English Language and Literature Commons^™

Comics And Composition, Comics As Composition: Navigating Production And Consumption, Tammie M. Kennedy, Jessi Thomsen, Erica Trabold

English Faculty Publications

Composition has a vested interest in exploring how comics studies can inform our teaching of writing, multimodal literacies, and visual rhetoric. Composition and rhetoric has already demonstrated a growing interest in comics (including graphic literatures, graphic novels, graphic narratives, digital storytelling) as complex sites of literacy and as spaces to theorize and practice multimodal composing. Comics also provide opportunities to explore the rhetorical choices and transactions that must be negotiated between composers and readers. However, despite composition scholars’ interest in multiliteracies, multimodal composing, and visual rhetoric, the interdependent and fluid connections between images and words remain largely disengaged. For example, …

Review Of Social Class In Applied Linguistics By David Block, Frank Bramlett

English Faculty Publications

As Block writes in the prologue and the epilogue, the book is primarily about erasure; his motivation for writing the book is to highlight “the substantial and sometimes complete erasure of social class in applied linguistics research due to the ways in which applied linguists frame their discussions of issues such as identity, inequality, disadvantage and exclusion” (pp. ix–x). Overall, Block achieves his goal of illustrating the widespread absence of social class in applied linguistics; however, the book itself makes some missteps in exploring the very construct it claims as its focus.

The book is divided into five chapters. Chapter …

The Role Of Culture In Comics Of The Quotidian, Frank Bramlett

English Faculty Publications

Studies of the quotidian often start from a social sciences perspective that daily life is made up of routine practices and ingrained assumptions. This is also found in studies of literature, art and economics. The premise of the quotidian, however, must be examined through a lens of culture. This essay explores how the notion of the quotidian in comics rests on culture, which in turn comprises various nexus of practice. Drawing evidence from Exit Wounds (by Rutu Modan) and Questionable Content (by Jeph Jacques), the essay extends the notion of the quotidian from a specific reference to ‘slice of life …

Which Side Are You On? The Worlds Of Grant Morrison, Francesco-Alessio Ursini, Adnan Mahmutovic, Frank Bramlett

English Faculty Publications

Grant Morrison is a key figure among the first wave of authors of the so-called "British Generation" (Sandifer and Eklund). The works of the other two creators, Neil Gaiman and Alan Moore, have been the basis for a wealth of scholarly research within the field of comics studies and whole constellations of literary scholarship (Sandifer and Eklund; Sanders; Krueger and Shaeffer; Millidge). Morrison's fictional worlds, however, remain understudied, despite the fact that, as Marc Singer observes, Morrison's work and career seem to be evenly distributed along a continuum ranging from the alternative Vertigo material to the mainstream superhero comics (Singer …

Making And Breaking The Superhero Quotidian: How All-Star Superman Embodies And Revises The Everyday, Frank Bramlett

English Faculty Publications

This essay explores the idea of the everyday in All-Star Superman by Grant Morrison and Frank Quitely. Scholars identify the everyday, or the quotidian, as including routine behaviors and ingrained assumptions (e.g., Borland and Sutton), and the construct of the quotidian as culture has been explored in comics (Bramlett). Depending on circumstances, characters may navigate the Metropolis cityscape or the Kent farm, take trips to the moon, explore the Daily Planet office building, and meet otherworldly heroes and villains. Even though much of the world of the superhero is extraordinary and wondrous to readers, the characters themselves nevertheless have a …

A Luminous Haze; Or How I Learned To Stop Worrying And Love Plagiarism, Todd Richardson

English Faculty Publications

"I really was never any more than what I was," Bob Dylan writes in his autobiography Chronicles, "a folk musician who gazed into the gray mist with tear-blinded eyes and made up songs that floated in a luminous haze."1 I'd call his proclamation inefficient if that didn't imply that it gets a job done, albeit poorly. The sentence, rather, strikes me as grand­sounding balderdash. It begins with a promise of humility, after which it gradually evaporates into bleary images that never realize anything resembling actual meaning. On the whole, Dylan is exceedingly specific throughout Chronicles, recounting in detail the music …