English Language and Literature Commons^™

The Witch, The Blonde, And The Cultural "Other": Applying Cluster Criticism To Grimm And Disney Princess Stories, Valerie F. Garza

Theses and Dissertations

The Brothers Grimm and the Walt Disney Company have produced popular fairy tales for large audiences. In this work, cluster criticism—a rhetorical criticism that involves identifying key terms and charting word clusters around those terms—is applied to four Grimm fairy tales and four Disney princess films. This study aims to reveal the worldview of the rhetors and explore how values present in Grimm tales manifest in contemporary Disney films. Disney princess films in this study have been categorized as “White/European” and “Non-White/Cultural ‘Other.’” Because film is a form of non-discursive rhetoric, an adaptation of cluster criticism designed for film was …

Panopticism In A Digital Age: An Examination Of Transmedia Reimagining Jane Eyre, April L. Gonzales

Theses and Dissertations

The purpose of this study is to examine how content creators, Nessa Aref and Alysson Hall have reinterpreted the original character Jane Eyre in a modern and social media era. The main struggle emphasized is that between an ideal self and societies expectations. Societies expectations and the expression of self are both more influenced by economics and business. The creators of The Autobiography of Jane Eyre heavily emphasize the motivations behind appearances. The creators shift Jane’s character so she is able to navigate within these expectations and the influence present in a digital world.

Coming Of Age On Social Media: Platforms For Discussion And Critique On The Novels Of Sarah Dessen, Liza M. Soria

Theses and Dissertations

This thesis analyzes the way Tumblr and Twitter users converse about a variety of topics in Sarah Dessen’s novels, not predominantly focused on romance. From 2006 to 2016, tweets and blog posts across Tumblr and Twitter platforms have responded to the twelve novels written by Dessen from 1996 to 2015. Incorporating recent social media commentary on a variety of topics within her first six novels from That Summer (1996) to The Truth About Forever (2004) demonstrates how Dessen’s early novels appeals to readers currently on Twitter and Tumblr. In the last decade of Dessen’s writing career, from Just Listen (2006) …

Mack Thomas: The Total Beat, James B. Welton

Theses and Dissertations

Mack Thomas enjoyed both an audience seat and a role in the Beat Generation. He lives the life that fits one of his mottos, “if at first you don’t succeed, quit”. Thomas was the author of two autobiographical novels Gumbo and The Total Beast, a jazz and literature columnist for Grove Press in the 1950s and 1960s. Thomas was also a jazz musician worthy to share the stage with Miles Davis, inventor, and entrepreneur among numerous other interests. His friendship with William S. Burroughs was forged by their Texas ties while they were neighbors living in Paris, France and offered …

The Many Faces Of Cleopatra: How Performance And Characterization Change Cleopatra In Geoffrey Chaucer's "The Legend Of Good Women," William Shakespeare's The Tragedy Of Antony And Cleopatra, And John Dryden's All For Love; Or, The World Well Lost, Rebecca Piazzoni Chatham

Graduate Theses and Dissertations

Geoffrey Chaucer, William Shakespeare, and John Dryden presented the character of Cleopatra differently, through both the written language of their pieces and their own and others’ performances of her, in order to meet the demands of their respective audiences and performance conditions. Chaucer, in “The Legend of Cleopatra,” portrays and performs Cleopatra comically. Shakespeare, in his Tragedy of Antony and Cleopatra, characterizes Cleopatra as a complex woman. In All for Love; or, The World Well Lost, Dryden characterizes Cleopatra as sentimental, but the performance of her on stage by female actresses added depth to the role. For Chaucer and Dryden, …

Women's Speech As Reflected In The Television Series, Friends, Gema Del Moral

Theses and Dissertations - UTB/UTPA

This research focuses on analyzing how contemporary women’s speech is reflected in the popular television show Friends through the characters’ differences in gender and their variances in language forms. The aim of this thesis is to find out if there are certain lexical and syntactical characteristics that distinguish women’s language from men’s language. In this study, a corpus linguistic approach is used to collect the data and make a quantitative analysis based on the verbal communication of the characters involved in Season 4 of Friends. The analysis of the linguistic features of verbal communication of all the characters in Season …

Intersectionality In Jane Eyre And Its Adaptations, Laurel Loh

Graduate Theses and Dissertations

During the almost 170 years since Jane Eyre was published, there have been numerous adaptations in many different mediums and genres, such as plays, films, musicals, graphic novels, spin-off novels, and parodies. The novel has been read in many different critical traditions: liberal humanist, historicist, feminist, and postcolonial approaches dealing with topics such as the problem of female authorship and consciousness. In addition, it has been read in terms of an ideological struggle based on race, class, and gender; xenophobia and imperialism; female labor politics; and genre issues, to just name a few. As literary critics have explored numerous themes …

Abandoning The Shadows And Seizing The Stage: A Perspective On A Feminine Discourse Of Resistance Theatre As Informed By The Work Of Susanna Centlivre, Eliza Haywood, Frances Sheridan, Hannah Cowley, And The Sistren Theatre Collective, Brianna A. Bleymaier

MA in English Theses

This thesis considers the development of a unique form of theatre - feminine resistance theatre. Through the process, this work will consider the true nature and power of theatre as an artform, the placement of the problematized female voice within society, literature, and theatre, and how the theatrical form can create a unique catalyst for the female voice to be considered and implemented. In order to fully comprehend the nature of this exploration, this thesis discusses the placement and relevancy of the foundation eighteenth century theatre provides, by examining four of the women who fought for the validity of the …

Landing: On The Other Side, Marianita Escamilla

Theses and Dissertations - UTB/UTPA

Landing: On the Other Side a collection of essays that discuss one woman's struggle with the Chronic Fatigue Syndrome, Fibromyalgia (FM). The narratives are organized non-chronologically because the more pervasive effects of this chronic illness manifest in waves that do not follow a simple means of progression. Rather, FM's most powerful symptom is the highly variable pain strength coupled with its unpredictability.

The mass marketability of this text, as with other illness/disability narratives, lies in the universal message of prevailing against adversity. A person need not suffer from this illness or any ailment to comprehend the narrator's plight. While this …

Ideology In Popular Late Twentieth And Twenty-First Century Children's And Young Adult Literature And Film, Iris Grace Shepard

Graduate Theses and Dissertations

Texts created for the consumption of children and young adults are not simple texts made for the sole purpose of entertaining young audiences. In fact, these texts are complicated, multi-faceted texts that function both in the creation and performance of childhood. Children's and young adult literature and film disseminated mainstream ideology about young people's place in society and attempt to enculturate young readers and viewers in regards to race, gender, age, and Social class. However, by helping young people interact critically with these texts, critical thinking skills as well as a passion for reading can be fostered. In addition, by …

Public Parks And Private Ideologies: Building Nineteenth-Century British National Identity Through Landscape, Laura Swaim Witherington

Graduate Theses and Dissertations

This project examines how nineteenth-century landscape theories shaped national identity and were influenced by it. Predominant is an investigation of how the desire for a more egalitarian class structure underlies the changes in British landscape design from an attachment to classical exclusivity through pastoral tropes to a limited acceptance of middle and working classes within public landscapes that represented patriotic values. Although poetic works inform the study, novel-length fiction and non-fiction prose and periodicals are also a primary source of consideration. Novels demonstrate how fictional geography generates the constructs of national ideology, and although canonical works typically referenced in studu …

Playing Devil's Advocate: The Attractive Shakespearean Villain, Jonathan Montgomery Green

Graduate Theses and Dissertations

The characters of William Shakespeare have spawned countless words of critical interpretation inspired by the playwright's aptitude for fashioning intricate and conflicted figures. As a master character craftsman, Shakespeare is consistent in creating fascinatingly deep characters, and many of them have even gone so far as to generate entire literary archetypes. From the contemplative Prince Hamlet to the despicable yet charming John Falstaff, Shakespeare's characters remain eternal representatives of what any good character should be: interesting, provocative, and complicated.

However, among the playwright's most hypnotic figures are his villains, those characters whom audiences should by all counts detest but cannot …

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

Strike Out Across The Shoreless Ocean, Julia Claire Paajanen

UNLV Theses, Dissertations, Professional Papers, and Capstones

What happens between a reader and a poem is none of my business. The world has always been yours; find your own way.

(1) Every choice is correct.

(2) Everything is true.

(3) What is anything, unless so far as it is enjoyed?

All you have to do is see the course, and when you see it, go.

Recasting Genre In Tennessee Williams's Apprentice Plays, Christina Ilona Hunter

Dissertations

This dissertation investigates Tennessee Williams’s earliest full-length plays, also known as the apprentice plays—Candles to the Sun, Fugitive Kind, Not About Nightingales, Spring Storm, and Stairs to the Roof—by comparing, contrasting and contextualizing them in relation to Daniel Chandler’s generic criteria of drama; namely, narrative, characterization, setting, topics, iconography, and staging techniques. The present study also draws upon an extensive body of scholarship pertaining to genre theory, Williams’s cultural contemporaries, and the historical and psychological backdrop of Depression-era America. In these early plays, Williams diverged sharply from the dramatic generic conventions of his day, manipulating them in new …

With His Guitar In His Hand: Representations Of U.S. - Mexico Border Masculinity In Robert Rodriguez's “El Mariachi”, Marlene Galvan

Theses and Dissertations - UTB/UTPA

This thesis closely examines Robert Rodriguez’s film El Mariachi and its portrayal of border masculinity - the masculine identity which exists on the physical space between the U.S. and Mexico, but also the masculinity created by the melding of cultures. The film ignores this complexity and instead dichotomizes maleness along the traditionally Western lines of hard versus soft masculinity. Further, the film glorifies violence, the exploitation of female bodies, shows women as only useful agents of man, punishes transgressive women, and depicts men as only possessing or aspiring to possess individualistic, economic, phallocentric, and patriarchal power which reinforces a variation …