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Full-Text Articles in English Language and Literature
Myth Y La Magia: Magical Realism And The Modernism Of Latin America, Hannah R. Widdifield
Myth Y La Magia: Magical Realism And The Modernism Of Latin America, Hannah R. Widdifield
Masters Theses
The similarities between Latin American magical realism and European surrealism have long been regarded as part of a shared, cohesive movement in literature and art. After all, they share certain nonsensical and fantastical traits that place both movements far away from the Realism that modernism, as a whole, refutes. But in light of postcolonial theory, it becomes more and more necessary to explore magical realism as a geographically and politically situated movement with its own unique value in discussions of Modernism; not an offshoot of surrealism, but a sister genre, born in the distinct atmosphere of a region trying to …
The Pandemonium Of Change: Endurance Of The Carnivalesque Mode, Jeremy K. Horton
The Pandemonium Of Change: Endurance Of The Carnivalesque Mode, Jeremy K. Horton
Honors Theses
The carnivalesque is a literary mode that takes the characteristics of medieval carnivals and brings them to literature. Academic study of the carnivalesque has thus far been relatively limited, leaving the researcher to explore a largely untapped field of literary analysis. The carnivalesque is most easily observable in the more celebrated mode of literature known as magical realism, which is a mode generally associated with Latin American authors, including several Nobel laureates. Magical realism deals with the insertion of traditional supernatural elements into otherwise natural worlds, which is the point where this mode intersects with the carnivalesque (though the two …
Influenza, Heritage, And Magical Realism In Katherine Anne Porter's Miranda Stories, Katherine Snow Nelson
Influenza, Heritage, And Magical Realism In Katherine Anne Porter's Miranda Stories, Katherine Snow Nelson
Theses and Dissertations
Despite the devastating scope of the Spanish Influenza Pandemic of 1918, curiously few references to the flu exist in literature. Katherine Anne Porter offered one of modernism's only extensive fictional treatments of the pandemic in her short novel “Pale Horse, Pale Rider,” decades after her own near-death encounter with the flu. Porter was able to give voice to an experience that had traumatized others into silence by drawing on an early form of magical realism. Magical realism's ghosts—everyday presences rather than otherworldly beings to be feared—are of particular relevance to “Pale Horse, Pale Rider” since ghosts “haunt” Porter's semi-autobiographical Miranda …