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Trends In The Contemporary Irish Novel: Sex, Lies, And Gender, Jennifer Jeffers
Trends In The Contemporary Irish Novel: Sex, Lies, And Gender, Jennifer Jeffers
Jennifer M. Jeffers
The 1990s Irish novel presents its own brand of uniqueness and sophistication to the contemporary Anglophone novel. In this article I divide the development of the 1990s Irish novel into three groups. The first type of novel that emerges in the 1990s concerns the presentation of a different image of Ireland, one that magnifies gender construction and sexual preference. The second group of novels concerns the act of reading itself and the difficulty in determining truth from lies. These novels impair the reader's ability to read in an effort to show that everything is a form of interpretation: memories, history, …
Women, The Novel, And Natural Philosophy, 1660-1727, Karen Gevirtz
Women, The Novel, And Natural Philosophy, 1660-1727, Karen Gevirtz
Karen Bloom Gevirtz
Women, the Novel, and Natural Philosophy, 1660-1727 shows how early women novelists drew on debates about the self generated by the 'scientific' revolution to establish the novel as a genre and literary omniscience as a point of view. These writers such as Aphra Behn, Jane Barker, Eliza Haywood, and Mary Davys used, tested, explored, accepted, and rejected ideas about the self in their works to represent the act of knowing and what it means to be a knowing self. Karen Bloom Gevirtz agues that as they did so, they developed structures for representing authoritative knowing that contributed to the development …
Eighteenth-Century Poetry And The Rise Of The Novel Reconsidered, Courtney Smith, Kate Parker
Eighteenth-Century Poetry And The Rise Of The Novel Reconsidered, Courtney Smith, Kate Parker
Courtney Weiss Smith
"Eighteenth-Century Poetry and the Rise of the Novel Reconsidered" begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and cultural history of the period. The novel poached from and featured poetry, and the “modern” subjects and objects privileged by “rise of the novel” scholarship are only one part of a world full of animate things and people with indistinct boundaries. http://www.bucknell.edu/script/upress/book.asp?id=2501
Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz
Life After Death: Widows And The English Novel, Defoe To Austen, Karen Gevirtz
Karen Bloom Gevirtz
This monograph argues that images of the widow in the early novel served to express, explore, and construct concepts of appropriate female activity in emerging capitalism during the eighteenth century in England. Drawing on novels published between 1719 and 1818, this study investigates how different classes of widows (affluent, working class, impoverished, and criminal) functioned to challenge and affirm emerging economic values. A concluding chapter on widows in Jane Austen's work shows how changing notions of appropriate female economic activity had settled by the establishment of both the capitalist economy and the novel in the early nineteenth century.