English Language and Literature Commons^™

Almost Speechless: Representations Of Womanhood And Female Voices In Turn­-Of-­The-Century American Novels, Carmen Sylvia Smith

Department of English: Dissertations, Theses, and Student Research

In this dissertation, I close read four turn-­of-­the-­century American novels by Henry James, Kate Chopin, Charles Chesnutt, and Willa Cather to analyze how the voices and silences of fictional women characters work to disrupt cultural ideals about womanhood. Examining which aspects of the characters’ identities are expressed in direct dialogue and which traits are conveyed to the reader through narrative devices reveals how cultural ideals about womanhood restrict women’s self-­expressive autonomy and work to exclude female voices from the public sphere.

Chapter One examines Henry James’s The Bostonians (1886) and how erotic rivals Olive Chancellor and Basil Ransom compete to …

The Power Of Presumed Trauma And The Perpetuated Yet Unintentional Silence In Henry James' The Turn Of The Screw, Andria E. Rivero

FIU Electronic Theses and Dissertations

Henry James’ The Turn of the Screw (1898) has long been a work capable of numerous interpretations and readings centering around the lead character, the governess, and her intentions and interactions in the novella. However, this thesis explores the extent of the governess’s actions and power and their results towards the children for which she is responsible. In this thesis, I focus on the presence of trauma as presumed by the adult characters, perpetuating unintentional limitations on the children who are assumed to be traumatized. The thesis uses trauma studies to understand power dynamics within the novella. The power dynamics …

A Portrait Of Freedom: A Bakhtinian Interpretation Of Henry James' The Portrait Of A Lady, Bryan J. Richardson

Pell Scholars and Senior Theses

Few issues in the Jamesian corpus have been more controversial than Isabel Archer’s decision to return to her cruel husband Gilbert Osmond at the end of The Portrait of a Lady. While critics have often thought of Isabel’s decision as either unrealistic, unjustifiable, or misguided, her choice becomes more rational when viewed within the context of a Bakhtinian polyphonic novel. By seeing the novel as a free-flowing novel of voices about the nature of freedom, Isabel’s choice can be explained as holding true to her belief that “freedom” means holding steadfast to one’s responsibilities, a conclusion she reaches by synthesizing …

Confirmation Bias: Misinformation In Society, Refutation As A Pedagogical Solution, And The Turn Of The Screw, Crystal Veber

FIU Electronic Theses and Dissertations

This thesis explores the societal implications of confirmation bias through the analysis of the characters and criticism of Henry James’ The Turn of the Screw, and the application of modern psychological and pedagogical studies to demonstrate a similar misunderstanding of truth in society. The aim of this study is to provide an approach to teach students that the plausibility of a belief based on selective evidence is insufficient justification for validation. Such flawed logic insidiously erodes one’s trust in objective truths, instead promoting subjective truths that are misinformed by media forms like fake news, biased claims, and unfiltered online content. …

A City Room Of One's Own: Elizabeth Jordan, Henry James, And The New Woman Journalist, James Hunter Plummer

Department of English: Dissertations, Theses, and Student Research

This thesis considers the portrayal of the female journalist in the works of Elizabeth Jordan and Henry James. In 1898, Jordan, a journalist and editor herself, published Tales of the City Room, a collection of interconnected short stories that depict a close and supportive community of female journalists. It is, overall, a positive portrayal of female journalists by a female journalist. James, on the other hand, uses the female journalists in The Portrait of a Lady, “Flickerbridge,” and “The Papers” to show his discomfort toward New Journalism and the New Woman of the late-nineteenth and early-twentieth centuries. These …

The Taboo Of Experience, Brian Glaser

English Faculty Articles and Research

A lyric essay discussing Henry James and cosmopolitanism
from the perspective of a scholar
visiting a German university.

Transferential Poetics, From Poe To Warhol, Adam Frank

Literature

Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. …

Coleridge, James And The Dangerous Imagination, Taylor Ferguson

Honors Program Theses and Projects

No abstract provided.

A New Man: Masculine Confusion And Struggle In The Works Of Edith Wharton, Gary L. Crump

Masters Theses & Specialist Projects

Edith Wharton’s male characters offer an important commentary on the evolving situation of the man in American society. Wharton did not wish for women to usurp all social positions from men but rather to claim their rightful position alongside them. Characters such as Lawrence Selden in The House of Mirth and Ralph Marvell in The Custom of the Country display the same characteristics of fear, passion, and vulnerability as do many of her primary female figures. Wharton’s societal concerns do not merely extend to that of her own sex but to that of the male in society who struggled with …

Discreetly Depicting "An Outrage": Graphic Illustration And "Daisy Miller"'S Reputation, Adam Sonstegard

English Faculty Publications

Rendering the first illustrated edition of "Daisy Miller" in 1892, Harry Whitney McVickar had to reconcile the novella's scandalous reputation with the polite medium of graphic illustration. McVickar highlights insignificant scenery, shows solitary figures instead of social interaction or playful flirtation, and nearly omits the heroine. His depictions and omissions contain the characters' indiscretions, and ensure that aspiring flirts and would-be Winterbournes who view his images do not "get the wrong idea." Cinematic adaptations amplify Daisy's public displays and encourage Winterbourne's voyeurism, but "Daisy Miller"'s first graphic illustrations strove instead to redeem the reputation of James's "outrage on American girlhood."

Charting An Ethics Of Desire In "The Wings Of The Dove”, Phyllis E. Vanslyck

Publications and Research

James’s characters are nothing if not willful—and ultimately alone—in their quests. Like figures from ancient Greek drama, they demand everything and give up nothing, enacting Jacques Lacan’s ethical claim that “the only thing of which one can be guilty is of having given ground relative to one’s desire.”[i] In doing so, they seem to call into question, or at least complicate, the Kantian categorical imperative and the ideal of disinterested action, offering a radical ethical alternative. James’s characters enact, I will argue, an ethic of desire.

[i]Lacan, Seminar VII, 319.

Trapping The Gaze: Objects Of Desire In James's Early And Late Fiction, Phyllis E. Vanslyck

Publications and Research

The object of desire in James's fiction is an ironic construct designed to expose the inevitable deformations of the gaze. What we long for--to be seen (understood) from our own perspective or, conversely, to understand another from his or her own perspective--is impossible. Instead there is always a gap, an abyss, between what we see and what we imagine or wish to be true about the Other. For Jacques Lacan, the gaze is, simply, "the subject sustaining itself in the function of desire" (Four Fundamental Concepts 84). In James's fiction, the powerful impulse to create an "ideal" and to believe …

Knowledge And Representation In The Ambassadors: Strether's Discriminating Gaze, Phyllis E. Vanslyck

Publications and Research

I propose a radically new reading of Lambert Strether's subjectivity in Henry James's The Ambassadors, one that challenges critical readings to date and suggests that Strether's journey reflects a tacit but very definite confrontation with the fundamental illusion of the core self. As he follows the trajectory of his desire, initially through identification with the "masculine" identity of Chad Newsome, Strether comes to see the limitations of conventional notions of masculinity. He discovers that the freedom he seeks is not to be found in the illusion of power characterized by masculine control and repression but rather in the vulnerable acceptance …