Open Access. Powered by Scholars. Published by Universities.®

English Language and Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Selected Works

Literature in English, North America, Ethnic and Cultural Minority

Popular Culture

Publication Year

Articles 1 - 3 of 3

Full-Text Articles in English Language and Literature

Who's Your Daddy?: Representations Of Masculinity And Coming Of Age In Television’S The Vampire Diaries, Kimberley Mcmahon-Coleman Jun 2012

Who's Your Daddy?: Representations Of Masculinity And Coming Of Age In Television’S The Vampire Diaries, Kimberley Mcmahon-Coleman

Kimberley McMahon-Coleman

Fantasy narratives often use the metaphor of the werewolf for the adolescent identity-forming process. The Vampire Diaries goes one step further in the character of Tyler Lockwood, a teen wolf/vampire hybrid. An aggressive and abused teen, Tyler loses his father in Season 1 and his replacement father figure, a paternal uncle, in Season 2. In Season 3, he is “sired” by the Original hybrid, Klaus. In the face of these competing influences, Tyler struggles to come to terms with his own identity. The program uses the fictional township of Mystic Falls, populated by witches, werewolves, vampires and ghosts, to examine …


"The Ties That Bind: Family And Blood In Television’S The Vampire Diaries.”, Kimberley Mcmahon-Coleman May 2011

"The Ties That Bind: Family And Blood In Television’S The Vampire Diaries.”, Kimberley Mcmahon-Coleman

Kimberley McMahon-Coleman

No abstract provided.


Southern Civility, Sexuality And Secularity: Minority Politics In "True Blood.", Kimberley Mcmahon-Coleman Apr 2011

Southern Civility, Sexuality And Secularity: Minority Politics In "True Blood.", Kimberley Mcmahon-Coleman

Kimberley McMahon-Coleman

Southern Civility, Sexuality and Secularity: Minority Politics in True Blood. Paper Topic area: Science Fiction and Fantasy - True Blood (Burnett) In the popular HBO series True Blood and the novels by Charlaine Harris on which they are based, Sookie Stackhouse is a thoroughly postmodern Southern Belle. Sookie’s decisions are based on her notions of what it is to be a ‘lady’ and on her Christian beliefs. She is directly contrasted with members of the Fellowship of the Sun in that she refuses to believe that Jesus would hate vampires. The viewer is thus implicitly invited to become a resistant …