English Language and Literature Commons^™

Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett

Criterion: A Journal of Literary Criticism

Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …

Claude Mckay's Protest Sonnets, Lily Jensen

Criterion: A Journal of Literary Criticism

The sonnet tradition is rich with change. It is a genre forged in strict conventions: fourteen lines, iambic pentameter, a volta (or even multiple turns), and themes of praise and unrequited love. Because of these rules, sonneteers from Petrarch to Shakespeare, Donne to Rosetti, and Hopkins to Hughes have used this form and bent it to their own personal uses. The sonnet has an intense social, cultural, and political history. This paper analyzes how Claude Mckay both used the conventions of the sonnet tradition and broke from the sonnet tradition in the poems “If We Must Die” and “The Lynching” …

“Hopelessly Crippled”: The Construction Of Disability In Borges’S “Funes, His Memory”, Madilyn Abbe

Criterion: A Journal of Literary Criticism

In Jorge Luis Borges’s “Funes, His Memory,” the narrator presents Ireneo Funes as an intriguing example of both physical and cognitive atypicality. Although the narrator is quick to identify Funes’s deficiencies, he unashamedly acknowledges his own cognitive weaknesses as well. Using a literary disability studies lens, this article examines the construction of disability within the text, arguing that the narrator imposes disability onto Funes to mask the possibility that he be categorized as disabled. The narrator sets up an ableist binary to undermine Funes physically, yet this binary falls apart when applied to cognitive ability. In order to address this …

Cover And Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

“Perfect In Her Eyes:” Domestic Retrenchment And Panoptical Resistance In Jane Austen’S Mansfield Park, Holden O. D'Evegnee

Criterion: A Journal of Literary Criticism

Mansfield Park features one of Jane Austen's most unique heroines, Fanny Price. Though Fanny is painfully shy—almost to the point of becoming the audience to her own story—she manages, by the end of the novel, to gain everything she wanted while the rest of her adopted family falls apart into disgrace or reform. Some critics see this as proof of Fanny’s monstrosity while others read Fanny’s ascent as a reward for her principled nature. Using recent postcolonial readings of Mansfield Park with Michel Foucault’s theory of panoptical surveillance, my goal is to show how Fanny Price subverts the colonial authority …

Recognizing Freedom: Zitkala-Ša's Fight For Native Citizenship, Camille J. Karpowitz

Criterion: A Journal of Literary Criticism

Minority groups protesting and petitioning for civil rights have been fundamental to United States history. Before the Indian Citizenship Act of 1924, Zitkala-Ša, a Native American rights activist, positions herself as a voice for Native citizenship. Within the native community, however, the issue of citizenship was not as easily advocated for, due to past injustices perpetrated by the United States government. As a result, Zitkala-Ša has been labeled an assimilationist or one who connect to either Natives or Americans.

While her advocacy for citizenship does not go unnoticed by scholars, it is often ignored in her works outside of political …

Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen

Criterion: A Journal of Literary Criticism

By the mid-15^th century, the royal marriage of King Charles and Queen Henrietta Maria incited enough conflict to spark civil war, as the English struggled to reconcile between the long-established image of female English domesticity and a pervasive cultural expectation for equality between marriage partners. Any form of equality in the royal marriage called the absolute power of the king into question, as it would imply that his actions had included her direct involvement, and even at times were more representative of her, not his, views. Letters captured at the Battle of Naseby confirmed fears that the queen …

Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault

Criterion: A Journal of Literary Criticism

Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.

“What Could She Do Next?”: Margaret’S Power And Control Through Failed Emotional Labor In Elizabeth Gaskell’S North And South, Cianna Alano

Criterion: A Journal of Literary Criticism

Critics of Elizabeth Gaskell’s North and South identify Margaret as an emotional laborer, but they emphasize how this is a detriment to Margaret rather than how she uses it to her advantage. Margaret’s role as an emotional laborer is, indeed, often unwanted and inconvenient, but she reappropriates this work to gain control of undesirable situations. Most notably, Margaret repeats this pattern when telling her mother of their imminent move to Milton, when dealing with the Higgins and Boucher families after familial deaths, and when attempting to stop rioters from hurting Mr. Thornton. Instead of just trying to complete the unwanted …

Full Issue

Criterion: A Journal of Literary Criticism

No abstract provided.

A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul

Criterion: A Journal of Literary Criticism

Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …

Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham

Criterion: A Journal of Literary Criticism

Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …

Women After Waterloo: Evolving Females In Jane Austen’S Persuasion, Madison Maloney

Criterion: A Journal of Literary Criticism

In Jane Austen’s last novel, Persuasion, she offers a glimpse into a character that breaks past the societal restraints women typically experience. Mrs. Croft, ostensibly, is the first Austen woman to find her way out of England; the Napoleon wars afford her the opportunity to travel the seas with her Admiral husband and participate in traditionally masculine experiences. Though other women in Austen novels do travel, they remain in-country, and they always find their way back to their original society. Throughout many wars in history, the absence of men as they fight in the military offers women the opportunity to …

Subverting Social Order: Investigating Class Critique In Homer’S Odyssey, Riley R. Mayes

Criterion: A Journal of Literary Criticism

The ‘Homeric Question,’ or the question of who Homer was, has long preoccupied the minds of the Western world (Foley 2). Due to the amorphous nature of oral tradition and the lost histories of ancient Greece, it is likely that this question may never be answered to satisfaction. However, what historical data we do have allows us to synthesize a composite character of who Homer might have been and, more importantly, what he represented. As we will explore, records reveal that the mythology of ancient Greece arose from the lower rungs of the social ladder; storytellers were often members of …

The Rise Of The Machine: The Annihilation Of Human Connection In "The Rainbow", Elizabeth Miller

Criterion: A Journal of Literary Criticism

This essay analyzes the growth of industrialization in England at the turn of the century by examining D. H. Lawrence’s 1915 novel, The Rainbow. More specifically, this essay will focus on the role of machine culture and how the growing presence of industry acted as a catalyst for societal destruction. I argue that Lawrence defines machine culture as the worship of the machine, roboticism, the erasure of memory, and misogyny. These social constructs are exposed through the male characters in the novel to express Lawrence’s attitude toward the destructiveness of industrialization. He uses these characteristics to represent the type of …

Spring 2023 Editorial Introduction, Betsy Gilliland, Kat O'Meara

Journal of Response to Writing

No abstract provided.