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“Animal Spirits”, Peter Schmidt

English Literature Faculty Works

In “Animal Spirits” looks in some depth at several of Williams’s poems about dogs or cats written over the course of his career, from “Sub Terra” (1917); “Poem (As the cat)” (from the 1930s); the dogs of Paterson; and “To a Dog Injured in the Street,” which exemplifies the elegiac poetics and representational paradoxes of Williams’s late triadic style. Cats for Williams exemplify energy in precise control, its perfection in form—and that was his lifelong quest. Dogs, on the other paw, embodied for Williams the boundary-breaking force of uncorraled creativity breaking form. Both spirits, figured as animals, were totems central …