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Full-Text Articles in English Language and Literature

“There Must Always Be A Thor”: Disruption Of Super Heroic Masculinities In Marvel’S Thor: The Goddess Of Thunder (2014), Kiera M. Gaswint Apr 2018

“There Must Always Be A Thor”: Disruption Of Super Heroic Masculinities In Marvel’S Thor: The Goddess Of Thunder (2014), Kiera M. Gaswint

Ray Browne Conference on Cultural and Critical Studies

As the popularity of the superhero film genre continues to grow, more attention is being drawn towards the genre as a way to enter cultural conversations regarding representations in popular culture of gender, sexuality, race, and class, among other things. This popularity of the genre among differing age ranges and demographics calls for an investigation and analysis of the comic book genre, superheroes, and representation. Given the popularity of this genre, I plan to argue that Thor: The Goddess of Thunder (2014) offers a unique reading of gender constructs and masculinity.

Whereas characters come and go within their respective universes …


Border Crossing: The Female Body As Liminal Space, Cristina R. Rivera, Nicole Pizarro, Danielle Alexis Orozco, Jacinta Yanders, Arielle Irizarry Apr 2018

Border Crossing: The Female Body As Liminal Space, Cristina R. Rivera, Nicole Pizarro, Danielle Alexis Orozco, Jacinta Yanders, Arielle Irizarry

Ray Browne Conference on Cultural and Critical Studies

No abstract provided.


Deconstructing Native American Stereotypes Through The Reading Of Contemporary Multicultural Literature, Morgan Mcdougall Apr 2018

Deconstructing Native American Stereotypes Through The Reading Of Contemporary Multicultural Literature, Morgan Mcdougall

Ray Browne Conference on Cultural and Critical Studies

This project will look specifically at the novel The Absolutely True Diary of a Part-Time Indian by Sherman Alexie. Some of the questions to be addressed throughout the project include: what does it mean to be the “Other,” how can minority multicultural literature be used to help students deconstruct racial stereotypes, and what are the systems in place that have formed the division between “us” and the “other?” I will begin with a historical account of interactions with Native Americans within the United States, beginning with initial encounters and moving up to modern times. Providing this historical information will help …


The Women Of Brave New World: Aldous Huxley And The Gendered Agenda Of Eugenics, Jessica Eylem Apr 2018

The Women Of Brave New World: Aldous Huxley And The Gendered Agenda Of Eugenics, Jessica Eylem

Ray Browne Conference on Cultural and Critical Studies

Eugenics is the belief that the human race can rid of unwanted characteristics by using science. As this belief became more widely known through the Nazi’s raise to power and their use of ideologies maintained by fear, scholars began to take note of its rise in academic circles and the followers behind it. Authors began incorporating these ideas into their novels as a way of commenting on the future of our world if eugenic practices continued. In this article, I discuss how the concept of eugenics is used in dystopian novels, especially during the interwar period. It explores Aldous Huxley’s …


Straddling Two Words: Biracial Identity In "Flight", Rachel Ramlawi Apr 2018

Straddling Two Words: Biracial Identity In "Flight", Rachel Ramlawi

Ray Browne Conference on Cultural and Critical Studies

If borderlands are the space between two territories that is the space bi-racial people occupy every day. Their entire life is lived in the space between creating a unique form of othering where they’re never fully part of either community their parents belonged to. In Sherman Alexie’s novel Flight, the Narrator Zits is a bi-racial Native American teenager who constantly grapples with his identity. Through the theme of past-lives Zits is able to embrace both parts of his ethnicity, establish his identity, and grow up. It is a coming of age tale that is remarkably unique. This paper draws …


Digital Demonstrations: Examinations Of Protests And Politics In Cory Doctorow’S Young Adult Fiction, Jacob Brown Feb 2015

Digital Demonstrations: Examinations Of Protests And Politics In Cory Doctorow’S Young Adult Fiction, Jacob Brown

Ray Browne Conference on Cultural and Critical Studies

Within this paper, I intend to examine the manner by which author and blogger Cory Doctorow utilizes complex themes of digital labor exploitation and intellectual property law within his young adult fiction in order to bring about positive social change, with particular attention paid to the 2008 novel Little Brother and its 2013 sequel Homeland, the 2010 novel For the Win, the 2012 novel Pirate Cinema, and 2014’s In Real Life, a graphic novel written by Doctorow and illustrated by Jen Wang. Throughout Doctorow’s realistic depictions of slightly-fictionalized versions of contemporary life and embellishments of near-future …


Another Country: When Your Nation Doesn’T Consider You To Be A Citizen, William B. Daniels Ii Feb 2015

Another Country: When Your Nation Doesn’T Consider You To Be A Citizen, William B. Daniels Ii

Ray Browne Conference on Cultural and Critical Studies

I plan to show how the characters in Another Country uncover the inherently racist and homophobic requirements for citizenship in a nation. The novel Another Country by African American author James Baldwin (1924-1987) exposes the fallible nature of hetero-normative and racial ideals that narrowly define a model citizen of a nation-state. The queer interracial relationships in the novel, particularly between the main character Rufus and his lover Eric, transgress the boundaries of nation, race, and sexuality, thus revealing the illusionary nature of categorizations that are defined and applied by nation-state apparatuses in order to discriminate and maintain uniformity. In addition …


Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere Feb 2015

Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere

Ray Browne Conference on Cultural and Critical Studies

Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …