English Language and Literature Commons^™

Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He

CLCWeb: Comparative Literature and Culture

In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …

Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo

CLCWeb: Comparative Literature and Culture

In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …

Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su

CLCWeb: Comparative Literature and Culture

In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …

Characters Through Time, Alyssa Venezia

Honors Thesis

T. S. Eliot once wrote that we “often find that not only the best, but the most individual parts of [an author’s] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously” (Eliot 37). By focusing on character adaptations, one comes to understand how authors of children’s books are able to adapt classic literature into age-appropriate texts that retain the merits of the original. Five sets of characters shall be analyzed to demonstrate the success of the adaptations presented in children’s literature. In the first, Sir Bedivere from Sir Thomas Malory’s Le Morte Darthur …

Living Between The Lines: Intersectionality And Self-Actualization In Shakespeare's Plays, Morgan L. Green

Student Scholar Symposium Abstracts and Posters

More than four hundred years after his death Shakespeare is still the most performed playwright in the English-Speaking World, and even in some cultures vastly different from Shakespeare’s England. Theatre companies continue to make him relevant by exploring new themes and tailoring the productions to the social mores of contemporary audiences. One particular theme being examined more and more by both scholars and theatre artists is diversity and the role of identity in Shakespeare’s works. Three works in which this can be easily examined are Antony and Cleopatra, The Merchant of Venice, and Othello with particular attention paid to …

Jessie Fauset’S Not-So-New Negro Womanhood: The Harlem Renaissance, The Long Nineteenth Century, And Legacies Of Feminine Representation, Meredith Goldsmith

English Faculty Publications

Fauset’s texts offer a repository of precisely what critic Alain Locke labeled retrograde: seemingly outdated plotlines and tropes that draw upon multiple literary, historical, and popular cultural sources. This essay aims to change the way we read Fauset by excavating this literary archive and exploring how the literary “past” informs the landscape of Fauset’s fiction. Rather than viewing Fauset’s novels as deviations from or subversive instantiations of modernity, I view them as part of a long nineteenth-century tradition of gendered representation. Instead of claiming a subversiveness that Fauset might have rejected or a conservatism that fails to account for the …

"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic

Master's Theses

Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …

The Lawrentian Woman: Monsters In The Margins Of 20th-Century British Literature, Dusty A. Brice

Electronic Theses and Dissertations

Despite his own conservative values, D.H. Lawrence writes sexually liberated female characters. The most subversive female characters in Lawrence’s oeuvre are the Brangwens of The Rainbow. The Brangwens are prototypical models of a form of femininity that connects women to Nature while distancing them from society; his women are cast as monsters, but are strengthened from their link with Nature. They represent what I am calling the Lawrentian-Woman.

The Lawrentian-Woman has proven influential for contemporary British authors. I examine the Lawrentian-Woman’s adoption by later writers and her evolution from modernist frame to postmodern appropriation. First, I look at the …

Affecting Manhood: Masculinity, Effeminacy, And The Fop Figure In Early Modern English Drama, Jessica Landis

Doctoral Dissertations

This project identifies and analyzes the fop figure in early modern English drama and treats the figure as a vehicle that reveals the instability of conceptions of masculinity in the period. This project establishes a theatrical history of the character type. Although the fop did not emerge on the English stage as a stock character until late in the seventeenth century, antecedents and proto-fops appear across dramatic genres beginning in the late 1580s. Identifying these characters and deciphering their functions in plot and character development reveals, in part, how cultural anxieties about masculine codes of conduct were manifested. The project …

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

Daisy And Frederick: An Exploration Of Innocence And Its Consequences In Henry James' Daisy Miller: A Study 2015, Mark Andrew Meyer Ii

Master's Theses

No abstract provided.

“Inhumanly Beautiful”: The Aesthetics Of The Nineteenth-Century Deathbed Scene, Margo Masur

English Theses

Death today is hidden from our everyday lives so it cannot intermingle with the general public. So when a family member dies, their body becomes an object in need of disposal; no longer can they be recognized as the familiar person they once were. To witness death is to force individuals to confront the truths of human existence, and for most of us seeing such a sight would fill us with an emotion of disgust. Yet during the nineteenth century, the burden of care towards the sick or dying was shared by a community of family, neighbors, and friends; the …

The Dale Spender Collection At The Women's College, University Of Sydney, Olivia Murphy

ABO: Interactive Journal for Women in the Arts, 1640-1830

Notice of the opening of the Dale Spender collection of books relating to feminism; Australian women's writing; and women's writing in English of the long nineteenth century.

Review Of Marjo Kaartinen, Breast Cancer In The Eighteenth Century, Marie Mulvey-Roberts

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Review Of Peggy Thompson, (Ed). Beyond Sense And Sensibility: Moral Formation And The Literary Imagination From Johnson To Wordsworth, Elizabeth A. Dolan

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Chawton Novels Online, Women’S Writing 1751-1834 And Computer-Aided Textual Analysis, Anne Bandry-Scubbi

ABO: Interactive Journal for Women in the Arts, 1640-1830

Using Chawton House Library’s “Novels Online,” several corpora have been set up for a computer-aided textual analysis of the use of vocabulary by women writing “domestic novels” from 1752 to 1834. This corpus stylistics approach makes it possible to map texts according to their word usage and to identify quantitative keywords which provide vocabulary profiles through comparison and contrast with contemporary male and female canonical texts. Items identified include pronouns, markers of dialogue and of intensity; others can be grouped into specific lexical fields such as feelings. One text from the collection then forms the object of a …

Tearing Down Walls And Building Bridges, Melba J. Boyd

Criticism

A Xicana Codex of Changing Consciousness: Writings, 2000–2010 by Cherríe L. Moraga. Durham, NC: Duke University Press, 2011. Pp. 280, 9 illustrations. $84.95 cloth, $23.95 paper.

Recovering The Beauty Of Medusa, Alexander M. Schlutz

Publications and Research

This essay presents a close analysis of P.B. Shelley’s fragmentary ekphrastic poem “On the Medusa of Leonardo da Vinci in the Florentine Gallery.” It places Shelley’s text in its aesthetic, mythological and historico-political contexts to demonstrate how Shelley aims to undo the ideological and representational structures of power that inform human language, art, and history, and which turn Medusa into the monstrous Other as which she appears. In Shelley’s text by contrast, Medusa becomes a figure for a revelatory beauty that cannot become visible in the distorting parameters of a discourse of power that informs our very perception of what …

Bayard Vs. Drusilla: The Burden Of War And Legacy, Kate Shillingford

Student Writing

No abstract provided.

"Fire And Water Imagery" In Jane Eyre 2015, Shannon O'Loughlin

Master's Theses

Charlotte Bronte’s Jane Eyre is a study in contrasts. Critics have argued the implausibility of the novel, that an orphaned governess who marries her dashing employer is too far-fetched to be believed. However, a proper understanding of Jane Eyre must be based not on a sequence of events, but on the thematic form of the novel in which the signifiers relate to each other and shift throughout. Ferdinand de Saussure explains in his "Course in General Linguistics," that the mental concept one has of a word is its "signifier" (62). Charlotte Bronte relies not simply upon a sequence of events …

Revamping The Roles Of Women In Vampire Film Or Women Who Suck The Life Out Of You, Christy Freadreacea

Kaleidoscope

No abstract provided.

Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman

SANE journal: Sequential Art Narrative in Education

Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …

African American Masculinity In The Wartime Diaries Of Two Vietnam Soldiers, Sharon D. Raynor

CLCWeb: Comparative Literature and Culture

In her article "African American Masculinity in the Wartime Diaries of Two Vietnam Soldiers" Sharon D. Raynor discusses an unpublished diary (1967-68) written by her father, Louis Raynor with the diary (1965-66) of David Parks that was revised and published as a memoir. By contextualizing the traditions of African American autographical writing and wartime diaries, Raynor analyzes how African American masculinity permeates the autobiographical structure in the Raynor and Parks diaries as each soldier interweaves a collective experience with a unique personal experience in the Vietnam War. The Vietnam experience challenged their ideologies about racial politics, but affirmed their masculine …

“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales

Anthós

Since its 1918 publication, Willa Cather’s My Ántonia has been lauded for Cather’s masterful description of the Nebraska prairie landscape; since the mid-1980s, this text has also been the subject of countless queer theoretical analyses, many of which focus on what their authors perceive as an obstructed romantic connection between the novel’s two main characters, Jim Burden and Ántonia Shimerda. While these two subjects may not initially seem correlative, a more recent—and unrelated—critical essay illuminates a new way of examining Cather’s attention to setting. When we view My Ántonia in conjunction with José Esteban Muñoz’s “Queerness as Horizon: Utopian Hermeneutics …

Who Do You Think You Are?: Recovering The Self In The Working Class Escape Narrative, Christine M. Maksimowicz

Doctoral Dissertations

This project considers how socioeconomic impoverishment and society's failure to recognize working class women as valued subjects impinge upon a mother's ability to afford recognition to her daughter's selfhood. Situated within the larger North American literary tradition of fiction animated by flight in search of freedom, the texts here explored constitutes a subgenre that I term the “working class escape narrative.” Combining close readings of fiction by Toni Morrison, Alice Munro, and Sigrid Nunez with sociological research and psychoanalytic theory, I explore a relationship between mother and daughter characterized not by mirroring and bonding but rather the absence of intimacy …

Dancing In The Diaspora: Remembering The Devadasis, Teresa Hubel

Teresa Hubel

Introduction:

In Canada, the classical dance bharatanatyam is both greater and less than an art form, greater because, unlike more common forms such as ballet or jazz dance, it offers its practitioners and its spectators something more than an opportunity to experience art or to be the vehicle for its expression, and less because what it offers along with its art is ethnicity. And in our multicultural society anything tagged as ethnic is caught in an intricate web of exaltation and denigration: by the very act of its celebration, which is frequently state-sponsored and state-endorsed, ethnicity is cast outside and …

Perilous And Fair: Women In The Works And Life Of J.R.R. Tolkien (2015) Ed. Janet Brennan Croft And Leslie A. Donovan, Deidre A. Dawson

Journal of Tolkien Research

Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien (2015), ed. by Janet Brennan Croft and Leslie A. Donovan

Home/Economics: Enterprise, Property, And Money In Women’S Domestic Fiction, 1860-1930, Julia Poindexter Mcleod

Doctoral Dissertations

“Home/Economics: Enterprise, Property, and Money in Women’s Domestic Fiction, 1860-1930” connects American women’s literature to the ideological tensions that affected women’s participation in the development of industrial capitalism in the late-nineteenth and early twentieth centuries. Working against separate spheres ideologies that largely restricted women’s activities to domestic duties as wives and mothers and discouraged them from working in the public marketplace, American women authors engaged with the contemporary economic theories of John Stuart Mill and Thorstein Veblen and promoted New Woman principles to forge new avenues of fulfilling and productive work for women.

In chapters focusing on entrepreneurial work that …

Protecting Dixie: Southern Girlhood In Children's Literature, 1852-1920, Laura Anne Hakala

Dissertations

Most scholarship about girlhood in children’s literature tends to rely on national models of girlhood. My project complicates those models by demonstrating how region shapes distinct forms of American girlhood. In particular, I examine representations of southern girlhood in children’s literature published between 1852 and 1920, drawing on the four types of literature that most featured southern girls during this time period: abolitionist literature, Confederate literature, postbellum plantation fiction, and family stories. Using a historicist methodology and spatial analysis, I place these texts in relation to information about the spatial arrangements and protocols of southern domestic sites. By viewing girlhood …

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Teresa Hubel

Introduction: Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …