English Language and Literature Commons^™

Creating Female Space: The Feminine Sublime In The Awakening And The House Of Mirth, Emily F. Faison

Selected Honors Theses

This thesis examines the Edna Pontellier and Lily Bart, the respective protagonists of Kate Chopin’s The Awakening and Edith Wharton’s The House of Mirth, integrating the theoretical concept of the sublime, particularly engaging Barbara Freemans’s idea of a feminine sublime, as discussed in her book, The Feminine Sublime: Gender and Excess in Women’s Fiction. In three chapters, the thesis provides an overview and brief history of the theory of the sublime, contextualizing Freeman’s argument, and measures the success of both Edna’s and Lily’s attempts to engage the sublime as they each struggle to find their place as women …

Performative Gender And Pop Fiction Females: "Emancipating" Byronic Heroines Through A Feminist Education, Joy Smith

Masters Theses

"I can be a regular bitch. Just try me." With this phrase emblazoned across her t-shirt, Lisbeth Salander, pierced, tattooed, and bedecked in leather, waltzes from the pages of Stieg Larsson's The Girl with the Dragon Tattoo. This woman who subverts authority, maliciously tattoos and sodomizes a man, and intentionally distances herself from close relationships of any kind has somehow managed to capture both the attention and admiration of the American audience. This disheartening phenomenon stems from a renewed interest in the Byronic heroine, a female possessing those traits traditionally assigned to Byronic heroes and men, and the rise of …

Occupying The Pedestal: Gender Issues In Ellen Gilchrist, Karon Reese

Graduate Theses and Dissertations

Ellen Gilchrist's works shows the struggles of women living in a postmodern South. This dissertation explores Gilchrist's representations of southern women as they transition from the old South to modernity. Gilchrist's work depicts women who attempt to break off the pedestal of white Southern womanhood, but never quite do, often simultaneously disrupting and confirming traditional notions of a "good Southern lady." Gilchrist shows how women occupy the pedestal as a form of refuge and also as a form of protest. These are women who, as they navigate the transition to a new South, are reluctant to surrender the privilege of …

"Barbara Hofland As A Romantic-Era Provincial Poet", Stephen C. Behrendt

Stephen C Behrendt

Framing Eve: Contemporary Retellings Of Biblical Women For Young People, Elizabeth Gillhouse

Theses and Dissertations

This dissertation examines the ideological implications of re-visioning Bible stories for young readers in order to negotiate changing cultural attitudes regarding gender. I begin by exploring three theories of retelling traditional narratives including John Stephens and Robyn McCallum's discussion of "reversion," Adrienne Rich's concept of "re-vision," and the Jewish tradition of biblical Midrash. Stephens and McCallum's term "reversion" emphasizes the inevitable cultural influence that occurs during the process of retelling an existing narrative. Rich's discussion of "re-vision" advocates an active attempt on the part of feminists to re-see traditional narratives that have historically been used to oppress women. The Jewish …

“A Southern Expendable”: Cultural Patriarchy, Maternal Abandonment, And Narrativization In Dorothy Allison's Bastard Out Of Carolina, Natalie Carter

Scholarship and Professional Work - LAS

Bastard Out of Carolina is a remarkable text for many reasons: Allison’s unsentimental portrayal of profound poverty in the Old South; her unflinching depiction of incest; and the conclusion—devastating for character and reader alike—all contribute to the “flawless” nature of this novel. Perhaps most remarkable, though, is Allison’s ability to seamlessly weave a particularly Southern tradition of masculinity and violence into this heartbreaking tale of a daughter’s trauma and a mother’s abandonment. In this article, I will investigate Allison’s multifaceted portrayals of trauma in Bastard Out of Carolina, which—when combined with an analysis of social and economic traditions in …

Reconceiving Self-Abnegation: Female Vulnerability As Embodied (Un)Sovereignty, Renee Lee Gardner

Dissertations

Liberal feminism views vulnerability as weakness and dominance as strength. This binary parallels nationalistic assertions of sovereignty. Within militaristic responses such as the U.S. retaliation to 9/11, however, we see the cost of refusing to acknowledge our vulnerability. In my analysis of eleven novels arising from eight distinct nation-states and representing historical moments from the final decades of slavery through the early post- 9/11 years, I use alternative (queer, postcolonial, Islamic) feminisms to read power in vulnerability. I explore female characters who deliberately self-abnegate – sacrificing their lives, bodies, voices, and children – but whose actions can be read as …

Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley

Masters Theses

Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …

Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson

Masters Theses

A major part of Jane Austen's novels consists of a critique of the societal conventions that were prevalent in Regency England. Through a study of Northanger Abbey, Pride and Prejudice, and Emma, it can be seen that Austen marginalizes those characters who chose conformity to social conventions. Contrariwise, the characters who exhibit a greater degree of autonomy within their patriarchal culture become the focus of the narrative. In looking at societal conventions concerning money, gender roles, and class status in conjunction with Austen's portrayal of various characters in the three novels, Austen's own views about conformity to societal conventions are …

“In Counterfeit Passion”: Cross-Dressing, Transgression, And Fraud In Shakespeare And Middleton, Anastasia S. Bierman

Department of English: Dissertations, Theses, and Student Research

This thesis examines the way women cross-dressing as men functions as a crime in Thomas Middleton and Thomas Dekker’s The Roaring Girl and William Shakespeare’s As You Like It and Twelfth Night. While many modern scholars have discussed cross-dressing in these plays, many look to the end of the plays as the foundation for their analysis rather than the play as a whole. Because of this oversight, scholars deem the characters in the plays not transgressive, when, in fact, cross-dressing is transgressive. They ignore the way cross-dressing is often presented in writing in the Renaissance, i.e. as a type …

Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins

Global Honors Theses

Sarah Piatt, a recently recovered nineteenth century poet, is best known, where she is known at all, as an American poet. While this label is certainly appropriate, it should not obscure Piatt’s decidedly international focus, or more precisely, her transnational focus, especially in regard to Ireland. Piatt’s verse, considered by some to be the best poetry of her time second only to the work of Emily Dickinson, is remarkable for its quantity and breadth, but more importantly, for its subversive use of genteel style. Though her poems are generally divided into four overlapping categories, the two thematic classes of her …

A Survey Of Slovenian Women Fairy Tale Writers, Milena Mileva Blazić

CLCWeb: Comparative Literature and Culture

In her article "A Survey of Slovenian Women Fairy Tale Writers" Milena Mileva Blažić begins with an introduction to the Slovenian fairy tale writing tradition dating back nearly 150 years. While male authors published collections of tales, women writers published only individual fairy tales and owing to their biographies giving birth to children and caring for their families gained less, if any, recognition in literary history. Blažić's overview of Slovenian women writers of fairy tales and scholarship about the genre includes the related genre of youth literature. Blažić's survey is placed in the context of West European fairy tale writing …

Surviving The City: Resistance And Plant Life In Woolf’S Jacob’S Room And Barnes’ Nightwood, Ria Banerjee

Publications and Research

In Jacob’s Room (1922) and Nightwood (1936), Virginia Woolf and Djuna Barnes use plant life to express a profound ambivalence about the masculine-inflected ordering functions of art and morality. They show that these processes codify lived experience and distance it from the feminine and sexual. To counter this turn towards the urban inauthentic, both novels depict non-urban spaces to upend conventional notions of usefulness. They fixate on evanescent flowers, wild forests, and untillable fields as sites of resistance whose fragility and remoteness are strengths. In Jacob’s Room, I argue that the eponymous protagonist is destroyed by his conventional education …

Historical Butches: Lesbian Experience And Masculinity In Bryher's Historical Fiction, Haley M. Fedor

Theses, Dissertations and Capstones

This project analyzes three of Bryher's historical novels, while also providing background on the shadowy figure of Bryher herself. Looking at Gate to the Sea, Roman Wall, and Ruan, each serves to represent lesbianism in a variety of coded or metaphorical ways. Various geographical locations or landscapes serve to either represent or depict homosexual desire, and also construct queer spaces for characters to traverse. Limited scholarship exists on any of Bryher's works, particularly that which looks at lesbian sexuality. The genre Bryher writes in allows for a cross-writing of lesbian characters, or gendering lesbian characters as male, and displays awareness …

Dialogue, Selection, Subversion: Three Approaches To Teaching Women Writers, Karen Gevirtz, Martha Bowden, Jonathan Sadow

Department of English Publications

No abstract provided.

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

English Faculty Publications

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of …

My Mother's Daughter, Monica Vanessa Martinez

Open Access Theses & Dissertations

In order to address the way the Chicano culture attempts to silence its women, My Mother's Daughter is a collection of short stories narrated by Chicanas. The collection uses the complicated relationship between mothers and daughters to highlight the conflicts that lead to the silencing of Chicanas. The collection attempts to challenge this silencing by utilizing the first person perspective to give a voice to these traditionally silenced women. Another literary technique employed is the use of dramatic irony. With multiple first person narrators in the same story the collection uses dramatic irony as a way of playing up the …

The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed

Electronic Theses and Dissertations

Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate …

Ua35/11 Honors Program, Wku Archives

WKU Archives Collection Inventories

Records created by and about the Honors Program. Includes brochures, awards programs, student handbooks, newsletters and research publications.

Style And Substance: Isabel Archer As A New Type Of "Lady", Sandra Gulbicki

Seton Hall University Dissertations and Theses (ETDs)

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She's A Brick House: August Wilson And The Stereotypes Of Black Womanhood, Amelia Tatum Grabowski

Student Publications

In his Century Cycle of plays, August Wilson tells ten distinct stories of families in or linked to the Hill District, an African American community in Pittsburgh; one play taking place in each decade of the twentieth century. Through these plays, Wilson's audience sees the Hill District and America evolve, while prejudice, oppression, and poverty remain constant. Many scholars argue that sexism provides a fourth common factor, asserting that Wilson portrays the female characters in the male-fantasized, stereotypical roles of the Mammy or the Jezebel figure, rather as realistic, empowered, and complex women. However, close examination of the women with …

Dialogue, Selection, Subversion: Three Approaches To Teaching Women Writers, Karen Gevirtz, Martha Bowden, Jonathan Sadow

Karen Bloom Gevirtz

No abstract provided.