English Language and Literature Commons^™

An Argument For The Great Divorce In The Public School Ninth Grade English Classroom, Taylor Isom

Senior Honors Theses

C. S. Lewis’s The Great Divorce (1946) can provide a useful supplement for ninth grade English instruction because of its quality as a literary work, the ideas it represents, its commentary on enduring human questions, and its connections to its historical context. At its core, the book reflects on recurring philosophical and religious ideas in a way that simultaneously links to and transcends its time. It also exhibits hallmarks of literary excellence, such as formal consistency and a comprehensive view of its themes. The Great Divorce’s skillful use of literary elements suits it for instruction, adapting form to purpose. …

Slowly Realizing The Other: A Creative Examination Of A World Outside The Familiar, Rebecca L. Turner

Senior Honors Theses

In this thesis I explore the importance of imagining others complexly, especially members of other cultures whom Westerners tend to view through the lens of stereotype. Rather than seeking to directly quote theory and criticism, though, I consider the implications of these ideas through fiction. A British businessman traveling to the Philippines on holiday encounters Typhoon Yolanda, one of the largest storms in recorded history. Suddenly stranded, Gary must expand his view of the world, realizing (perhaps for the first time) that his status does not make him more—or less—important than anyone else he might encounter.

A Voice Full Of Money: Metaphor And The Art Of Meaning, Kathryn V. Mccracken

Senior Honors Theses

The common definition of metaphor as a “comparison between two things that does not include the words ‘like’ or ‘as’” has, in the recent decades, lost the respect of serious students of language. Originating in Aristotelian thought, this “Comparison Theory” of metaphor is oversimplifying and therefore inadequate. By using examples to outline these inadequacies, a more accurate, more robust view of metaphor emerges. Far from being a mere literary flourish, the concept of metaphor—especially as metaphor is identified as the means through which symbols function—is at the very base of the general process of meaning conveyance through language.

In order …

The Story Of My Art: A Study In Fiction Writing, Victoria J. Steelman

Senior Honors Theses

This creative thesis examines the several aspects of the author’s study and experience on the path to become a fiction writer. The author’s writing theory is addressed, utilizing research from a variety of authorities on the subject and focusing primarily on the nonexistence of rules for crafting fiction, the role of education in the life of the writer, and the importance of the practice of writing itself. The second section details the writer’s personal method of crafting fiction, focusing on the key elements of character, plot, and setting. The third section contains a full marketing plan for the author’s intended …

Marriage: A Formative Institution, Joanna S. Anderson

Senior Honors Theses

Pride and Prejudice, by Jane Austen, features five main marriages that demonstrate the eighteenth century companionate marriage model in varying degrees. Many of the societal changes in the eighteenth and nineteenth century contributed to the rise of the companionate marriage, and these many changes are reflected in the rising genre—the novel. Specifically, Jane Austen’s Pride and Prejudice incorporates the major themes of the novel as a genre, specifically, the rise of the individual and equality of souls, to show that the companionate model of marriage makes marriage a formational platform for two individuals. Austen clearly sets apart Elizabeth and …

R. Crumb’S The Book Of Genesis Illustrated: Biblical Narrative And The Impact Of Illustration, Liza A. Borders

Senior Honors Theses

An artist known for his sexually charged, grotesque art joins with the sacred text of the Bible’s Genesis in R. Crumb’s The Book of Genesis Illustrated. An academic approach to the graphic novel recognizes the depth of meaning the art develops through the story. The intriguing facial expressions within Crumb’s book call into question the motives of the active participants within the narrative of Noah and the infamous floating zoo. Deviant from a Christian view of the Bible, Crumb disputes the honor of Scripture and perpetuates his typical social satire though he uses a biblical text. Reflecting upon a traditional …

The Beauty And The Barrister: Gender Roles, Madness, And The Basis For Identity In Lady Audley's Secret, Corey Hayes

Senior Honors Theses

This thesis examines the concept of identity in the novel Lady Audley’s Secret by Mary Elizabeth Braddon. In the mid to late Victorian period, self-definition was strongly tied to gender roles. Men were expected to be mentally active, physical strong, and morally guiding leaders of society, and women were to be their passive, pious, domestically minded followers. These expectations for behavior were so strong that those breaking them were in danger of being considered insane. In Braddon’s novel, the behavior of most characters does not align with the expectations for their gender. The exception is Lady Audley, the apparently ideal …

Theological Creative Nonfiction: Christian Literature For Christian Life, Elizabeth R. Hurt

Senior Honors Theses

Since the Christian worldview is composed of more than theoretical truth, Christian literature should reflect these other aspects, such as how that truth is applied in the lives of the saints. Furthermore, the praxis element of worldview is reflected in literature more naturally in narrative genres than in more expository writings like systematic theology. Narrative genres mirror the complex, temporal way a person lives his life, and because of this are able to show how objective truth is applied in subjective situations. For this reason, Christians need contemporary writing that reflects the process of everyday Christian living to offer a …

A Love That Lasts: Jane Austen’S Argument For A Marriage Based On Love In Pride And Prejudice, Katlin A. Berry

Senior Honors Theses

During the period of Regency England, a woman’s life was planned for her before she was born, and her place in society was defined by her marital status. Before she was married, she was her father’s daughter with a slim possibility of inheriting property. After she was married, legally she did not exist; she was subsumed into her husband with absolutely no legal, political, or financial rights. She was someone’s wife; that is, if she was fortunate enough to marry because spinsters had very few opportunities to earn enough money to live on alone. Therefore, it was imperative that women …