English Language and Literature Commons^™

True Love Waits: A Barthesian Reading Of Desire And Delay In Flaubert And James, Yasmin Patel

Scripps Senior Theses

This thesis explores the theme of amorous waiting in the literature of Gustave Flaubert and Henry James. Roland Barthes' definition of waiting, as articulated in A Lover's Discourse, is used as a tool to examine the waiting conditions of characters in Madame Bovary, The Beast in the Jungle, and The Ambassadors. By using the Barthesian framework, this thesis identifies and analyzes different forms of gender-based waiting and their distinctive consequences. However, it also notes that the primary texts further complicate the relationship between romantic waiting, gender, and autonomy. Ultimately, this analysis shows us that amorous waiting goes beyond a simple …

Reading In Place: Ordinary Language Philosophy, Wendell Berry, And Post Critique, Calvin L. Coon

MSU Graduate Theses

The twenty-first century, marked by neoliberalism and suspicious, visibly violent far-Right politics, has presented new challenges to critical and literary theorists. In response, some theorists advocate for a postcritical turn, challenging both the surface/depth picture of language and the privileged status of suspicion in interpretation in order to explore alternative pictures of language and reading that can better address the challenges of our own day. In this thesis, I connect one of these alternatives, Toril Moi’s use of Ordinary Language Philosophy in literary studies, to Wendell Berry’s prioritization of place in environmentalist activism. In connecting these two thinkers, I contend …

Girlhood And Engendered Alienation In The Heart Is A Lonely Hunter And A Tree Grows In Brooklyn, Lauren C. Dolese

University of New Orleans Theses and Dissertations

Utilizing a girls’ studies perspective and materialist feminist lens, this paper seeks to put Carson McCullers’ The Heart is a Lonely Hunter (1940) in conversation with Betty Smith’s A Tree Grows in Brooklyn (1943). Besides being published in the early 1940s, both works feature young girls navigating class struggles, exploring their identities, and struggling against dominant ideologies specific to their time and place. McCullers’ and Smith’s novels depict how a patriarchal, capitalist society imposes upon young women a narrow, misogynistic view of themselves and the women around them—facilitating the social reproduction of oppression and alienation. In depicting these realities of …

Cultural Trauma Fiction: Political Violence, Rampage Violence, And Structural Violence In Contemporary American Literature, Courtney Mullis

Electronic Theses and Dissertations

This dissertation identifies and proposes a new subgenre of American literature, Cultural Trauma Fiction, that has arisen since the late 20^th century in response to numerous large-scale traumatic events and their representation in the media. Cultural trauma occurs when a shocking, shared event fractures collective identity and initiates a discursive process to understand what took place, why it happened, and how the affected culture can heal. Cultural traumas differ from individual trauma because cultural traumas affect a culture, rather than an individual, and because they are mediated; many members of the culture experience the trauma of these events secondhand …

Hungry For More: American Food Writing And Globalization, Andrew Kleinke

Theses and Dissertations

My dissertation, Hungry for More: American Food Writing and Globalization, investigates several food-focused texts including novels, travelogues, culinary memoirs, and TV shows. I take an interdisciplinary approach by incorporating literary theory into the field of food studies to argue that food texts from the United States reveal a growing anxiety towards what, how, and where we eat. As I show, food writing plays a prominent role in shaping many Americans' interactions with the world. More specifically, I argue that globalization has changed, and continues to transform, access and attachments to food. In the first chapter of my dissertation, I examine …

More Than The Defiant Few: Lost Womanhood And Necro Women Dismantling Nineteenth-Century Gender Ideologies, Vicki Vanbrocklin

English Language and Literature ETDs

Too many scholars still rely on adjectives such as deviant, unruly, dangerous, and wild to describe women who interrogate rigid forms of womanhood, especially women of color. My project intervenes in nineteenth-century womanhood discussions, which have traditionally solidified three main categories: Republican, True, and New Womanhood. Between True Womanhood in the mid-nineteenth century and the late nineteenth-century concept of New Womanhood lies an overlooked category aptly understood as Lost Womanhood. I focus on newspaper archives, archival research, and imaginative literature to find “lost” women who critiqued a patriarchal system that thrives on women living in a status akin to being …

Race And Technology In Southern Literature, Civil War To Civil Rights, Kaitlyn Elizabeth Smith

Theses and Dissertations

This dissertation considers the intersection of technology and race in the literature of the American South from the nineteenth and twentieth centuries. Though narratives about technology in American literature often promise democracy, equality, improvement, and progress, the role of technology in southern literature is more complex and ambivalent. Literature from and about the South from the Civil War to the civil rights era, by Black and white southern authors like Charles Chesnutt, Zora Neale Hurston, William Faulkner, and Eudora Welty reveals technology’s ability to uphold and naturalize southern white supremacy, but also to subvert it. Southern literature traces a pattern …

The Imperial Gothic: Contact Tracing Narratives Of Disease, Disorder, And Race In Global American Literature, Emma Brownstein

Honors Papers

This thesis examines the intersections among gothic literature, empire, and contagion, and traces the emergence and evolution of a yet unexplored subgenre: the Imperial Gothic. Where early American Gothic narratives express anxieties about national stability and the republican subject, the Imperial Gothic explores anxieties that emerge when imperialism brings white Americans into contact with foreign commodities, environments, and bodies, ranging from foreign nationals, immigrants, and enslaved peoples, to Martians. It demonstrates how viral threats to the body correspond to the nationalist conception of foreign threats against the imagined white body politic. What emerges from this body of global and interplanetary …

Trauma Before The Name : Impersonal Violence In Nineteenth-Century American Literature, Carolin Alice Hofmann

Legacy Theses & Dissertations (2009 - 2024)

The dissertation studies the pre-history of trauma in US American fiction, examining how experiences of large-scale adversity are represented before the concept of psychological trauma emerges in the late nineteenth century. Distinctly modern forms of violence—diffuse, systemic, lacking direction and intent—bring forth less individual and personal experiences of grief and suffering than those imagined by twentieth-century trauma theory. Studying forms of feeling and of genre that make trauma legible historicizes the way a Western idea of modern subjectivity, as white, self-possessed, agential, and split, has shaped out understanding of how a person processes crisis. The dissertation visits three spaces that …

Autobiographical Narratives Of Sexual Violation: Trauma, Genre, And The Politics Of Telling, Sarah M. Hildebrand

Dissertations, Theses, and Capstone Projects

This dissertation engages with literary trauma theory and rape studies by investigating how scholars through the 1990s theorized the relationship among trauma, narration, and silence, and how the #MeToo movement causes us to rethink these views. Attending to the specific silence generated in the wake of sexual violation reveals how power structures influence the act of telling, challenging the idea that trauma is untellable. I argue that literary trauma theory needs to push beyond its foundation in biomedical models of trauma—in which the (in)ability to recall or articulate traumatic events is rooted in neurology—to examine the ways traumatic narratives are …

Unicorns Are Not Real And Neither Are You: Peter S. Beagle's Postmodern Fairy Tale, Athena Hayes

Electronic Theses and Dissertations

Although considered by many readers to be a “cult classic,” Peter S. Beagle’s 1968 novel The Last Unicorn has been unrepresented in literary scholarship. Many fantasy critics in the past have dismissed the work as lacking a sense of reality through its mixing of modern language with a medieval, fantasy setting. However, the novel’s purposeful muddling of reality raises questions of ontology and the nature of storytelling/world-projection. The objective of this study is to not only to act as a sort of apologetic for The Last Unicorn, but also read the novel in the context of fairy tale/mythic studies …

Grappling With The Aftereffects Of Modernism In American Literature And Culture: Spiritual, Political, And Ecological, Joseph Neary

Master of Arts in English Plan II Graduate Projects

In this portfolio, Joe Neary examines various texts within contemporary American culture, including David Foster Wallace’s short story, “Good Old Neon,” Harmony Korine’s film, Spring Breakers, Richard Powers’ novel, The Overstory, and Bruce Holsinger’s book of criticism, Neomedievalism, Neoconservatism, and the War on Terror.

Duration And Depravity: Religious And Secular Temporality In Puritanism And The American Gothic, Taylor Kraayenbrink

Electronic Thesis and Dissertation Repository

Duration and Depravity identifies a temporality of “sinful feeling” operating in the archive of Puritan writings of personal piety, such as diaries, autobiographies, conversion narratives, and sermons, and persisting into early American gothic literature. This temporality of sinful feeling is an attempt to discipline the self through temporal projection oriented towards the theological fact and religiously experienced feeling of sinfulness. Duration and Depravity engages with the proliferation of postsecular criticism in American literature studies generally, and Puritan studies more specifically. Postsecular criticism in literary studies is a style of historicism that reconsiders its primary archive’s position in newly complicated narratives …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

Intimate Fictions: The Rhetorical Strategies Of Obscene Violence In Four Novels, Steven Monk

LSU Doctoral Dissertations

Richard Wright, Marlon James, Cormac McCarthy and Ken Levine are each celebrated in their respective fields but notorious for their obscene depictions of violence. Contrary to trauma theorists’ claims that violence shatters language and cannot be spoken, these writers speak violence in its most disturbing forms: torn eyeballs, dead infants, forced fecal consumption and mechanized rape. I argue that obscene violence, much like obscene language, creates a space of intimacy in which transgressive, subversive and oppositional thoughts may be spoken. By alienating their texts from the larger reading public, these writers entice a smaller group of sympathetic readers to develop …

The Jeremiad In American Science Fiction Literature, 1890-1970, Matthew Schneider

Theses and Dissertations

Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. But most interlocutors still work with the jeremiad primarily in American studies or in terms of national discourse. Rooted in the legacy of Puritan rhetoric, the …

Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …

Neoliberalism In Contemporary Literature: The Nuclear Family’S Decimation In Jonathan Franzen’S The Corrections, Jillianne Larson

Honors Theses

Within any text, there is often evidence of the author’s own life along with cultural reflections. A specific example of this occurrence is Jonathan Franzen’s novel The Corrections (2001). Since the novel was written in the early twenty-first century, it is an immediate reflection of post-millennial society, specifically the rise of neoliberalism. Neoliberalism was introduced to America as an economic venture; however, the policy’s impact can be frequently seen in relation to the nuclear family. As the idea gained popularity during the 1980s, neoliberalism began seeping into family units by way of one’s career and one’s home. This invasion has …

How Queer Came To Be: Deconstructing White Queerness In Melville's "Bartleby," Ginsberg's Howl, And Morrison's A Mercy, Sara Elizabeth Parnell Wilcox

Graduate Theses

In American LGBTQ+ communities, questions continually arise about what it means to live in a post-gay marriage world. Is there still a need for a division between LGBTQ+ and heteronormative spaces, such as nightclubs or parades? What purpose does the ideological signification of a queer identity serve if, ostensibly, queer communities are now equal with their heteronormative counterparts? Rather than accepting the homonormative, post-gay marriage premise that underlies frequent, current representations of “queerness” in terms of white, male, gay bodies, I plan to explore the convergence of aesthetics and politics as a method of freeing queer theory from some of …

Naturalism And The New Woman: Fated Motherhood In Kate Chopin's The Awakening And Edith Wharton's The House Of Mirth, Lindsay J. Patorno

Honors Theses

Proto-feminist novels have garnered great critical attention in recent decades, largely owing to the reclamation efforts of feminist scholars from the 1960s onwards. These feminist scholars have remarked the fin-de-siècle emergence of a recurring narrative archetype: the unabashed New Woman, whose exploits in what were traditionally male-dominated spheres distinguished her from the domesticated matrons and sentimental bachelorettes of past literary paradigms. While the New Woman is now a commonplace among feminist critics, the following thesis uniquely interprets this feministic archetype in conjunction with the concurrent movement of American literary naturalism—a genre that proffers a deterministic worldview and is often regarded …

Sickly Sentimentalism: Sympathy And Pathology In American Women's Literature, 1866-1900, Nicole Zeftel

Dissertations, Theses, and Capstone Projects

Sickly Sentimentalism: Pathology and Sympathy in American Women’s Literature, 1866-1900 examines the work of four American women novelists writing between 1866 and 1900 as responses to a dominant medical discourse that pathologized women’s emotions. The popular fiction of Metta Fuller Victor, Elizabeth Stuart Phelps, Sarah Orne Jewett, and E.D.E.N. Southworth mobilized sentimental style and sympathetic affect to challenge the medical trend of treating female sentiment as a sickness. At the level of narrative, this challenge took the form of deviating from the domestic and marriage plots prevalent in women’s popular fiction of their period. Through forms of sentimental writing my …

“While The Imagination Strains / After Deer”: William Carlos Williams’S Interrogations Of The American Transcendental Imagination And The Proto-Suburban Scene, Tyler Wagner

Undergraduate Honors Thesis Collection

Oftentimes the American suburbs are considered through the lens of architecture, economics, fiction, and visual media. And, typically, the conversation centers on their cultural zenith in the 1950s. One literary form is neglected in this conversation: poetry. This omission is peculiar, as a fascination with the vastness of the continent’s landscape—and its significance—pervades the history of the American verse. For Ralph Waldo Emerson, the apparently endless expanses of space and rejuvenative qualities of the American landscape provide the poet’s ideal inspiration, and Walt Whitman, in perhaps the most important collection of poetry of the nineteenth century, Leaves of Grass, is …

African-American Poetry, Music, And Politics, Tyler H. Macdonald

Honors Theses

The 2016 decision to award songwriter and musician Bob Dylan the Nobel Prize in Literature sparked a worldwide debate on the relationship between music and poetry and raised many questions about music’s place in literary canon. However, this debate is nothing new. Questions about the relationship between music and poetry have long been debated. Some scholars believe the two disciplines should be studied separately, while others prefer to consider the connections between the two.

My project begins with a question: if Bob Dylan’s songs can be considered poetry, what other forms of music might also be considered poetry? Rap implements …

Wild Abandon: Postwar Literature Between Ecology And Authenticity, Alexander F. Menrisky

Theses and Dissertations--English

Wild Abandon traces a literary and cultural history of late twentieth-century appeals to dissolution, the moment at which a text seems to erase its subject’s sense of selfhood in natural environs. I argue that such appeals arose in response to a prominent yet overlooked interaction between discourses of ecology and authenticity following the rise and fall of the American New Left in the 1960s and 70s. This conjunction inspired certain intellectuals and activists to celebrate the ecological concept of interconnectivity as the most authentic basis of subjectivity in political, philosophical, spiritual, and literary writings. As I argue, dissolution represents a …

The Significance Of The Game Of Pool In Ernest Hemingway’S “Soldier’S Home”, Molly J. Donehoo

Electronic Theses and Dissertations

In his 1929 A Farewell to Arms, American Author Ernest Hemingway provides the thesis for all of American Modernism when he writes, “the world breaks everyone and afterward many are strong at the broken places” (216). If the world breaks everyone Hemingway’s focus becomes not in the breaking but in the solutions for becoming strong at the broken places. Throughout his canon Hemingway presents the healing rituals and therapeutic patterns that govern sports and game as a solution to becoming strong at the broken places. While critics have closely analyzed and scrutinized some of his most recognized short-stories, stories …

Too Late : Reconceptualizing Despair For An Overdetermined Future, Hunter Peters

Legacy Theses & Dissertations (2009 - 2024)

This thesis will address the larger conversation occurring within anthropocene studies through a more conscious treatment of despair as a vital force in our moving forward into an overdetermined future. Using three primary texts, William Faulkner’s The Sound and the Fury, Anne Sexton’s The Awful Rowing Toward God, and Cormac McCarthy’s Blood Meridian or the Evening Redness in the West, I will demonstrate how despair allows us to confront the abyss that is species extinction, a future for which hyperobjects act as a harbinger or messianic power. Taking a position opposite the more hopeful critics working within anthropocene studies, my …

True Crime As A Literature Of Advocacy, Leslie Rowen

Undergraduate Theses

True crime is often dismissed as a genre of cheap paperbacks with little literary merit and highly sensational, pornographic content. By contrast, my paper proposes an alternative literary history of true crime which merits further investigation because of its focus on advocating for justice where the justice system failed. I begin with Catharine Williams’ 1833 piece Fall River: An Authentic Narrative, an early example from true crime literature. The text disputes the acquittal of a Methodist preacher for the murder of a female mill worker, arguing that the trial was unfairly slanted in the defendant’s favor. More than a century …

A Woman's Voice And Identity: Narrative Métissage As A Solution To Voicelessness In American Literature, Kali Lauren Oldacre

MA in English Theses

The objective of this thesis was to analyze the progression of a woman’s voice in literature looking particularly at three American women writers spanning the 20th and into the 21st century—Kate Chopin, Zora Neale Hurston, and Edwidge Danticat. In conjunction, these three novels show a progression through the history of American women’s literature, demonstrating the successes and failures of voice and silence in their works and the ways in which creating an identity through voice is necessary, even if one must create it complexly. Ultimately, the authors establish a voice in their works that lays the foundation for writers who …

Gothic Naturalism And American Women Writers, Stephanie Ann Metz

Doctoral Dissertations

Traditionally, naturalism and the Gothic have been seen as genres that have little to do with one another. However, Frank Norris, one of the practitioners and theoreticians of canonical naturalism, argued that the roots of naturalism lie not in realism (as is often argued) but in romanticism. This project seeks to explore Norris’s claim by positing a new genre—Gothic naturalism. Gothic naturalism is a hybrid genre that combines the Gothic’s haunting nature and representations of the abject, grotesque, and uncanny with canonical naturalism’s interrogation of making choices and the forces of chance, determinism, and heredity. Although naturalism is traditionally seen …

The Gothic Presence Of Poland In Nineteenth-Century American Literature, Jill Noel Walker Gonzalez

English Language and Literature ETDs

The references to Poland in United States print culture indicate that Poland is a significant presence in the nineteenth-century literary imagination. Though often idealized, Poland emerges as a gothic presence registering anxieties about culture, imperialism, slavery, the Other, economic ruin, and identity. Using Roland Barthes theory of cultural code, this dissertation looks to nineteenth-century United States newspapers to consider American readers' cultural knowledge about Poland. The coded history of revolution beneath each reference to Poland indicates that Polish revolution is the mechanism that reveals American anxieties about instability, imperialism, class inequalities, and violence—all of which put pressure on America's mythic …