English Language and Literature Commons^™

Recovered Images: Medieval Echoes In C. S. Lewis’S Space Trilogy, Nathan Earl Houston Fayard

Graduate Theses and Dissertations

C. S. Lewis has begun to garner more scholarly attention in the last few decades, but his first novels, his science fiction or Space trilogy, continue to be largely ignored by academia. Yet, these three novels are deserving of more serious study, as they are pioneering works of literary science fiction, and even more surprisingly, of literary medievalism. Though long derided as mere reactionary attacks on Modernism and science, when properly understood, these strange and wonderful tales actually reveal the complexity and nuance of Lewis’s response to his times. In them, the Inkling author creates a unique combination of the …

Gender In Apocalyptic California: The Ecological Frontier, Marykate Eileen Messimer

Graduate Theses and Dissertations

Climate change is the consequence of ideologies that promote human reproduction and resource consumption by sacrificing human justice, nonhuman species, and the land. Both biology and queer ecologies resist this notion of human separation and supremacy by showing that no body is a singular, impermeable entity, that all beings are biologically and inexorably connected. My dissertation demonstrates that fiction writers use this knowledge to locate a utopian vision that can counteract the dystopian impotence of living within climate change. This argument is founded on novels written by women and set in California, a state that uniquely inhabits a utopian and …

A Sense Of Unending: Apocalypse And Post-Apocalypse In Novels Of Late Capitalism, Brent Linsley

Graduate Theses and Dissertations

From Frank Kermode to Norman Cohn to John Hall, scholars agree that apocalypse historically has represented times of radical change to social and political systems as older orders are wiped away and replaced by a realignment of respective norms. This paradigm is predicated upon an understanding of apocalypse that emphasizes the rebuilding of communities after catastrophe has occurred. However, in the last half-century, narratives that emphasize the destruction of human civilization without this restorative component have begun to overshadow the more historically popular post-apocalyptic models that were particularly abundant during the early days of the Cold War. In light of …

Spirit Don't Ever Die: Apocalypse And Denial In An Infinite Universe, Nathan Riggs

Graduate Theses and Dissertations

In The Great Derangement, Amitav Ghosh catalogs contemporary fiction’s failure to adequately engage with catastrophic climate change. In this thesis, I argue the engagement problem has a century-old analogue in fiction’s approach to entropy. Entropy was among the first secular apocalyptic modes in mainstream discourse, and this investigation of authors’ approaches to its portrayal provides a model for understanding fiction’s denial or acceptance of apocalypse. I first examine William Hope Hodgson’s 1912 novel The Night Land, a far-future tale set in a post-solar Earth. I contend that Hodgson’s centering of the human experience prevents him from portraying a true end …

Feeling Clumsy, Feeling Alien: Gender And Affect In Victorian Sensation Fiction, Gracie Mae Bain

Graduate Theses and Dissertations

“Feeling Clumsy, Feeling Alien: Gender and Affect in Victorian Sensation Fiction” explores the interactions between the shock of reading sensation fiction and the affective potential of the genre using Sara Ahmed’s definition of the killjoy and the affect alien. The sensation genre, as explained in its name, is potentially useful when thinking about affective ties in the Victorian period. The first chapter, “Tracing Sensations: Finding and Following the Killjoy” explores the affective footwork that readers of sensation fiction are asked to perform in their sympathetic process with the female villains and fallen heroines. Affective tools employed by sensational fiction create …

Maternal Criticism: Reading Two Middle Eastern Women Writers As Nonviolent Peace Activism, Charlyn Marie Ingwerson

Graduate Theses and Dissertations

This dissertation advocates for reading the literatures of two Middle Eastern women writers through a Maternal Critical lens that recognizes the demands of universal vulnerability in characters who resist violence, and responds in Maternal communities of Readers that connect readers to characters, readers to writers, and readers to other readers, carrying the struggle for equity forward. My unfolding argument, centered on Maternal Critical activity in the novels of Palestinian writer Sahar Khalifeh and Israeli writer Ronit Matalon, demonstrates how literature by these Middle Eastern women is part of a narrative context of women’s peacemaking and resistance to violence, a part …

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

Losing Faith: Emily Brontë'S Revolutionized Religion, Emily Renee Holmes

Graduate Theses and Dissertations

“Losing Faith: Emily Brontë’s Revolutionized Religion” discusses the role of religion in her novel Wuthering Heights and her poems set in the mythical world of Gondal. Through close readings of both her prose and poetry, this paper seeks to understand the relationship between the dark, vindictive nature of Brontë’s characters and their hopeful ending. The first chapter, Here’s The Situation, discusses the situation as set up by the novel, focusing specifically on Catherine and Heathcliff. I discuss the violence and codependence of their relationship, their Gondal predecessors, their fascination with each other as well as their torment when apart, and …

"We Are Strangers In This Life": Theology, Liminality, And The Exiled In Anglo-Saxon Literature, Nathan John Haydon

Graduate Theses and Dissertations

In “‘We Are Strangers in this Life’: Theology, Liminality, and the Exiled in Anglo-Saxon Literature,” I analyze the theme of exile in the theological literature of the Anglo-Saxon era as a way of conveying the spiritual condition of eschatological separation. The anthropological theory of liminality will be applied in this dissertation as a way of contextualizing the existence of the exiled, and the multiple ways in which exile is enacted. The intervention of the theory of liminality in this dissertation offers a methodology and vocabulary for assessing what exile means in terms of a spiritual identity, how it operates in …

Monstrous Mobility In Dr. Jekyll And Mr. Hyde And Dracula, Autumn Danielle Weese

Graduate Theses and Dissertations

This thesis explores Late Victorian Gothic texts that are central to theories on monstrosity in terms of mobility by examining Dr. Jekyll and Mr. Hyde and Dracula. The goal of this project is to survey the ways in which two exemplary monsters, Mr. Hyde and Count Dracula, promote mobility for others and themselves as an inherent part of their monstrosity. The variety of this mobility is demonstrated by examples showing how monsters move and encourage movement in ways that are social and transformative as well as physical. Because social mobility is essential to these movements, this study also considers the …

“A Woman’S Story”: Lady Macbeth And Performing Femininity In The Early 1600s – Late 1900s, Phyllis Lebert

Graduate Theses and Dissertations

This paper uses gender studies to understand the themes of gender performance further, and more specifically, femininity, in Shakespeare’s Macbeth. It also explores the many ways feminine gender performance has changed as society has changed. Thus, proving gender is performative rather than innate. It does this by examining first the text within the context of Elizabethan society. Moreover, by examining three pivotal performances of Lady Macbeth through history within the context of their social structures as well. The three performances are that of Sarah Siddons in the Late 18th Century, Ellen Terry in the 19th Century, and Judy Dench in …