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Full-Text Articles in English Language and Literature
An Objective Aural-Relative In Middlemarch, Peter J. Capuano
An Objective Aural-Relative In Middlemarch, Peter J. Capuano
Department of English: Faculty Publications
This article attempts to show that the grammar of perspective governing pictorial realism is less applicable to music because music exists in a place beyond language and because it requires fewer symbolic, re-presentational forms; it is closer to the essence of the thing itself. In “Notes on Form in Art” (1868), George Eliot writes that “boundary or outline and visual appearance are modes of Form which in music and poetry can only have a metaphorical presence.” George Eliot’s “battle ground of conflicting metaphors” then ceases to pose so much of a problem in the aural world of Middlemarch since conflicting …
Review Of Everyday Ideas: Socioliterary Experience Among Antebellum New Englanders By Ronald J. Zboray And Mary Saracino Zboray, Melissa J. Homestead
Review Of Everyday Ideas: Socioliterary Experience Among Antebellum New Englanders By Ronald J. Zboray And Mary Saracino Zboray, Melissa J. Homestead
Department of English: Faculty Publications
Using letters written and diaries kept by 931 New Englanders living during the antebellum era, Ronald and Mary Zboray beneficially unsettle a number of grand narratives about readers and reading in the nineteenth-century United States. Since the influential work of theorist Rolf Engelsing, the turn from the late eighteenth to the early nineteenth century has been understood as the transition point from intensive reading and rereading of a select group of texts (such as the Bible) to extensive reading of many texts without rereading. Literary historians under the sway of Michel Foucault who have sought to chart the “rise of …
Review Of Back To Nature: The Green And The Real In The Late Renaissance, By Robert N. Watson, Elizabeth Spiller
Review Of Back To Nature: The Green And The Real In The Late Renaissance, By Robert N. Watson, Elizabeth Spiller
Department of English: Faculty Publications
Robert Watsons Back to Nature: The Green and the Real in the Late Renaissance identifies the Renaissance as the moment of an "absolutely fundamental change in its consensual interpretation of reality" (41). Fear that material reality obscures true knowledge ("things getting in the way of the Word") gave way to concern that words and other forms of human perception were key impediments to truth or knowledge ("words getting in the way of Things") (41). This decentering of medieval religious epistemology made itself felt across the arts and sciences of late Renaissance culture and brought with it a compensatory need to …
Review Of Willa Cather And Material Culture: Real-World Writing, Writing The Real World, Edited By Janis P. Stout, Melissa J. Homestead
Review Of Willa Cather And Material Culture: Real-World Writing, Writing The Real World, Edited By Janis P. Stout, Melissa J. Homestead
Department of English: Faculty Publications
In her essay "The Novel Démeublé," American novelist Willa Cather famously protested against the "over-furnished" modern novel, in which "material objects and their vivid presentation" have overtaken artistic vision and skill. In response, she advocates "throw[ing] all of the furniture out of the [novel's] window," leaving behind "the room bare as the stage of a Greek theatre.". In the introduction to this collection of essays and in many of the essays themselves, editor Janis Stout and the essays' authors refer to and rebut Cather's famous artistic manifesto through analyses of material objects in her fiction. Stout's introduction frames the collection …
Literature In The Arid Zone, Thomas Lynch
Literature In The Arid Zone, Thomas Lynch
Department of English: Faculty Publications
This chapter surveys and assesses from an ecocentric perspective some representative literary portrayals of the Australian deserts. Generally, it contrasts works that portray the desert as an alien, hostile, and undifferentiated void with works that recognise and value the biological particularities of specific desert places. It explores the literature of three dominant cultural orientations to the deserts: pastoralism, mining, and traversal. It concludes with a consideration of several multi-voiced and/or multi-genred bioregionally informed works that suggest fruitful directions for more ecocentric literary approaches.