Open Access. Powered by Scholars. Published by Universities.®

English Language and Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in English Language and Literature

“A Sick Eagle” And “I Am”: Hymns To Sculpture By Keats And Rilke, Ya-Feng Wu Jun 2022

“A Sick Eagle” And “I Am”: Hymns To Sculpture By Keats And Rilke, Ya-Feng Wu

CLCWeb: Comparative Literature and Culture

At the turn of eighteenth and nineteenth, nineteenth and twentieth centuries, sculpture came to serve as an emblem of humanity’s response to the challenges of the times. John Keats and Rainer Maria Rilke, felt compelled at their encounters with ancient Greek sculpture in the museum to reflect upon their vocation in an age disrupted by political upheaval and rampant commercialization respectively. Keats’s sonnet, “On Seeing the Elgin Marbles” (1817), registers an intimation of his latent grandeur in the form of a “sick eagle,” confronting “a shadow of a magnitude.” To overcome this experience, Keats made attempts at epic on the …


The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni Jun 2022

The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni

CLCWeb: Comparative Literature and Culture

Fate, doom, and free will have always proved to be controversial terms among philosophers. The chief problem is whether a deterministic power prescribes the destiny of creatures or they possess pure free will in shaping their destinies. Mulla Sadra, a 17th century Iranian philosopher, believes in a blending of determinism and free will which he develops in the terms of Qaza and Qadar respectively. He introduces a model of fate through which determinism and free will equally participate. Using the human soul as a model, Mulla Sadra points out that people meet their fate through several factors, one of which …


Extending The Frontiers Of The Detective Novel In Adaora Ulasi’S The Man From Sagamu, Onyeka Odoh Jun 2022

Extending The Frontiers Of The Detective Novel In Adaora Ulasi’S The Man From Sagamu, Onyeka Odoh

CLCWeb: Comparative Literature and Culture

Part of the beauty of detective literature is the mental engagement and psychological contest it stages between the author and the readers, as well as its fascinating probe into the nature and dynamism of crime. However, of greater import are the formulaic structural elements that define the genre—a crime, the detection of the crime, an omniscient detective who intelligently investigates the crime, and a justified resolution of all. Though the structure of Adaora Ulasi’s The Man from Sagamu does not exactly fit into the above model, it is still a detective novel. Therefore, this essay aims to propose a new …


Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar Feb 2022

Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar

CLCWeb: Comparative Literature and Culture

Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …


Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa Feb 2022

Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa

CLCWeb: Comparative Literature and Culture

In his article “Returning to East Africa via India,” Shizen Ozawa examines how M. G. Vassanji further develops his diasporic aesthetics in his latest travel book/ memoir And Home Was Kariakoo: A Memoir of East Africa (2014) from two perspectives. First, the essay explores some possible influences of his earlier travelogue A Place Within: Rediscovering India (2008). It seems partly because of his deepening relationship with his land of ancestral origin that in And, Vassanji emphasizes the cross-continental connections between East Africa and India more strongly than in his earlier works. Especially, he characterizes the very presence of …