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Full-Text Articles in English Language and Literature
20 Things, Reann Parker
20 Things, Reann Parker
Honors Theses
20 Things is a short young adult novel that explores a variety of topics and themes, from mental health, recovery, and self discovery to race, love, and friendship. Beginning with a high school girl named Halle waking up in a hospital after a suicide attempt, the novel is a coming of age story about the help Halle receives and what she goes through in trying to find reasons to keep living. The novel is divided into ten chapters: “Waking Up,” “Going Home,” “Arriving,” “Being Honest,” “Keeping the Faith,” “Soul Searching,” “Willingness,” “Maintaining,” “Checking In,” and “Living.” Each chapter represents the …
What's "Really Real": David Foster Wallace And The Pursuit Of Sincerity In Infinite Jest, Henry Clayton
What's "Really Real": David Foster Wallace And The Pursuit Of Sincerity In Infinite Jest, Henry Clayton
Honors Theses
Throughout his literary career, David Foster Wallace articulated the problems associated with the profusion of irony in contemporary society. In this thesis I assert that his novel Infinite Jest promotes a shift from the reliance on irony and subversion to a celebration of the principles of sincerity. The emphasis on sincerity makes Infinite Jest a landmark novel in the canon of American fiction, as Wallace employs postmodern formal techniques, such as irony, metafiction, fragmentation, and maximalism, in the interest of promoting traditional, non-ironic values of emotion, community, and spirituality. I draw from works of postmodern theory and criticism to bolster …
When Mountain Meets Road: Mfankind's Connection To Nature Through Sublime Theory In Shelley's Mont Blanc And Mccarthy's The Road, Catherine Elliott
When Mountain Meets Road: Mfankind's Connection To Nature Through Sublime Theory In Shelley's Mont Blanc And Mccarthy's The Road, Catherine Elliott
Honors Theses
Cormac McCarthy's The Road (2005) is a strong example of how post-modern dystopian fiction has captivated the mass imagination. Contemporary scholars have discussed The Road thoroughly, commenting on the text's redemptive journey, post-apocalyptic message or cauterized terrain. However, I argue that McCarthy's novel is not merely a modern text with an alienating landscape. Rather, the story conveys a strongly sublime aesthetic, which is recognizable from nineteenthcentury British Romantic works such as Percy Bysshe Shelley's Mont Blanc (1817). These texts have a shared obsession vvith the fictional representation and investigation of the sublime aesthetic and humankind's relationship with the natural world. …