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Recasting Genre In Tennessee Williams's Apprentice Plays, Christina Ilona Hunter
Recasting Genre In Tennessee Williams's Apprentice Plays, Christina Ilona Hunter
Dissertations
This dissertation investigates Tennessee Williams’s earliest full-length plays, also known as the apprentice plays—Candles to the Sun, Fugitive Kind, Not About Nightingales, Spring Storm, and Stairs to the Roof—by comparing, contrasting and contextualizing them in relation to Daniel Chandler’s generic criteria of drama; namely, narrative, characterization, setting, topics, iconography, and staging techniques. The present study also draws upon an extensive body of scholarship pertaining to genre theory, Williams’s cultural contemporaries, and the historical and psychological backdrop of Depression-era America. In these early plays, Williams diverged sharply from the dramatic generic conventions of his day, manipulating them in new …
"I Unsex'd My Dress": Lord Byron's Seduction Of Gender In "The Corsair", "Lara", And "Don Juan", Alexis Spiceland Lee
"I Unsex'd My Dress": Lord Byron's Seduction Of Gender In "The Corsair", "Lara", And "Don Juan", Alexis Spiceland Lee
Dissertations
The goal of this project is to posit a theory of how Byron’s texts, specifically through the development of his hero, construct gender and sexuality as styles of seduction that resist easy classification by binary systems. I propose that Byron’s works characterize gender through ironic performances of seduction that, because they reveal that binary structures lack a stable core, dissolve systemic differentiation and thus fatally complicate any attempt to force the individual into rigid categories of gender or sexual identity. Byron’s works deploy seduction as a tactic of ironic representation of both gender and sexual practice that is necessarily multiplicitous …
Scopophilia And Spectacle: Fashion And Femininity In The Novels Of Frances Burney, Cheryl Denise Clark
Scopophilia And Spectacle: Fashion And Femininity In The Novels Of Frances Burney, Cheryl Denise Clark
Dissertations
My dissertation investigates how the relationship between looking and being seen, or the interaction between scopophilia and spectacle, intersects with the rise of consumer culture and the ascendance of eighteenth-century fashion and fashionable places. By using Frances Burney’s novels as a lens through which to examine the eighteenth century’s fascination with looking, I consider the ways in which attracting “the look” or gaining attention through the visibility of stylish apparel and goods becomes a pathway to social agency in Burney’s novels. Fashion for Burney, I argue, emerges as a multifaceted system that manifests as a means of as social power …