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English Language and Literature Commons

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Selected Works

2000

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Articles 1 - 30 of 51

Full-Text Articles in English Language and Literature

Making Connections, Charlie Sweet, Hal Blythe Nov 2011

Making Connections, Charlie Sweet, Hal Blythe

Hal Blythe

Last summer as instructors at a creative-writing conference, we had an experience that made us better writers. While critiquing a promising piece of fiction, we became frustrated because we couldn't put our finger on why the story didn't quite work. The tale, which centered around a young soldier's baptismal firefight in Vietnam, at first seemed solid. The main character was believable, the setting was described in gritty realism, and the plot had a beginning, middle, and end. But although the story was technically correct, it didn't really capture our interest. We found we couldn't get involved with the writer's grunt …


A Feminist ‘Attack’ On Post-Structuralist And Psychoanalytical Readings Of Hamlet, Michele Gibney Nov 2000

A Feminist ‘Attack’ On Post-Structuralist And Psychoanalytical Readings Of Hamlet, Michele Gibney

Michele Gibney

This paper will do three things, the first of which will be to describe Jaqueline Rose’s argument within her essay, “Hamlet—The Mona Lisa of Literature.” The second task of this paper will be to explain what is at stake within Rose’s essay as it relates to previous criticism such as that of Irigaray, Freud, Woolf, and Derrida. Finally, by drawing upon the idea (in Rose’s paper) of femininity as a fetishisized concept that equals the opposite of “good” a correlation in opposition will be drawn between what she is trying to accomplish and what Freud argues in “The Theme of …


Goddess Of Death: The Pleasure Principle At Work In Shakespeare’S Texts, Michele Gibney Nov 2000

Goddess Of Death: The Pleasure Principle At Work In Shakespeare’S Texts, Michele Gibney

Michele Gibney

In the essay “The Theme of the Three Caskets,” Freud discusses man’s altering of a representation of death into one of love. This course of action is reminiscent of Nietzsche’s claim in Truth and Falsity in an Ultramoral Sense, where he claims that man invents truth to suit himself. Freud psychoanalyzes that man is altering reality out of a fear of his own mortality, while Nietzsche makes a similar claim by saying man does it out of a desire to live peacefully with others in a manner which preserves life.


Trauma, Mourning And Pedagogy, Jean Wyatt Nov 2000

Trauma, Mourning And Pedagogy, Jean Wyatt

Jean Wyatt

No abstract provided.


The Changing Faces Of Online Help, John Battalio Oct 2000

The Changing Faces Of Online Help, John Battalio

John T. Battalio

No abstract provided.


Contradicting Theories Of Art By Nietzsche And Plato, Michele Gibney Oct 2000

Contradicting Theories Of Art By Nietzsche And Plato, Michele Gibney

Michele Gibney

Plato proposes that there are ultimate, pure forms created by God behind every object in the world. Nietzsche, in response to this, argues that not only is there a multitude of differences between each object that have been disregarded to keep the illusion of the ideal, but that man himself creates the ideals and not an omnipotent deity. For Plato, art imitates the imitations of the pure form: thus confusing mankind, hindering their path to finding the pure, and tying them to a reality that is an appearance only. But for Nietzsche, art can save man from reality by producing …


Slave Wall, Hal Charles Jun 2000

Slave Wall, Hal Charles

Charlie Sweet

No abstract provided.


Water Marked (Review), Linda Niemann May 2000

Water Marked (Review), Linda Niemann

Linda G. Niemann

Reviews the book "Lifesaving: A Memoir," by Judith Barrington. Portland, OR: The Eighth Mountain Press, 2000.


Wordsworth’S Romanticism, Michele Gibney May 2000

Wordsworth’S Romanticism, Michele Gibney

Michele Gibney

In moving from the poetry of Thomas Gray to that of William Wordsworth, a shift in perception occurs and the age of Romantic poetry really begins. Gray emphasizes the ideas of loss and pessimism, while Wordsworth counters loss with recompense and an optimistic outlook instead of a pessimistic one. By looking at the poetic content of one of each of their works, the use that they both make of memory can be seen. However, the uses that they make contrast markedly against one another in the feelings they provoke. Gray’s utilization of memory in “An Ode on a Distant Prospect …


Names In 'Shiloh', Charlie Sweet, Hal Blythe Apr 2000

Names In 'Shiloh', Charlie Sweet, Hal Blythe

Charlie Sweet

No abstract provided.


Special Double Issue Of Gothic Studies, Steven Bruhm Apr 2000

Special Double Issue Of Gothic Studies, Steven Bruhm

Steven Bruhm

No abstract provided.


Self Gratification And Unity In The School For Scandal, Michele Gibney Apr 2000

Self Gratification And Unity In The School For Scandal, Michele Gibney

Michele Gibney

Behind Sheridan’s play, The School for Scandal, rests a history of convention and forms already accepted in the theatrical world. In the tradition of a Comedy of Manners, Sheridan is mocking the society that he is a part of. He takes the foibles of human beings and turns them into fictional characters in order to provide a mirror for the society that he sees as licentious and focused on scandal. The whole point of the Comedies of Manners is to put down accepted norms and build up new ones for the betterment of society. For Sheridan, the accepted form in …


Rhetoric By Design: Imagining William Morris As Rhetorician, Thomas Burkdall Mar 2000

Rhetoric By Design: Imagining William Morris As Rhetorician, Thomas Burkdall

Thomas Burkdall

No abstract provided.


Making Connections, Charlie Sweet, Hal Blythe Feb 2000

Making Connections, Charlie Sweet, Hal Blythe

Charlie Sweet

Last summer as instructors at a creative-writing conference, we had an experience that made us better writers. While critiquing a promising piece of fiction, we became frustrated because we couldn't put our finger on why the story didn't quite work. The tale, which centered around a young soldier's baptismal firefight in Vietnam, at first seemed solid. The main character was believable, the setting was described in gritty realism, and the plot had a beginning, middle, and end. But although the story was technically correct, it didn't really capture our interest. We found we couldn't get involved with the writer's grunt …


Tales Of The Unexpected, Charlie Sweet, Hal Blythe Feb 2000

Tales Of The Unexpected, Charlie Sweet, Hal Blythe

Charlie Sweet

No abstract provided.


Verbal Vermeer: Updike's Middle-Class Portraiture, James Plath Feb 2000

Verbal Vermeer: Updike's Middle-Class Portraiture, James Plath

James Plath

Of all the artists Updike mentions in his writing, none is cited more often than seventeenth-century Dutch painter Jan Vermeer, whose near-photographic depictions of household scenes from everyday bourgeois life are recalled in Updike's own fictional portraits of upper-middle-dass domesticity-particularly those set in his native Pennsylvania, where the Dutch historically settled.


Too Racy For The Smithsonian, Linda Niemann Jan 2000

Too Racy For The Smithsonian, Linda Niemann

Linda G. Niemann

No abstract provided.


David Punter, Gothic Pathologies: The Text, The Body And The Law, Steven Bruhm Jan 2000

David Punter, Gothic Pathologies: The Text, The Body And The Law, Steven Bruhm

Steven Bruhm

No abstract provided.


Reflecting Narcissus: A Queer Aesthetic, Steven Bruhm Dec 1999

Reflecting Narcissus: A Queer Aesthetic, Steven Bruhm

Steven Bruhm

The figure of Narcissus, literally falling for himself, has profoundly influenced Western philosophy and literary theory: he signifies transcendental idealism and its nemesis, vanity; he underlies autoeroticism and misogyny; he has a crucial place in poststructuralist French thought. Yet, for all this, Narcissus is rarely if ever seen in his primary attitude-as a man erotically desiring another man.

In Reflecting Narcissus, Steven Bruhm traces the complex uses of Narcissus in cultural and aesthetic formulations from the eighteenth century to the present and returns Narcissus's essential homoeroticism to a central place in this history. Extending the horizons of queer, feminist, and …


King Of The Bingo Game, Charlie Sweet, Hal Blythe Dec 1999

King Of The Bingo Game, Charlie Sweet, Hal Blythe

Charlie Sweet

Critics have long recognized symbolism as one of Ralph Ellison's favorite devices. However, a lesser-known technique, juxtaposition, illuminates the racism theme so prominent in his classic short story "King of the Bingo Game." By contrasting the main character's major fantasy with his real-life situation, Ellison makes more poignant the gap between white and black America in the 1930s.


Murder, Madness And The Literary Representation Of Women In Selected Novels Of Mary Elizabeth Braddon, Mojgan Behmand Dec 1999

Murder, Madness And The Literary Representation Of Women In Selected Novels Of Mary Elizabeth Braddon, Mojgan Behmand

Mojgan Behmand

No abstract provided.


Fated Sky: The Femina Furens In Shakespeare, M. Stapleton Dec 1999

Fated Sky: The Femina Furens In Shakespeare, M. Stapleton

M. L. Stapleton

Fated Sky reinvestigates the hypothesis of Senecan influence on Shakespeare's plays. It argues that the 1581 Elizabethan anthology, Seneca His Tenne Tragedies, Translated into Englyshe, was Shakespeare's primary sourcetext and medium for his reception, transmission, and imitation of this ancient author.


Domestic Mobility In The American Post-Frontier, 1890-1900 (Ph. D. Thesis), Julie Prebel Dec 1999

Domestic Mobility In The American Post-Frontier, 1890-1900 (Ph. D. Thesis), Julie Prebel

Julie Prebel

No abstract provided.


Introduction, Russell Poole Dec 1999

Introduction, Russell Poole

Russell Poole

No abstract provided.


Scuba Log, Servanne Woodward Dec 1999

Scuba Log, Servanne Woodward

Servanne Woodward

No abstract provided.


Ibsen's Hedda Gabler, Charlie Sweet, Hal Blythe Dec 1999

Ibsen's Hedda Gabler, Charlie Sweet, Hal Blythe

Charlie Sweet

No abstract provided.


The Chicago Novel, Robert Bray Dec 1999

The Chicago Novel, Robert Bray

Robert Bray

No abstract provided.


Anatomies Of Violence. University Of Sydney: Rihss., Ruth Walker, Kylie Brass, John Byron Dec 1999

Anatomies Of Violence. University Of Sydney: Rihss., Ruth Walker, Kylie Brass, John Byron

Ruth Walker

No abstract provided.


Introduction: Mapping The Body Of Violence, Ruth Walker, Kylie Brass Dec 1999

Introduction: Mapping The Body Of Violence, Ruth Walker, Kylie Brass

Ruth Walker

No abstract provided.


The Relation Between Verses And Prose In Hallfreðar Saga And Gunnlaugs Saga, Russell Poole Dec 1999

The Relation Between Verses And Prose In Hallfreðar Saga And Gunnlaugs Saga, Russell Poole

Russell Poole

No abstract provided.