English Language and Literature Commons^™

#Booktok: Social Media’S Influence On Literature, Madison Hyatt

Honors Theses

Exploring the social media phenomenon, TikTok, and its influence on the community, #Booktok is the newest way readers stay up to date on new books, and what to read. Is this a good thing? A bad thing? And how has this new way of consuming books influenced reading and literature?

Departure From Magical Realism: Female Agency In Latin American Post-Boom Literature, Nicole Darian Llacza Morazzani

Honors Theses

his thesis explores depictions of female agency in post-colonial Latin American literature. I highlight three primary texts: Gabriel García Márquez's (1927-2014) 1967 One Hundred Years of Solitude, a canonical magical realist novel; Isabel Allende's (1942-present) 1982 The House of Spirits, her debut novel and a multi-generational story similar to Márquez's, and Isabel Allende's 2022 Violeta, a historical novel offering an autodiegetic narrative of a woman's 100 years of life in an unnamed South American country, to analyze how female characters evolve in response to changing sociopolitical landscapes and literary movements in Latin America. My central focus is Allende's most recent …

Veiled Victorian Vampires: What Literary Antagonists Reveal About Societal Fears Of 19th Century England, Jenna Harford

Honors Theses

In my thesis paper I look at three primary texts, Charlotte Brontë’s Jane Eyre, Charles Dickens’ Great Expectations, and Oscar Wilde’s The Picture of Dorian Gray to analyze their main antagonists through a vampiric lens. I explain how the characters of Bertha Mason, Miss Havisham, and Dorian Gray are all written with veiled vampiric traits that revolve around themes of sexuality, secrecy and seclusion, and unbridled physical and emotional violence. Although none of these texts is obviously a “vampire novel”, the authors lean into vampire tropes including eerie physical description, doubled relationships, and other vampire lore that can be best …

The Enigmatic Self: An Ongoing Exploration Of Literary Selfhood From The American Renaissance To Contemporary Young Adult Literature, Helene Leichter

Honors Theses

Assuming the near impossible task of sorting through and delineating various conceptions of the self in and throughout literary and civil history, literary critic Irving Howe adopts a highly perceptive and profoundly analytical approach to the enigmatic individual. In the article quoted above, "The Self in Literature," Howe consolidates what he believes to be the most promising attempts at coding and decoding abstractions of the self across numerous literary, philosophical, and sociological texts. The success of Howe’s analysis lies in his ability to simultaneously embrace and scrutinize seemingly incompatible notions of bodily and spiritual discourse. With the knowledge that such …

Reflections: A Meditation On Ballet And Pain, Claire Madeline Silverman

Honors Theses

The defining details of the character of Giselle are that she loves to dance even though she knows it could kill her (for she has a frail heart), and that she is in love with a peasant boy named Loys, though she knows her mother dislikes him. She is defiant, determined to follow her desires.

Giselle wasn’t one of the ballets that stuck out to me when I was younger. I loved the Tchaikovsky ballets — Swan Lake, The Sleeping Beauty, The Nutcracker — and later Romeo and Juliet (Macmillan’s version) became my favorite. Giselle existed at my periphery. It’s …

A Twisted Skein Of Desire: Confession, Gaze, And Time In Andre Aciman’S Call Me By Your Name, Anthony Isenhour

Honors Theses

In interacting with others, and particularly in intimate relationships with others, desire becomes a complex emotion entangled with the specific identifications of each person. These complications are also often shaped by social conventions, internal thoughts, and the ability to communicate. In all its narrative structures, themes, and plot points, Andre Aciman’s Call Me by Your Name is framed by one question on this topic, stated in a time of deep conflict by the narrator: “Are ‘being’ and ‘having’ thoroughly accurate verbs in the twisted skein of desire, where having someone’s body to touch and being that someone we’re longing to …

Manifest Destiny, American Domesticity, And The Role Of The Immigrant In Ruiz De Burton's Novels, Madison Rose Martinez

Honors Theses

Maria Amparo Ruiz de Burton’s novels Who Would Have Thought It?And The Squatter And the Donare important works of literature due to their representation of the MexicanExperience in the redefined expanding United States of the nineteenth century. The novelsprovide two perspectives of the time period by delving into the lives of Americans and Mexicans on both sides of the country.

Modern American Myth-Making In Mass Media Texts, Kassandra Andreadis

Honors Theses

What is an American myth? “Myth” can have many meanings and can refer to many different types of works. For example, Edwards and Klosa refer to Frankenstein as “an important mythic text” (Edwards and Klosa 34), which provides a middle point between ancient myths (e.g. the Odyssey) and current myths, showing that myths have continued to be produced and establishing myth-making as a continuous process. This process continues into the present, all over the world, so it stands to reason that the United States of America has its own myths. The identity of those myths is less certain. While ideas …

Life In The Hopeless Emptiness : The Search For Authenticity In Revolutionary Road, Austin Marie Carter

Honors Theses

Richard Yates’ Revolutionary Road opens, appropriately, with the “final dying sounds” of the Laurel Players’ dress rehearsal of The Petrified Forest. The suburban community theater is preparing for its inaugural show, and from these opening words, it is clear that this is a novel of performance—of failed performance, specifically. Even though the Players have little theatrical experience, both they and the community have allowed themselves to begin to believe in the “brave idea” of the show (7), and they “let the movement of the play come and carry them and break like a wave” (6). Revolutionary Road is populated by …

"The Stuff Of Thought" : Virginia Woolf's Object Lessons, Sam Mitchell

Honors Theses

No abstract provided.

Scout's Daughters : Race And Creative Development In Contemporary Adolescent Literature, Amanda Malloy

Honors Theses

At the heart of what Roberta S. Trites titles ―adolescent literature‖ – works written both for and about young adults—is a question of agency (Disturbing 7). In Disturbing the Universe: Power and Repression in Adolescent Literature, Trites asserts that adolescent novels attempt to answer the question of young adults who wonder if they ―should or even can affect the world in which they live‖ (1). Trites‘ argument is based on the idea that the distinguishing characteristic of adolescent literature is its focus on ―the social forces‖ that …

Of Horror And Humor : The Transformation Of The Grotesque Into The Gothic In The Novels Of Frances Burney, Brittany Taylor

Honors Theses

This year was ushered in by a grand and most important event,—for at the latter end of January, the literary world was favoured with the first publication of the ingenious, learned, and most profound Fanny Burney!—I doubt not but this memorable affair will, in future times, mark the period whence chronologers will date the zenith of the polite arts in this island! This admirable authoress has named her most elaborate performance “EVELINA, OR A YOUNG LADY’S ENTRANCE INTO THE WORLD.” (Ellis 212)

When 1778 dawned, twenty-five-year-old Frances Burney was not the egotist this pronouncement in her diary might suggest. She …

Robert Munford & Mercy Otis Warren : How Gender, Geography, And Goals Affected Their Playwrighting, Kylie A. Horney

Master's Theses

This thesis analyzes the Revolutionary-era plays of Robert Munford and Mercy Otis Warren. Munford’s two comedies, The Candidates and The Patriots, are compared to Warren’s three earliest satires, The Adulateur, The Defeat, and The Group, in an effort to explain some of the differences between these two authors. The original printings of these plays from the Early American Imprints series, as well as more recent scholarship on Munford and Warren, are used to investigate the plays and lives of these playwrights. Munford’s and Warren’s backgrounds are explored to account for variations in their works. While the …

A Conversation Among Sisters : The "Dangerous Lover" In The Texts Of The BrontëS, Jennifer K. Patchen

Honors Theses

Since the Brontes first published their novels, critics and readers have often associated the male leads with the Byronic hero. Certainly, Arthur Huntingdon in Anne's The Tenant of Wildfell Hall, Edward Rochester in Charlotte's Jane Eyre and Heathcliff in Emily's Wuthering Heights are all, like Lord Byron's own heroes, brooding and damaged men. Each of these men, additionally, is fundamentally willing to flout social expectations. Their search for selffulfillment often leads them outside of the boundaries of conventional society, although the three sisters sometimes ascribe conflicting moral values to that search. For Charlotte and Emily, Rochester's and Heathcliffs strong personalities …

Cosmological Vision(S) : History, Modernism, And American Renewal In Hart Crane's The Bridge, Lauren Grewe

Honors Theses

With the help of recent Crane studies, along with my own ear, I intend to prove the worth of Crane's myth of bridging as a way of responding to and eventually reforming the Elitonian vision of the modem world. The Bridge counters Eliot as a way to offer hope to the modem world in place of despair, as a way to offer a system of belief that is neither dogmatic nor futile, that incorporates a vision of the future just as much as a vision of the past.

Grace Through Love : An Examination Of Milton's Monism, Mortalism, And The Puritan Ideals Of Desire As Reflected In Sonnet 23, Leslie Naomi Wyatt

Master's Theses

This thesis examines Sonnet 23, especially in concern to: 1) Milton’s adherence to monism, a philosophical and theological position that he derived from his reading of Rabbinical approaches to the Old Testament; 2) His adherence to the related doctrine of mortalism, which held that death entailed the death, until resurrection of both body and soul; and 3) Milton’s interest in the way certain Puritan thinkers idealized desire for aspects of the world’s beauty, especially desire for one’s spouse, and how, particularly in the process of mourning, such desires could foster a stronger bond with God. The thesis also looks at …

The Endangered Representation Of Sexual Violence In Sarah Kane's Blasted, Dina Zhurba

Master's Theses

In Blasted, Kane represents how incidents of rape highlight, exacerbate and solidify the unevenness of power distribution between men and women in the modern world and provides a new perspective at what we might call “rape in general” – a transhistorical phenomenon of rape as a practice of violence towards the female victim. Through a detailed analysis of the unique representational circumstances of the multiple scenes of rape, such as Cate’s meaningful absence in Ian’s scene of rape, the author of the essay comes to a conclusion that rape is and remains an engendered practice. However, along with reaffirming …

Reconsidering African-American Identity: Aesthetic Experiments By Post-Soul Artists, Letitia Guran Tudorica

Master's Theses

The present study attempts to offer an overview of the Post-Soul aesthetic and its role in re-writing African-American identity and focuses explicitly on three authors: Spike Lee, Touré, and Suzan-Lori Parks. My premise is that Post-Soul art is a direct result of the sweeping changes brought by the post-Civil Rights era in the African- American mentality, which inaugurated a new age in African-American art. Thus, the Post-Soul generation represents blackness as diverse, free to define itself in its own terms; they promote a critical take on black nationalism, and new perspectives on slavery. Most of the Post-Soul artists consider themselves …

The Ownership Of Cultural Objects : Means, Mechanics And Masteries, Anne Marie Salloum

Honors Theses

The issues surrounding cultural objects and their ownership have risen to greater prominence in the recent past. Consider the Elgin Marbles, to take a well-known and hotly debated example. They were taken from the Parthenon by Lord Elgin when Greece was part of the Ottoman Empire, and as soon as Greece gained its independence, it demanded their return. Even this relatively simple case raises questions about cultural objects and ownership. To whom do cultural objects belong? Why? What effect do the changing circumstances brought about by the passage of time have on ownership? And the Elgin Marbles are only one …

"I Don't Think She's Like The Rest Of Us" : The Freedom In Disadvantage For Orphan Girls In Early 20th Century Literature, Giavanna Palermo

Honors Theses

Marianne Hirsch notes that often, in literature, the absence of the mother is the basis for the heroine’s development. On this foundation, there is nothing new in the observation that orphan girls in literature enjoy a kind of freedom that comes from being without parents and, specifically, without a mother. What this paper seeks to examine, however, through the textual analysis of Johanna Spyri’s Heidi, Eleanor H. Porter’s Pollyanna, Kate Douglas Wiggin’s Rebecca of Sunnybrook Farm, Lucy Maud Montgomery’s Anne of Green Gables and Jean Webster’s Daddy Long Legs, is the way in which the figure …

The Death Of The Virtuous Heroine As Social Criticism In Clarissa And Les Liaisons Dangereuses, Carmel Rosanna Nunan

Honors Theses

While Samuel Richardson meticulously documents the slow decline of his heroine in the novel Clarissa, other characters in the novel struggle to understand a death that for them has no rational explanation. The novel Les Liaisons Dangereuses by Choderlos de Laclos, also epistolary and published thirty-five years after Clarissa, allows for a similar interpretation. Contemporary French reactions to Madame de Tourvel’s death cannot compare to the English response elicited by Clarissa’s, but, like Richardson, Laclos also introduces certain social forces that seal his heroine’s fate from without while her own psychological experience of virtue works to destroy her …

Word Oper Findan : Seamus Heaney And The Translation Of Beowulf, Jack Harding Bell

Honors Theses

In 2000, Nobel laureate Seamus Heaney published a new translation of the early medieval epic, Beowulf The work was subsequently lauded as a masterpiece. Despite this ensuing surge of interest in Heaney's translation, very few scholars have undertaken the task of a critical analysis of the translation and none have assumed the task of a comparative analysis between the original text and Heaney's version. Most, it seems, have assumed that Heaney's translation is a faithful rendition of the original, and with good reason. Heaney maintains fidelity to the structure, stylistics, and meter of the original, as well as to its …

The Dwarfing Of Men In Victorian Fairy-Tale Literature, Heather Victoria Vermeulen

Honors Theses

As Jack Zipes explains in his preface to Victorian Fairy Tales: The Revolt of the Fairies and the Elves, "The Victorian fairy-tale writers always had two ideal audiences in mind when they composed their tales -young middle-class readers whose minds and morals they wanted to influence, and adult middle-class readers whose ideas they wanted to challenge and reform" (xiv). "It was through the fairy tale," he continues, "that a social discourse about conditions in Victorian England took form, and this discourse is not without interest for readers today" (xi). My project begins with a critical analysis of the Grimm Brothers' …

Reworking "Seeming Trust" Into "Excellent Falsehood" : The Lying Heroes Of William Shakespeare's Dark Lady Sonnets And Antony And Cleopatra, Dorrie Turner Bishop

Master's Theses

William Shakespeare reinvents the speaker of his Dark Lady sonnets as Antony of Antony and Cleopatra, with the former's hesitant appreciation of the benefits of a "lying," lustful relationship reconfigured into the latter's total embrace of an edifying, creative mutuality. This represents an important philosophical shift in Shakespeare's view of aesthetics: where in the Dark Lady sonnets, the speaker chastises himself for feeding his desire with lies and self delusions, Antony, his parallel, believes that the love he and his queen have created is somehow noble, even ideal. He rejects the "truth"- perhaps as the Romans would see it- …

Balancing The Power Of The Patriarchy : The Evolution Of Self-Determined Identity For Women In Josephine Humphreys' Dreams Of Sleep And Rich In Love, Mary Ramsey Evans

Master's Theses

Fifty years after William Faulkner wrote Absalom, Absalom! Josephine Humphreys revisited the patriarchal metaphor of failure of the Old South in her first novel, Dreams of Sleep. In this novel, and again in her second novel, Rich in Love, Humphreys examines the ambivalent state of gender relations in the contemporary South brought on by the destabilization of a traditionally patriarchal society increasingly under economic, social, and political pressure to conform to a more egalitarian national standard. Using intergenerational relationships between women, Humphreys demonstrates how the devolution of patriarchal identity becomes the catalyst for the evolution of a self-determined …

The Lawrencian Becoming Of Deleuze, Saffana Manoun

Master's Theses

Gilles Deleuze and D.H. Lawrence, the philosopher with a poetic writing and the literary man with a philosophical project, invite us to consider their affinities and differences. An unavoidable trace of the Lawrence in Deleuze has not received the attention it should. This lack of critical attention makes the enterprise more worthy of initiation. To demonstrate something of the relationship between them, this essay is divided into three parts that gloss their main points of intersection and difference. I begin with the question of what is at stake in such a comparative endeavor. In the second section, I focus on …

The Mrs. Browns Of Modernism, Kathleen O'Donnell

Honors Theses

I begin with this literary critical parable because I am interested in arguments about and attempts to define what modernism was. I situate the following project after the fall of the modernist canon, in a literary critical context in which it remains doubtful that modernisms could be modernism again. As a response to that situation, I propose a way of defining modernism that may do justice to the complexity and variety of modernist texts, while seeking also to recognize that which they had in common. Although what follows might be called an analysis of literary form, it is not a …

Articulating Silence In The Postcolonial Indian Novel, Kaelin O'Connell

Honors Theses

Whatever is worth seeing or hearing in India can be expressed in writing. As soon as everything of importance is expressed in writing, a man who is duly qualified may obtain more knowledge of India in one year, in his closet in England, than he could obtain during the course of the longest life, by the use of his eyes and ears in India.

-James Mill, The History of British India, 1817.

This quotation, from the first philosophical history of India, posits the common British colonial notion that language, specifically the written word, might capture all that is "worth …

Postcolonial Melodrama : The Satanic Verses, The Mimic Men, The Namesake, Jason Przybylski

Honors Theses

The goal of this project is to explain the appropriateness of the genre of melodrama for understanding postcolonial literature. Throughout this paper I examine how reading postcolonial fiction as melodrama may help us both to understand postcolonial issues in new ways and, at the same time, to grasp how postcolonial literature changes and enhances the notion of melodrama.

Treasuring Identity : Subject-Object Relations In Beowulf, Becky Workman

Honors Theses

Beowulfs introspection leads him to seek glory and wealth to preserve his memory after death. Unlike the battles against Grendel and Grendel's mother, Beowulfs actions against the dragon clearly prioritize the winning of treasure over the safety of the people. Beowulf seems to believe that revenge upon the dragon is a justification for risking not only his life, but the stability of the leadership of his nation. The hoard that he wins illustrates how material objects are not necessarily longer lasting or more stable than mortals. Treasure's intimate connection with the human body in the social structure of the community …