …
Pusey's Sermons At St. Saviour's, Leeds, Robert Ellison
Pusey's Sermons At St. Saviour's, Leeds, Robert Ellison
Robert Ellison
"E . B. Pusey as a Preacher." It would not be surprising to find such a phrase as the title of a nineteenth-century work. Authors in both Britain and America used it in books and articles about numerous ministers, literary figures, the Apostle Paul, and even Jesus himself.1 Edward Bouverie Pusey, in fact, was the subject of one such piece: a review of Sermons for the Church's Seasons from Advent to Trinity, published in the Spectator on 11 August 1883. Such a scope would, however, be too broad for a scholarly study in the twenty-first century. Pusey's canon is simply …
Our Technological Past And Future: From Predigital To Postdigital Apocalypses, Michael J. Paulus Jr.
Our Technological Past And Future: From Predigital To Postdigital Apocalypses, Michael J. Paulus Jr.
Michael J. Paulus, Jr.
An exploration of technological hopes and fears in apocalyptic literature.
Newspaper Editors’ Attitudes Toward The Great Awakening, 1740-1748, Lisa Smith
Newspaper Editors’ Attitudes Toward The Great Awakening, 1740-1748, Lisa Smith
Lisa Smith
No abstract provided.
Messianic-City: Ruins, Refuge And Hospitality In Derrida, Puspa Damai
Messianic-City: Ruins, Refuge And Hospitality In Derrida, Puspa Damai
Puspa Damai
‘‘Listen first to those who, like myself, did not have to watch TV to know that SOME of L.A. was burning,’’ Derrida wrote to a newsletter in response to the riots triggered by the Rodney King events in 1992, adding, ‘‘L.A. is not anywhere, but it is a singular organization of the experience of ‘anywhere’’’ (‘‘Faxitexture’’ 28). At a time when one hardly needs to watch TV to know that many cities around the world are burning, or are targeted and wounded, bombed and invaded—as if the Biblical injunction, ‘‘Then ye shall appoint you cities to be cities of refuge …
Spectrogenetic Translation In Arundhati Roy's The God Of Small Things And Elsewhere, Puspa Damai
Spectrogenetic Translation In Arundhati Roy's The God Of Small Things And Elsewhere, Puspa Damai
Puspa Damai
South Asians, in their attempts to articulate post-colonial subjectivity, have themselves only reinscribed various aspects of colonial exoticism in their work. South Asian author Arundhati Roy’s rendering of untouchability in terms of godliness in The God of Small Things resonates with colonial ideologies that read “subalterns” as objects, not as subjects. Roy’s invocation of colonial methods of translation envisions untouchability in “absolutist terms”—a strategy that may ultimately mitigate against a recognition of the highly varied experiences, social agencies, and subjectivities of dalits living in South Asia and abroad.
Cosmopolitanism After Derrida: City, Signature And Sovereignty, Puspa Damai
Cosmopolitanism After Derrida: City, Signature And Sovereignty, Puspa Damai
Puspa Damai
Cosmopolitanism in Derrida's works sounds like an afterthought in comparison to other more recurring themes of his texts, like 'writing', 'differance', 'supplement', 'metaphysics', or 'violence'. Cosmopolitanism seems to belong to deconstruction, which is often associated with decentring, fragmentation, and critique of totality and universality, only as an intimate other, a foreign element grafted in the body by force, or by miracle. That is the reason why, perhaps, hardly any cosmopolitanist refers to the issue of cosmopolitanism in Derrida or in deconstruction, so much so that even Derrida has written very sparsely on it as it belongs perhaps to the dormant, …