English Language and Literature Commons^™

Two Roads To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The paper examines two myth-inspired musicals—The Frogs by Burt Shevelove and Stephen Sondheim and Hadestown by Anaïs Mitchell—concerning journeys to the underworld that benefit society. Both musicals undergo adaptation and revision processes that reflect the political and social concerns of the day. The Frogs depicts Dionysus’ journey to Hades to bring back a poet (originally Euripides, now George Bernard Shaw). However, it was not until the 2004 Broadway adaptation that overtly anti-authoritarian messages were added, aimed at the Bush administration. As a “folk opera,” Hadestown retells Orpheus’ descent to the Underworld to rescue Euridice as a commentary on economic …

Adaptation Production Plan For Khaled Hosseini's A Thousand Splendid Suns, Aman Bhayani

FUSION

The Adaptation Production Plan is a proposal that explores the idea of taking an existing piece of work and adapting it into a live version of a TV show or film. Particularly, for my adaptation, I chose the novel, A Thousand Splendid Suns by Khaled Hosseini. This paper provides a summary of novel's key events and the purpose behind selecting the novel. Then, focusing on the adaptation, just like any other TV show, the proposal presents the selection of actors, locations, specific plot points and music in order to film the show and the reasoning behind them.

The project was …

Wallpaper Yellow, Jasmine Aust

FUSION

The short story "The Yellow Wallpaper" by Charlotte Perkins Gilman is a significant piece of American literature published in 1892. This submission intends to capture its essence musically by adapting the prevailing themes of its narrative into song. Through the use of dynamics, delivery, and diction, the song conveys the evolution of Gilman’s piece. The composition includes deliberate tonal shifts and lyrical choices to reflect the story's progression and the protagonist's descent into madness. Selective adaptation was employed, consciously omitting certain narrative elements while prioritizing key thematic events. The musical piece intends to accurately represent core themes and properly adapt …

Playing With Noise: Anne Elliot, The Narrator, And Sound In Jane Austen's And Adrian Shergold's Persuasion, Brianna R. Phillips

The Corinthian

This paper pushes against the critical tradition that views silence or listening in relation to passivity and powerlessness by exploring the role of noise in Jane Austen’s Persuasion and in Adrian Shergold’s experimental 2007 film adaptation of that novel and how sound relates to Anne Elliot’s emotional legibility. Austen fills the narrative landscape with sounds that are filtered almost exclusively through Anne so that even when she is silent, she is “making noise” through her focalizations and through free indirect narration. Both Austen and Shergold align noise with Anne’s emotions such that Anne’s sensorial responses to shocking, loud, and disruptive …

The Power Of Modern Othello, Akasha Khalsa

Conspectus Borealis

No abstract provided.

Mansfield Park By Kate Hamill (And Jane Austen), Christopher Nagle

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews the world premiere of Kate Hamill's Mansfield Park directed by Stuart Carden and produced for the Northlight Theatre in Chicago in November and December 2018. Hamill’s bold new adaptation is notable for foregrounding the contexts of empire and the slave trade undergirding the novel, and in ultimately offering a feminist fairy-tale of radical self-assertion and self-determination for its heroine.

The Taming Of The Shrew And Coriolanus: Re-Interpretations And Adaptations After The Major Western Ideological Revolutions, David George

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray

Studies in Scottish Literature

Discusses and illustrates a variety of approaches to the reworking of Scott novels by artists working in the Dundee Comics Creative Space, as developed for a sampler publication published by UniVerse Comics (2017), in connection with the Reworking Walter Scott project

Preface To Ssl 44.2, Tony Jarrells, Patrick Scott

Studies in Scottish Literature

A brief introduction to this special issue, including reference to earlier contributions on the topic in this journal.

Claimed By The Stage: Popular Dramatization And The Legacy Of The Lady Of The Lake, Mary Nestor

Studies in Scottish Literature

Discusses three stage adaptations of Scott's poem The Lady of the Lake, by Thomas Dibdin for the Surrey Theatre, London, John Edmund Eyre, for the Theatre Royal, Edinburgh, and Thomas Morton for Covent Garden, arguing that these popular melodramas shaped popular perception of how Scott's poem engaged the Highland landscape.

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‘A’ That’S Past Forget – Forgie’: National Drama And The Construction Of Scottish National Identity On The Nineteenth-Century Stage, Paula Sledzinska

Studies in Scottish Literature

Focused on dramatic adaptations of Walter Scott’s Rob Roy and Waverley for the Theatre Royal, Edinburgh, by Isaac Pocock and John W. Calcraft, this essay explores "how the conflicted Lowland and Highland traditions became incorporated into the new image of the nation," offering "a theatrical reflection of the dynamic process of identity building in the nineteenth-century Scotland."

Walter Scott And Comics, Christopher Murray

Studies in Scottish Literature

A wide-ranging survey of the reworking of Scot's novels (and narrative poems) in comic form, in the US and UK.

Global Chaucers: Reflections On Collaboration And Digital Futures, Candace Barrington, Jonathan Hsy

Accessus

Global Chaucers, our multi-national, multi-lingual, multi-year project, intends to locate, catalog, translate, archive, and analyze non-Anglophone appropriations and translations of Chaucer’s The Canterbury Tales. Since its founding in 2012, this project has rapidly changed in response to scholars’ diverse interests and our expanding discoveries. Almost all these changes were prompted and made possible by our online presence (including a blog and Facebook group), and digital media comprises our primary means for gathering information, disseminating our findings, advertising conferences and events, and promoting the resource to other scholars. Because digital media can help disparate people traverse geographical and linguistic barriers, …

From Children’S Book To Epic Prequel: Peter Jackson’S Transformation Of Tolkien’S The Hobbit, Frank P. Riga, Maureen Thum, Judith Kollmann

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Makes the case that Jackson’s sometimes controversial screenwriting decisions actually echo Tolkien’s own abortive attempt to revise and change The Hobbit to bring it into line with the mood and milieu of The Lord of the Rings.