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Articles 1 - 3 of 3
Full-Text Articles in English Language and Literature
What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan
What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan
Criticism
This article draws on critical trans studies and queer archival practice to propose a book historical mode that extends what we know about the premodern trans experience beyond the recovery of individual biographies. Instead of turning to textual sources for the identification of transness, the author looks to Susan Stryker’s call for the “recuperat[ion of] embodied knowing as a formally legitimated basis of knowledge production.” Bibliography, he suggests, makes claims of objectivity that engender a particular reluctance to respond to such calls. But the lived reality of archival research is one of affective embodiment. Affect theory is an area that, …
Citing Seeds, Citing People: Bibliography And Indigenous Memory, Relations, And Living Knowledge-Keepers, Megan Peiser Choctaw Nation Of Oklahoma
Citing Seeds, Citing People: Bibliography And Indigenous Memory, Relations, And Living Knowledge-Keepers, Megan Peiser Choctaw Nation Of Oklahoma
Criticism
By turning the page or reading further, you are accepting a responsibility to this story, its storyteller, its ancestors, and its future ancestors. You are accepting a relationship of reciprocity where you treat this knowledge as sacred for how it nourished you, share it only as it has been instructed to share, and to ensure it remains unviolated for future generations.
This story is told by myself, Megan Peiser, Chahta Ohoyo. I share knowledge entrusted to me by Anishinaabe women I call friends and sisters, by seed-keepers of many peoples Indigenous to Turtle Island, and knowledge come to me from …
Bodies Of Type: The Work Of Textual Production In English Printers' Manuals, Lisa M. Maruca
Bodies Of Type: The Work Of Textual Production In English Printers' Manuals, Lisa M. Maruca
English Faculty Research Publications
This essay examines the shifting, ideologically situated and contested representations of print texts and technologies in two representative printers' manuals: Joseph Moxon's 1683 Mechanick Exercises on the Whole Art of Printing and John Smith's 1755 The Printer's Grammar. The construction of orderly print is supported in each by changing discourses of sexuality and gender. Moxon's manual celebrates the heterosexual working bodies of print, the laborers whose physical production of print is as important as the text supplied by writers. In Smith, however, the naturalized gendering of a now invisible print privileges only the Author, whose disembodied intellect transcends the …