English Language and Literature Commons^™

“See Ourselves As Others See Us”: Empathy Across Gender Boundaries In James Joyce’S Ulysses, Madison V. Chartier

Butler Journal of Undergraduate Research

Many critics originally attacked James Joyce’s Ulysses for its dark representation of gender relations. Today, many scholars consider this criticism prematurely formed and recognize that these early critics responded more to Stephen Dedalus’s antagonistic, misogynistic views in the novel’s opening chapters than to the rest of the epic and the views of the novel’s main protagonist, Leopold Bloom, who displays a much more receptive, appreciative attitude toward women. These scholars now believe that gender relations as portrayed in Ulysses actually undermine preconceived notions of a gendered hierarchy. However, this difference in character perspective is not the only or even the …

Angel Outside The House: The New Woman In Brittish Periodicals 1890-1910, Lindsay Rosa

Graduate Thesis Collection

The New Woman described in short fiction and editorial articles in British periodicals not only presented the ideal New Woman to readers, but served to shape the perceptions of the reader depending on the demographic of the targeted reading audience for that specific periodical. The audience for specific British periodicals featuring the New Woman included conservative families whose youth saw the New Woman figure as a role model. The New Woman figure easily connected to readers, particularly young, female middle-class readers, who easily identified with her because she possessed similar socioeconomic characteristics. Just as there were many New Women characters …

“A Southern Expendable”: Cultural Patriarchy, Maternal Abandonment, And Narrativization In Dorothy Allison's Bastard Out Of Carolina, Natalie Carter

Scholarship and Professional Work - LAS

Bastard Out of Carolina is a remarkable text for many reasons: Allison’s unsentimental portrayal of profound poverty in the Old South; her unflinching depiction of incest; and the conclusion—devastating for character and reader alike—all contribute to the “flawless” nature of this novel. Perhaps most remarkable, though, is Allison’s ability to seamlessly weave a particularly Southern tradition of masculinity and violence into this heartbreaking tale of a daughter’s trauma and a mother’s abandonment. In this article, I will investigate Allison’s multifaceted portrayals of trauma in Bastard Out of Carolina, which—when combined with an analysis of social and economic traditions in …

Modernist Women In Three Acts: The Stage For Political Protest, Jennifer B. Redmond

Undergraduate Honors Thesis Collection

In this essay, I will draw upon Katherine Mansfield's New Zealand Sh011stories, "Bliss" (1918), "The Woman at the Store" (1912), "Je Ne Parle Pas Francais" (1918), George Bernard Shaw's play Mrs. Warren's Profession (1893), and Virginia Woolf's extended essay A Room of One 's Own (1929), to defend Jeffreys's idea that "lesbianism" was, in many cases, nothing more than a bond of friendship between two women - a private experience that took on a different meaning in the public eye.

Additionally, I wish to support Gubar's notion that gender norms frequently existed secondarily to the importance of women gaining more …