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Orientalism In Arthur Golden’S Memoirs Of A Geisha, Britany Castilaw
Orientalism In Arthur Golden’S Memoirs Of A Geisha, Britany Castilaw
Honors Theses
Memoirs of a Geisha is a 1997 historical fiction novel by Arthur Golden. It is told as the fictional memoirs of the late Sayuri Nitta, a famous former geisha who worked in Gion in the 1930s as one of the most successful geisha in history. Since its publication, Memoirs has been criticized for an Orientalist and historically inaccurate depiction of geisha—particularly by Mineko Iwasaki, a real former geisha whom Golden interviewed when writing the novel. The first chapter of this thesis is dedicated to an explanation of Orientalism as the problematic, stereotype-driven depictions of the East made by the West, …
Demigod And Delinquent: Percy Jackson And The American Teenager, Katie Weber
Demigod And Delinquent: Percy Jackson And The American Teenager, Katie Weber
Honors Theses
Rick Riordan’s The Lightning Thief, the first novel in the Percy Jackson and the Olympians series, has achieved tremendous success with adolescent audiences nationwide since its original publication in 2005. Despite the widespread success of the books, the critical conversation about the novel and subsequent series remains fairly sparse. The existing critical literature on the series addresses its mythological aspects and adolescents’ reactions to the novel but does not analyze Percy’s status as an adolescent or what the novel suggests about adolescents as a whole through its portrayal of Percy. This thesis first provides an overview of the history of …
Queer Representation: Revitilizing F. Scott Fitzgerald’S Place In The American Literary Canon, Olivia Wallace
Queer Representation: Revitilizing F. Scott Fitzgerald’S Place In The American Literary Canon, Olivia Wallace
Honors Theses
F. Scott Fitzgerald is colloquially known as one of the great American writers. His acclaim is most commonly attributed to his depiction of heterosexual romances set during the Jazz Age. However, under the surface, many of the male characters that he represents display queer behaviors that subvert this idea. The texts analyzed here include “The Rich Boy” (1926), Tender is the Night (1934), and The Great Gatsby (1925). These men commonly avoid perpetuating heteronormative culture, projecting a general air of cynicism towards the institution of marriage, and a subtle inclination towards feminine characteristics and queer love. Overall, the inclusion of …