English Language and Literature Commons^™

“Struck With Her Tongue”: Speech, Gender, And Power In King Lear, Kate Downey Hickey

Masters Theses

My thesis addresses the supposed sexism in William Shakespeare’s King Lear through an examination of the power of speech in the play. Employing a variety of scholarship, I argue that Cordelia exerts power both through prudent speech and in her silence, adhering to Renaissance expectations for women but also defying the unreasonable behavior of her father. I explore how Cordelia’s values are recognized by and through other characters, especially Lear’s Fool. While Cordelia is often viewed as the opposite of her sisters Goneril and Regan, I provide a reading of the play that treats all three sisters as complex characters …

Metafiction, Fairy Tale, And Female Desire In A.S. Byatt‘S Possession: A Romance, Susan Marie Kieda

Masters Theses

Analysis of the novel Possession: A Romance by A.S. Byatt, in which Byatt contributes to a metamorphosis of the fairy tale genre through a reappropriation of individual tales and characters, such as the Grimm Brothers‘ Little Snow White and The Glass Coffin; Hans Christian Andersen‘s The Snow Queen; and the French fairy story Melusine. Analysis of the metafictional devices Byatt uses to achieve this reappropriation such as the writing and reading of letters, journals, and works of fiction within the novel, as well as an intertextuality created by repeating fairy tale allusions. Analysis of Byatt‘s character development …

Mad Hero In A Box: Christianity, Secular Humanism, And The Monomyth In Doctor Who, Sabrina Hardy

Masters Theses

Doctor Who is a long-running, incredibly popular work of television science-fiction, with a devoted fanbase across the Western world. Like all science fiction, it deals with the weighty questions posed by the culture around it, particularly in regards to ethics, politics, faith/belief, and the idea of the soul. These concepts are dealt with through the lens of the Secular Humanist ideology held by the showrunners and by many of the people who watch the show; however, in many areas, elements of the Christian worldview seep through. The conflict between these two worldviews has serious ramifications for the show itself, as …

Mad To Be Sincere: Authenticity, Irony, And Kerouac’S Response To Modern Reality, Jonathan Michael Devin

Masters Theses

This project explores the qualities of sincerity, authenticity, and irony in Jack Kerouac's novel On the Road. The thesis asserts that that On the Road is neither ironic nor authentic, but, rather, that it both possesses aspects of traditional sincerity and anticipates the New Sincerity movement in contemporary literature. Through observing the characteristics of traditional sincerity and New Sincerity in the novel, the thesis amends the novel's critical position by showing a level of complexity, foresight, and nuance in the text. Ultimately, the thesis shows Kerouac's response to modern reality, presenting the limitations of authenticity and irony while esteeming the …

A Culture In Change: The Development Of Masculinity Through P.G. Wodehouse's Psmith Series, Allison Thompson

Masters Theses

P. G. Wodehouse offers a serious and sustained critique of English society using the game of cricket as he follows the lives of two memorable characters, Mike Jackson and Rupert Psmith. Yet Wodehouse has frequently been accused of existing as too innocent of a bystander to understand the underpinnings of society, let alone to offer a critique. For example, Christopher Hitchens in a review of a Wodehouse biography by Robert McCrum states, "Wodehouse was a rather beefy, hearty chap, with a lifelong interest in the sporting subculture of the English boarding school and a highly developed instinct for the main …

American Dreams And Dystopias: Examining Dystopian Parallels In The Great Gatsby And To Kill A Mockingbird, Samuel Nathan Harris

Masters Theses

In this study I consider the recent trend of dystopian fiction in literature—both the broader genre of dystopias of the past century or so, and the contemporarily popular subgenre of young adult dystopian fiction—and examine whether certain American novels, while not typically considered dystopias, can fit into this genre or at least be established as having some parallels with works of this genre. Based on certain shared archetypes of the genre, such as “speculative myth,” a governing “ritual habit,” and a dissatisfied narrator or protagonist, I here propose that other American classics, specifically F. Scott Fitzgerald’s The Great Gatsby and …

The Many Paths Of Cyberspace: William Gibson's The Sprawl As Prototype For Structural, Thematic, And Narrative Multilinearity In New Media, Erik Marsh

Masters Theses

William Gibson’s Sprawl trilogy helped set a new direction for science fiction, but his work is also a valuable tool for examining changes in the approach both readers and writers began to take to approaching literature as the text medium began its rapid evolution with the introduction of electronic hypertext. In this examination of Gibson’s fiction, a pattern of multilinear truth emerges, showing how Western culture began to fully embrace Postmodern approaches to truth claims as a default, how even a pre-electronic text can exhibit hypertext-like aspects, and how this shift in interpretive response to literature is important for Christians …

Flannery O'Connor's Redemptive Violence In Chuck Palahniuk's Fight Club And Invisible Monsters, Caitlin Elliot

Masters Theses

Underground fight clubs, transsexuals, shotguns: these are the images that come to mind when one thinks of Chuck Palahniuk’s fiction—for many critics and readers, merely the stuff of pulp fiction. However, many of Palahniuk’s novels use violence to critique American culture while offering hope for the redemption of his characters and society as a whole. Thus, the violence in his works serves a purpose beyond mere shock value. The function of Palahniuk’s violence, I argue, reflects the poetics of Flannery O’Connor. Her works contain culturally-driven narratives with strange and grotesque circumstances that lead her characters to moments of redemption, and …

The Romantic Egoist: Fitzgerald's View On Identity And Culture, Tara Bender

Masters Theses

"Who am I?” is a question that not only each individual asks himself or herself at various points in the process of maturation from childhood to adulthood, but also society itself as it changes and grows. During the 1920s, Americans were asking themselves these defining questions. F. Scott Fitzgerald as one of the pre-eminent writers of that time period provides examples in his novels This Side of Paradise, Beautiful and The Damned, and The Great Gatsby of the immaturity of masculine figures. Amory Blaine, Anthony Patch, and Jay Gatsby exemplify the struggle of men in the 1920s to develop their …

Think Again: The Decision Making Process In King Lear And Jane Smiley's A Thousand Acres, Elizabeth Burgess

Masters Theses

This thesis is a feminist reading of Shakespeare‟s King Lear and Jane Smiley‟s Pulitzer Prize winning novel A Thousand Acres that applies psychological insights into human behavior to explain economic decision-making. Many of the traditional readings of King Lear, including the works of critics A. C. Bradley, Maynard Mack and Stephen Greenblatt, approach the play by accepting the patriarchal view of Lear as the rightful ruler, while Goneril and Regan are wicked for taking the kingdom from their father. Smiley‟s A Thousand Acres, however, approaches the text from what she imagines Goneril‟s perspective to be and includes the …

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …

Everything Leaves A Trace: D. H. Lawrence, Modernism, And The English Bildungsroman Tradition, Justin Miles Mcgee

Masters Theses

During the transition from the nineteenth to the twentieth-century, the Bildungsroman acted as a vehicle for artists’ reflections on the turbulent time. The Bildungsroman is especially well suited to capture the fragmentation and disillusionment characteristic of modernism because of its sensitivity to the community’s role in the individual’s social normalization. D. H. Lawrence’s autobiographical novel Sons and Lovers (1913) embodies the jarring transition from the world of the Victorian Bildungsroman to modernity. While Lawrence’s novel still relies on characteristics of the Victorian Bildungsroman, it makes a significant attempt to break away from the Victorian Bildungsroman. Lawrence uses the …

Salvation And Community In The Works Of Charles Williams, Donald Clayton Vander Kolk Jr.

Masters Theses

The twentieth century American evangelical Church co-opted many of its values from the surrounding American culture, among them, the tremendous importance it placed on individualism and self-sufficiency. The work of British Christian writer Charles Williams, though, provides a corrective, emphasizing the role of community in the salvation of one’s soul. This thesis provides a reading of three of Charles Williams’ last works—The Region of the Summer Stars, Descent into Hell, and All Hallows’ Eve—and examines the function of community in his work. In the Arthurian poem Region of the Summer Stars, Williams imagines a small community, the …

Myth Y La Magia: Magical Realism And The Modernism Of Latin America, Hannah R. Widdifield

Masters Theses

The similarities between Latin American magical realism and European surrealism have long been regarded as part of a shared, cohesive movement in literature and art. After all, they share certain nonsensical and fantastical traits that place both movements far away from the Realism that modernism, as a whole, refutes. But in light of postcolonial theory, it becomes more and more necessary to explore magical realism as a geographically and politically situated movement with its own unique value in discussions of Modernism; not an offshoot of surrealism, but a sister genre, born in the distinct atmosphere of a region trying to …

The Depiction Of The Holocaust Within The Theme Of Escape In Michael Chabon's The Amazing Adventures Of Kavalier & Clay, Deirdre Toeller-Novak

Masters Theses

Escape sounds like a ram’s horn throughout Michael Chabon’s The Amazing Adventures of Kavalier and Clay, looming large in the lives of his mostly Jewish characters. Only one, Josef Kavalier, is intimately tied to and escapes the Holocaust which destroys his entire family. The horrors of the Holocaust, however, cast a shadow that hovers over nearly every chapter of Chabon’s 636-page novel. For most of the novel’s other characters, intent on plotting their own escapes, the events of the Holocaust remain 4,000 miles away. Americans, Jew and gentile, politically astute and clueless, laborer and capitalist, prefer to maintain a …

Translating Françoize Boucher’S Le Livre Qui T’Explique Enfin Tout Sur Les Parents For Us Audiences: Playing With Words And Images, Evgeniya Bugaeva

Masters Theses

The focus of this thesis is my translation of Le livre qui t'explique enfin tout sur les parents by Françoize Boucher from French into English. Chapter one begins with a brief history and definition of children’s literature, as well as children’s literature in translation. I discuss the subgenre of informational picturebooks—its objectives, characteristics, and current trends. What follows is a short biographic and bibliographic sketch of Françoize Boucher. Then, I discuss the content, format, style, and illustrations of Le livre qui t'explique as well as examine the work’s audience, aims, and values. Finally, I discuss my English translation of the …

Mental Illness In Early American Fiction: Charles Brockden Brown And The Sentimental Novelists, Katie E. Walk

Masters Theses

The late eighteenth and early nineteenth centuries witnessed the development of the United States of America as a new nation. This development brought with it new ideologies and social and political change; included in these changes was the way that sexual conduct outside of marriage was dealt with. Because the emerging legal system became less concerned with matters of morality, some people became frightened that sexual promiscuity would become rampant. The sentimental novel or seduction tale became a means of attempting to control sexual behavior when the law was not able to step in.

The way that madness, a term …

The Lyric And The Lathe: Dreams Of Perfect Poetic Efficiency, 1800-1917, Steven A. Nathaniel

Masters Theses

This study examines patterns of efficiency in the poetry and theory of William Wordsworth, Hilda Doolittle, and other figures from the Modernist and Romantic periods. I begin by defining perfect efficiency as occurring when energy transforms, without loss, inside a closed energy system, and I offer perpetual motion machines as hypothetical examples of this impossible state. I then demonstrate the process of efficiency in William Wordsworth's poetry, which begins with circumlocutory poetic cycles but contracts into terse repetitions. Since technical efficiency is calculated by the formula output/input, poetry's subjectivity makes poetic efficiency difficult to measure. However, I suggest that repetitions …

The Problem Of Love And Codes Of Conduct For The Younger Courtiers In King Lear, Debora L. Pfeiffer

Masters Theses

The courtiers Edmund and Edgar are critical to the action of King Lear, yet there has been little scholarship which has treated these characters in depth. I argue that one way to comprehend them and their significance in the play's action is to analyze their behavior according to the standards of the Renaissance conduct books that were circulating in England at the beginning of the seventeenth century when the play was written. Baldassare Castigligone's The Book of the Courtier, Niccolo Machiavelli's The Prince, and Desiderius Erasmus's The Education of a Christian Prince each sheds light on important themes …