English Language and Literature Commons^™

Invective Drag: Talking Dirty In Catullus, Cicero, Horace, And Ovid, Casey Catherine Moore

Theses and Dissertations

Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship between invective texts and masculine self-fashioning. Using gender theory, rhetorical theory, and philology, I examine how invective speech in these authors operates outside the normative social parameters of Roman masculinity.. I examine the invectives of Catullus, Cicero, Horace, and Ovid to argue that in the speaker’s aggressive articulation of masculinity, he often ends up effeminizing or queering himself as he attempts to make his opponents radically other. I show that the hypermasculine speaker of the invective genre utilizes a strategy I term “invective drag,” the adoption of …

Absolving The Sin: Redemptive Feminine Figures In Geoffrey Chaucer's "The Wife Of Bath's Prologue" And John Milton's Paradise Lost, Rory Griffiths

Theses and Dissertations

Geoffrey Chaucer and John Milton have been ceaselessly studied in isolation to one another, but undergraduate students must begin to study them in conjunction. Chaucer’s “The Wife of Bath’s Prologue” serves as social critique of medieval misogynist practices that allows students to study social practices as they study his language. Milton’s Eve in Paradise Lost reflects the religious and social instability that marked the Interregnum of the English Civil War, allowing Eve to embody the culture’s desire to return to a virtuous Church. Students will learn to examine the space of the authorial paradox, primarily the questions of authority that …

Of Wilderness, Forest, And Garden: An Eco-Theory Of Genre In Middle English Literature, Barbara L. Bolt

Theses and Dissertations

“Of Wilderness, Forest, and Garden: An Eco-Theory of Genre in Middle English Literature” proposes a new theory of genre that considers the material elements of the natural environment in Middle English literature composed between 1300-1450 CE. Instead of treating the setting as just a backdrop for human activity, I posit that the components of the environment play a role in the deployment of the narrative by shaping the characters and influencing the action. More than an acknowledgement of the particular natural features, this study explores the role that these components play and how they give us a deeper understanding of …

Eugene Debs And The Politics Of Parrhesia, James P. Flynn

Theses and Dissertations

The general public often views the practice of politics to be incompatible with truth telling. Despite this perspective, I argue these two concepts coexisted in the 1912 campaign of Eugene V. Debs. Using Michel Foucault‟s unfinished work on parrhesia, or frank speaking, I argue that Debs functioned as a parrhesiast. To make this argument, I analyze Debs‟s discourse against what Foucault‟s work suggests are the three essential elements of parrhesia: compulsion, risk, and authenticity. Because Debs‟s parrhesiastic sensibilities become more obvious when compared with his opponents in the 1912 election, I analyze Debs‟s discourse in relation to William Howard Taft, …

Historical Violence And Modernist Form In Zoe Wicomb's David's Story, Kaelie Rianne Giffel

Theses and Dissertations

The essay brings together Zoe Wicomb’s David’s Story with Walter Benjamin’s “Theses on the Philosophy of History” and (less centrally) Julia Kristeva’s work on “Women’s Time.” I argue that, while Derek Attridge claims that the novel’s modernism emerges from its interrogation of historical crisis, David’s Story is modernist because of its experimentation with nonlinear narrative and an engagement with modern intertexts such as Heart of Darkness and Ulysses. Benjamin’s “Theses on the Philosophy of History” illuminates the structure of Wicomb’s novel, which creates what Benjamin calls a “constellation” of stories that are non-causally yet historically related to each other. …

And Have Not Mercy, I Am Waiting: Conscious Inaction As Postcolonial Resistance In Patrick Kavanagh's "The Great Hunger" And Derek Walcott's "The Fortunate Traveller", Christopher Lowell Stuck

Theses and Dissertations

This project examines Patrick Kavanagh’s “The Great Hunger” and Derek Walcott’s “The Fortunate Traveller” as sites of postcolonial resistance. As presented in these poems, the main characters are caught between the memories of the colonial and anti-colonial pasts and the faltering promises of postcolonial independence. Instead of choosing between being defined solely by the past or accepting an independence under contrived terms, or attempting to reconcile the two, Walcott’s and Kavanagh’s poems propose conscious inaction in order to resist the apparent inevitability of the choice. Written at similar moments in their respective postcolonial regions, placing these two poems together for …

Tropes Of Blood, Body And The Ground Of The Law: Becoming, Being And Beyond Wife On The Early Modern Stage, Emily Faye Murray

Theses and Dissertations

This project focuses on the representation of women on the early modern stage in three exemplary texts: the anonymous domestic tragedy Arden of Faversham, and two city comedies, Thomas Dekker’s The Shoemaker’s Holiday and Dekker and Thomas Middleton’s The Roaring Girl. Whether playing the role of adulterous wife, performing the role socially striving wife, or resisting the role of laboring wife, these female characters were on stage not only for entertainment, but also for examination and scrutiny by an early modern audience. Playwrights used characterizations of women and wives and their relationships to the economy as vehicles through …

Creating The Self: Women Artists In Twentieth-Century Fiction, Bethany Dailey Tisdale

Theses and Dissertations

In novels of artistic development (or künstlerromane) by women in the early twentieth-century, becoming an artist is intimately tied to becoming recognized as an individual. It would appear that an era of rapid change and expanding opportunities for women would result in affirmative narratives of women’s artistry, but studying texts by Edith Wharton, Anzia Yezierska, Zelda Fitzgerald, and Dawn Powell shows that stringent gender roles can still keep women from realizing artist success.

In Wharton’s The House of Mirth, Lily Bart ruins her prospects on the marriage market by striving for freedom and aesthetic pleasure. Those desires cannot be reconciled …

Anarchic Wills: De Factoism And Its Discontents In Shakespeare And Milton, William Dean Clement

Theses and Dissertations

My dissertation explores the literary origins of de factoism – the political philosophy which considers any “right” to rule inconsequential to political legitimacy. My work introduces the concept of the “anarchic will,” my term for a literary character that recognizes the growing distance between an authority’s claim to power and the material fact of that power. I locate these figures in early modern drama and epic to demonstrate how their existence threatens the traditional power structures, both on the stage and in the streets of London. I argue that anarchic wills jeopardize political order at the most basic level, in …

Counterfeiting And Power In Invisible Man And Do Androids Dream Of Electric Sheep, Matthew Gassan

Theses and Dissertations

With the rise of modern reproduction, anxiety over the difference between the authentic and counterfeit has risen. This has led to copious investigations into the nature of authenticity by such theorists as Derrida and Baudrillard, but this approach overlooks pertinent social questions. By looking into Do Androids Dream of Electric Sheep? and Invisible Man, I hope to foster a conversation about who counterfeits and what they get out of it. What rises from my approach is an understanding of counterfeiting as a manifestation of Foucauldian power. By dictating the terms of what is real and what is fake, certain groups …

Tactical Encounters:Material Rhetoric And The Politics Of Tactical Media, Anthony Michael Stagliano

Theses and Dissertations

Tactical Encounters: Material Rhetoric and the Politics of Tactical Media articulates the concept of material rhetorical tactics, discrete rhetorical moves effecting political and social change, however ephemeral. I argue that material rhetorical tactics do not necessarily originate or conclude with a human subject, and that to understand this, we must reorient our conceptions of rhetorical action, agency, and, ultimately, its relationship to the demos, to include actions, actors, agents, and events that are not, in themselves, human. I build on recent work in rhetorical theory that has conceptualized the function and nature of rhetoric as involving agents human and nonhuman, …

A Taste For Things: Sensory Rhetoric Beyond The Human, Justine Beatrice Wells

Theses and Dissertations

Amidst rising agricultural pollution, poor conditions for livestock animals, and disparity between “high” and “low” food cultures, gustatory taste has entered contemporary public rhetoric as a significant modality of intervention. This dissertation considers the environmentalist and social potential of this public embrace of sensory rhetoric. To do so, I build a rhetorical theory of sensation through a sensory re-engagement of the rhetorical tradition. Scottish Enlightenment thinkers, I argue, embraced aesthetic taste as a site where rhetoric and ethics mingle, and yet in promoting its cultivation, they fell into elitism. The subsequent, Marxist discourse on sensory emancipation developed rhetoric’s sensory and …

The King’S Cabinet Splintered: The Impact Of Digital Mediation On The Kings Cabinet Opened, Travis A. Mullen

Theses and Dissertations

In June of 1645, the Parliamentarian New Model Army seized a packet of King Charles I’s private correspondence at the battle of Naseby. This seizure was a crucial propagandistic victory that enabled the Parliamentarians to do irreparable damage to Charles’ public image and, in contrast, to ingratiate themselves to the public. The Parliamentarians carefully selected, decoded, and arranged the letters in an effort to reveal Charles as a duplicitous ruler that cared more for his wife, Henrietta Maria, than his people. The collection is increasingly seen by critics as a case study in mediation through print—not just of private correspondence, …

Revival Of The Fittest: A Return To Writer Subjectivity In Composition, Ashley Mcclary

Theses and Dissertations

Writing can be unpleasant. And most examples of good writing start from early attempts to identify a partial understanding of complex, complicated concepts that emanated from a willingness to be honest and open and smart about the surrounding world. The inception of a good text—especially when paired with the strength to fulfill an incessant, ridiculous desire to tell a truth—can produce an affected writing sample, one of purpose and presence. In the field of Composition, when instructors ask students to write and suggest they do it well, it is easy to overlook the demand that students take new risks in …

Mourning, Melancholia, And The Need For Grace In Sherwood Anderson's "Godliness", Victoria Chandler

Theses and Dissertations

Published in 1919, Sherwood Anderson’s Winesburg, Ohio engages in the modernist project of collective grieving for social losses. This thesis looks specifically to Seth Moglen’s Mourning Modernity, in which he articulates the various grieving strategies, mourning and melancholia, employed by modernists in order to process their rapidly changing world. I explore the various ways that “Godliness,” one of Anderson’s stories in Winesburg, engages in both mourning and melancholia, and I draw on Ruth Levitas’ notion of secular grace, from her book Utopia as Method, in order to suggest that modernist subjects need a form of secular grace in …