English Language and Literature Commons^™

"That Flesh-Locked Sea Of Silence”: Language, Gender, And Sexuality In Beckett’S Short Fiction, Emily F. Oliver

Honors College Theses

This paper asserts the interconnectedness of language, gender, and sexuality in the short prose of Samuel Beckett. “Assumption,” “First Love,” and “Enough,” are used as specific examples of Beckett’s fiction, selected because they assist in understanding Beckett’s participation in, and inversion of, the hegemonic privileging of the masculine. This interpretation focuses on the use of gendered language, verbalization as a sexual expression, and the manipulation of the “male” and “female” voice. The analysis is both informed by, and seeks to nuance, the linguistic criticism established by second-wave French feminists Kristeva, Irigaray, and Cixous.

Jane Austen's Heroines--And Some Others, Neda H. Jeny

South East Coastal Conference on Languages & Literatures (SECCLL)

Jane Austen’s Heroines--and Some Others

Jane Austen is the earliest English novelist whose novels are still widely read today; in fact, they are becoming more popular all the time.

Of course, there are good reasons for this popularity. Apart from Austen’s creation of unforgettable characters, and her exquisite irony and sense of humor, there is one other thing I’d like to discuss today: her heroines could be called, in a sense, brilliant (and often unorthodox) adaptations of universally recognized types. For example, Elizabeth Bennet is so remarkable a character because she is, at the same time, a sort of Cinderella …

Functional Violence In Martin Mcdonagh's The Lieutenant Of Inishmore And The Pillowman, Lindsay Shalom

Electronic Theses and Dissertations

While Martin McDonagh’s plays have engendered laughter, disgust, and fear, he might be best known as part of a long line of Irish playwrights who faced controversy due to their art. Much like Synge, Shaw, and O’Casey, McDonagh has faced criticism and even outrage due to the violence and misunderstood portrayals of the Irish in his plays. Though the violence in plays like The Pillowman and The Lieutenant of Inishmore has been labeled gratuitous, we might better understand the purpose of that violence by examining them in light of Michel Foucault’s concepts of knowledge and power. Foucault’s approaches best highlight …

From This Dark Place To The Other: Violence And Connection In The Poetry Of Brian Turner, Alan R. Swirsky

Electronic Theses and Dissertations

Brian Turner is a poet and American soldier who served in Iraq at the start of the 21^st century. His poetry is about his experiences as a soldier interacting with the Iraqi people, his time in America following the war, PTSD, and the endless violence in the war zone. As a comparatively recent entry into the genre of War Poetry, his work pays homage to the writers who preceded him, like Wilfred Owen and Bruce Weigl, while also referencing Middle Eastern poets typically outside the scope of American literature. Through Turner’s recurring themes and motifs, connections are established between …

Not (Just) Donne: Alchemical Transmutation As Immortality In Shakespeare’S Sonnets, Brandi L. Moody

Electronic Theses and Dissertations

Shakespeare, in his sonnets, employs alchemical references in the sonnets that ultimately fail, in order to show how fruitless it is to pursue immortality. The poet urges the fair friend, who himself is like the self-consuming ouroboros, to father a child that will continue his legacy and allow the fair friend to live on via the child. Language associated with the child is alchemical, referencing distillation, vials, flasks, and the renewing power of the philosopher’s stone. The dark lady, the opposite of the fair friend in every way, can be explained as fulfilling alchemy’s union of opposites needed for a …