English Language and Literature Commons^™

The Literary Significance Of Herman Melville’S Benito Cereno: An Analytical Reflection On Benito Cereno As A Fictional Narrative, Dani Kaiser

4997 English: Capstone

In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. Melville’s novella is derived from Delano’s nonfiction account of the experience, titled Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817). This paper focuses on three questions that demonstrate why Melville wrote a novella almost completely derived from a nonfiction account of the events aboard the ship. In order to understand why Melville’s novella is powerful, one must ask, as an overarching question why …

Biography And Broken Barriers: Melville’S Use Of Personal Experience And Social Groups To Achieve Commentary In Typee And Redburn, Katelyn Quigley

4997 English: Capstone

Melville’s texts continue to be relevant to a contemporary readership well over a century since original publication, as his words not only illuminate and examine nineteenth century experiences, but also present concepts and ideas that continue to be worthy of consideration by modern audiences. One such issue that is regularly addressed in Melville’s works is that of identity: of the individual, of society, and of the individual as he navigates between the fabrics of various social worlds. This paper examines Social Identity Theory and its components that both achieve identification of the individual and the aggregate in society and define …

Interpretations Of Herman Melville’S Moby-Dick In The Field Of Visual Arts, Madeline Kudlata

4997 English: Capstone

Artistic adaptations of literary classics allow readers to visualize and contextualize some of the most important themes, motifs, scenes, and images in a story that may be difficult to grasp through verbal text alone. From these adaptations, one can analyze the stylistic and thematic similarities or differences in the way an artist portrays elements of Melville’s Moby-Dick. Through their varying artistic styles and media, abstract impressionist Frank Stella, self-taught artist Matt Kish, and award-winning children’s book illustrator Allan Drummond express how Melville’s novel can manifest itself in a multitude of contexts: emotional, literal, and theoretical. By analyzing the way …

Tale Of The Whale, Joel Schlaudt

Aidenn: The Liberty Undergraduate Journal of American Literature

In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melville is attempting to show that the power and attributes of Moby Dick are the source, symbolically, of truth and meaning. However, this is not the impression we get when we look closely at the work itself and note Melville’s treatment of the subject. Furthermore, Deacon …

Melville's Mardi And The Book Of Mormon, Giordano Lahaderne

Graduate Student Theses, Dissertations, & Professional Papers

While Melville’s Mardi has long remained a puzzle to both readers and critics, scholars agree that his third novel marked a significant turning point in his writing career. It is with Mardi that Meville realized the novel as a form suited to grapple the various philosophical and religious questions he would famously explore in his following book, Moby Dick. Although scholars have already pinpointed many various sources for Mardi, this thesis examines the heretofore overlooked connections between Melville’s third book and the esoteric volume of American scripture, the Book of Mormon.

The first chapter of this thesis examines …

"Dollars Damn Me": Editorial Politics And Herman Melville's Periodical Fiction, Timothy R. Morris

Theses and Dissertations

To illustrate Melville’s navigation of editorial politics in the periodical marketplace, this study analyzes two stories Melville published in Putnam’s in order to reconstruct the particular historical, editorial, social, and political contexts of these writings. The first text examined in this study is “Bartleby,” published in Putnam’s in November and December of 1853. This reading recovers overtures of sociability and indexes formal appropriations of established popular genres in order to develop an interpretive framework. Throughout this analysis, an examination of the narrator’s ideological bearings in relation to the unsystematic implementation of these ideologies in American public life sets forth a …