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Full-Text Articles in English Language and Literature

Butterbeer, Cauldron Cakes, And Fizzing Whizzbees: Food In J.K. Rowling's Harry Potter Series, Leisa Anne Clark Jun 2012

Butterbeer, Cauldron Cakes, And Fizzing Whizzbees: Food In J.K. Rowling's Harry Potter Series, Leisa Anne Clark

USF Tampa Graduate Theses and Dissertations

ABSTRACTThis thesis situates the Harry Potter books into the greater body of food studies and into the extant children's literary tradition through an examination of how food can be used to understand cultural identity. Food is a biological need, but because we have created social rules and rituals around food consumption and sharing, there is more to eating than simple nutritional value. The Harry Potter series is as much about overcoming childhood adversity, and good versus evil, as it is about magic, and food in the Harry Potter series is both abundant and relevant to the narrative, context, and themes …


Identification Through Inhabitation In Literature, Film, And Video Games, Charlotte Palfreyman Smith Jun 2012

Identification Through Inhabitation In Literature, Film, And Video Games, Charlotte Palfreyman Smith

Theses and Dissertations

In real life we each experience the world separately through our individual bodies, which necessitates what Kenneth Burke calls "identification." In this paper, I assert that as artistic media have structured our aesthetic experience in a way that increasingly resembles our lived, embodied experiences, our identification with fictional characters requires less imaginative effort and is more automatic and powerful. I will show this by analyzing how we inhabit characters through sensory engagement, point of view, and narrative form in literature, film, and video games (specifically action/adventure games, RPGs, and MMORPGs). I will then build off of Burke's foundational theory to …


A 'Living Art': Working-Class, Transcultural, And Feminist Aesthetics In The United States, Mexico, And Algeria, 1930s, Tabitha Adams Morgan May 2012

A 'Living Art': Working-Class, Transcultural, And Feminist Aesthetics In The United States, Mexico, And Algeria, 1930s, Tabitha Adams Morgan

Open Access Dissertations

The cultural productions of Katherine Anne Porter, Anita Brenner, Tina Modotti, Maria Izquierdo, and Juanita Guccione represent a distinctive interweaving of gender and class consciousness, national identification and political resistance, as represented in their artistic work. These five women became transnational carriers of a radical realist and modernist thought, culture, and ideology that became transported through their art when their gendered and classed bodies were left otherwise silenced and boundaried. These women, their cultural productions, and the ways in which their art generates a counter discourse to the dominant and institutionalized conceptions of transculturalism, aesthetics, and re-production, are vital to …


Public Parks And Private Ideologies: Building Nineteenth-Century British National Identity Through Landscape, Laura Swaim Witherington May 2012

Public Parks And Private Ideologies: Building Nineteenth-Century British National Identity Through Landscape, Laura Swaim Witherington

Graduate Theses and Dissertations

This project examines how nineteenth-century landscape theories shaped national identity and were influenced by it. Predominant is an investigation of how the desire for a more egalitarian class structure underlies the changes in British landscape design from an attachment to classical exclusivity through pastoral tropes to a limited acceptance of middle and working classes within public landscapes that represented patriotic values. Although poetic works inform the study, novel-length fiction and non-fiction prose and periodicals are also a primary source of consideration. Novels demonstrate how fictional geography generates the constructs of national ideology, and although canonical works typically referenced in studu …


The Duality Of Unca's Identity: The Use Of The Idol In Colonial And Religious Subjugation, Cheryl E. Tevlin Apr 2012

The Duality Of Unca's Identity: The Use Of The Idol In Colonial And Religious Subjugation, Cheryl E. Tevlin

Student Publications

The Female American follows the life of Unca Winkfield, the product of a bi-racial marriage in eighteenth-century America. Unca’s hybridity creates tension within the novel as she seems to alternate between a predominantly Christian worldview and a pagan one. Throughout the first part of the novel, Unca displays Christian values, praying after she is abandoned on an island. However, as she spends more time there, she begins to act like a pagan, using an abandoned oracle to communicate with the natives. Most scholars believe that Unca changes her beliefs in order to utilize whichever heritage is most beneficial at the …


Blues Trope As A Cultural Intersection In Alice Walker's The Temple Of My Familiar And Sherman Alexie's Reservation Blues, Julia Leuthardt Apr 2012

Blues Trope As A Cultural Intersection In Alice Walker's The Temple Of My Familiar And Sherman Alexie's Reservation Blues, Julia Leuthardt

Theses and Dissertations

Though bound historically through hundreds of years, the African-Native American relation has not received much attention by scholars of literature; hence, the emphasis of this thesis is to investigate the literary portrayal of the interethnic relation between African Americans and Native Americans through the blues trope. The blues trope provides an intriguing literary platform for the psychological and physical struggles in finding an identity within such a diverse multiethnic society like the United States. For African American writer Alice Walker and Native American author Sherman Alexie the blues trope is a successful literary device in expressing long lost and rediscovered …


The After Effects Of Colonialism In The Postmodern Era: Competing Narratives And Celebrating The Local In Michael Ondaatje's Anil's Ghost, Priyanthan A. Pillainayagam Jan 2012

The After Effects Of Colonialism In The Postmodern Era: Competing Narratives And Celebrating The Local In Michael Ondaatje's Anil's Ghost, Priyanthan A. Pillainayagam

ETD Archive

Through the utilization of Jean-Francois Lyotard's views on the Postmodern condition, this paper highlights the failure of metanarratives to accurately convince, as well as convey information and understanding in a postmodern society. This is due in part to what Lyotard believes is an increasing skepticism towards the grand totalizing nature of metanarratives and their reliance on some form of universal truth. In order to reverse the overarching effect of the metanarrative, its all-encompassing nature, and its power to legitimize illegitimate versions of institutionalized truths one must focus on what Lyotard describes as "petit recits" or "little stories". This theoretical framework …


Exiled As The Ship Itself: Liminality And Transnational Identity In Malcolm Lowry's Ultramarine, Under The Volcano, And Dark As The Grave Wherein My Friend Is Laid, Spencer Tricker Jan 2012

Exiled As The Ship Itself: Liminality And Transnational Identity In Malcolm Lowry's Ultramarine, Under The Volcano, And Dark As The Grave Wherein My Friend Is Laid, Spencer Tricker

Electronic Theses and Dissertations

The themes of empire, nationality, and self-imposed exile constitute underexplored topics in critical discussions of modernist author Malcolm Lowry (1909-1957). Until recently, most academic studies have approached his work from biographical, mythological, and psychoanalytic perspectives. While a few studies have performed historical readings of his novels, such investigations tend, primarily, to focus on his engagement with western literary and theoretical movements of the early twentieth century. Of the few studies that address the cross-cultural reach of his novels, most are limited to discussions of Mexican history and traditions, thus prioritizing a specific geographical region when they might, instead, illuminate the …


"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth Jan 2012

"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth

Electronic Theses and Dissertations

Author's abstract: McTeague, Frank Norris's Naturalistc text written in 1899, depicts the corruption of a California couple due to influences outside of their control. In positioning Trina McTeague as a woman unable to identify with either of the two major feminine ideologies of the day, the Angel in the House and the New Woman, this paper examines her identity as conflicted because of this lack of autonomy. Her failure to identify herself leads to a mental break that is reflected in the domestic spaces she inhabits. The places she lives each become smaller and dirtier reflecting her diminished mental capacity. …