English Language and Literature Commons^™

A Study Of The Early American Author Judith Sargent Murray, Her Role In Early American Print Culture And Her Misappropriation By Twentieth-Century Feminism, Robert Allen Fowler

Master's Theses

In 1798, Judith Sargent Murray published a three-volume collection of one hundred miscellaneous essays on topics ranging from social politesse to women’s education to international politics. Her diligence, forethought and manipulation of pseudonyms in the print-hungry post-Revolutionary America create a unique place for her in the history of American letters. However, in the twentieth century, modern feminism has attempted to claim Murray as one of their own, choosing between one and four examples of her work as proof of her forward-looking philosophy, while ignoring significant pieces of those same works as well as much of her oeuvre as a whole …

Legal Discourse, Conceptual Metaphors, And Basic Writing Programming: A Study Of Ayers V. Fordice, Joyce Olewski Inman

Dissertations

In what ways does legal discourse influence our perceptions of students labeled as basic writers and these students’ perceptions of themselves? How does standards-based discourse affect student writers’ abilities to define themselves in academe? This dissertation involves an examination of legal and public discourse surrounding Ayers v. Fordice, one of the most prominent desegregation cases in higher education, in an attempt to answer these questions. Its intent is to explore how conceptual metaphors prevalent in these discourses affect our understandings of basic writing programming in the state of Mississippi but also in the field of composition more globally.

My …

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

The Black Plumb Line: Re-Evaluating Race And Africanist Images In Non-Black Authored American Texts, Lashondra Vanessa Robinson

Dissertations

This study evaluates Africanisms (representations of racialized or ethnicized blackness) within three contemporary non-black authors’ texts: Jewish American Saul Bellow’s novel Henderson the Rain King, white southerner Melinda Haynes’ novel Mother of Pearl, and Nyurican poet Victor Hernández Cruz’s works “Mesa Blanca” and “White Table.” Though not entirely unproblematic, each selection somehow redefines black identity and agency to challenge denigrated representations of Africanist people and culture. In the process, each author subverts faulty components of American myths of racial purity, particularly stratifying black-white dualisms that promote whiteness, racial supremacy, and resulting undue privilege. This study also traces how Bellow, Haynes …

I Don't Know Why You Say Goodbye, I Say Hello: Concepts Of Place In Eudora Welty's The Optimist's Daughter And Elizabeth Bowen's The Death Of The Heart, Emily Frances Cooley

Master's Theses

The Optimist's Daughter and The Death of the Heart reveal that, for Eudora Welty and Elizabeth Bowen, place is· more than mere landscape. Place is both the scene upon which their novels unfold and the means by which they convey their abstract understandings of the world. Place provides the physical settings of their stories, but it also reveals something about their psyche or symbolic language. The settings used by Welty in The Optimist's Daughter reinforce traditional notions of place in Southern life and society whereas the settings employed by Bowen in The Death of the Heart exhibit a partiality for …

Bitter-Sweet Home: The Pastoral Ideal In African-American Literature, From Douglass To Wright, Robyn Merideth Preston-Mcgee

Dissertations

Discussions of the pastoral mode in American literary history frequently omit the complicated relationship between African Americans and the natural world, particularly as it relates to the South. The pastoral, as a sensibility, has long been an important part of the southern identity, for the mythos of the South long depended upon its association with a new “Garden of the World” image, a paradise dependent upon slave labor and a racial hierarchy to sustain it. For African Americans, the rural South has been both a home and a place of violence and oppression, particularly during the period of slavery through …

Metaphasia: Shelley And The Language Of Remoter Worlds, Michael Andrew Howell

Master's Theses

The aim of this project was to trace the evolution of Percy Shelley's metaphasic narrative, or language of the dead, chronologically through the Hymn to Intellectual Beauty, Mont Blanc, and Prometheus Unbound. Proceeding from Earl Wasserman's detailed map of Shelley's mythopoeic structure, I charted this evolution while identifying a fifth discrete entity within the mythological hierarchy of what Harold Bloom has characterized as a "mythopoeic trilogy" (36). Concurrently, I examined the ongoing debate concerning Shelley's influences, as well as the early formation of his personality, as it pertains to the poems in question, and his fascination with worlds beyond the …