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Full-Text Articles in English Language and Literature
Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde
Grupo Ubú: El Edificio De La Identidad En Barriendo Sombras, Cesar Valverde
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No abstract provided.
Inclusio, Michael Theune
Inclusio, Michael Theune
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Originally published in The Iowa Journal for Cultural Studies and used with permission.
"The Power To Hurt": Lincoln's Early Use Of Satire And Invective, Robert Bray
"The Power To Hurt": Lincoln's Early Use Of Satire And Invective, Robert Bray
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How did Abraham Lincoln become a great speaker and writer? How did he get from doggerel in a copybook to the mastery of the Lincoln-Douglas debates and the speeches of the presidential years? This is an abiding mystery in Lincoln biography, and its obscurity will probably never be dispelled fully.1Still, we cannot help wondering, and so we look for early signs of precocity and power in the boy "back home in Indiana" during the 1820s and the young man of the New Salem, Illinois, years from 1831 to 1837. We continue to search and speculate despite few and questionable sources …
Cut On The Norman Bias: Fabulous Borders And Visual Glosses On The Bayeax Tapestry, Daniel Terkla
Cut On The Norman Bias: Fabulous Borders And Visual Glosses On The Bayeax Tapestry, Daniel Terkla
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Harold Godwinson, King of England for nine months in 1066, was undeniably an assertive opportunist - albeit a brave one -and perhaps a traitor; Edward the Confessor was a misguided monarch -or at least a bad judge of character-and William of Normandy was a righteous conqueror, a ruler asserting his legal right to the English crown. This, at least, is the interpretation of historical events presented by the Bayeux Tapestry, the late eleventh-century embroidery that Otto Pacht has called the ‘earliest work of secular art on a monumental scale which has survived from the Middle Ages.’3 In this study, I …