English Language and Literature Commons^™

The Lawrentian Woman: Monsters In The Margins Of 20th-Century British Literature, Dusty A. Brice

Electronic Theses and Dissertations

Despite his own conservative values, D.H. Lawrence writes sexually liberated female characters. The most subversive female characters in Lawrence’s oeuvre are the Brangwens of The Rainbow. The Brangwens are prototypical models of a form of femininity that connects women to Nature while distancing them from society; his women are cast as monsters, but are strengthened from their link with Nature. They represent what I am calling the Lawrentian-Woman.

The Lawrentian-Woman has proven influential for contemporary British authors. I examine the Lawrentian-Woman’s adoption by later writers and her evolution from modernist frame to postmodern appropriation. First, I look at the …

"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic

Master's Theses

Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …

"Casting Aside That Ficticious Self.": Deciphering Female Identity In The Awakening 2015, Anne L. Dicosimo

Master's Theses

Kate Chopin’s female protagonists have long since fascinated literary critics, raising serious questions concerning the influence of nineteenth-century female gender roles in her writing. Published in 1899, The Awakening demonstrates the changeability of the various representations of woman. In the nineteenth century, the subject of women may be divided into two categories: the True Woman and the New Woman. The former were expected to “cherish and maintain the four cardinal virtues of piety, purity, submissiveness and domesticity” (Khoshnood et al.), while the latter sought to move away from hearth and home in order to focus on education, professions, and political …

Daisy And Frederick: An Exploration Of Innocence And Its Consequences In Henry James' Daisy Miller: A Study 2015, Mark Andrew Meyer Ii

Master's Theses

No abstract provided.

"Fire And Water Imagery" In Jane Eyre 2015, Shannon O'Loughlin

Master's Theses

Charlotte Bronte’s Jane Eyre is a study in contrasts. Critics have argued the implausibility of the novel, that an orphaned governess who marries her dashing employer is too far-fetched to be believed. However, a proper understanding of Jane Eyre must be based not on a sequence of events, but on the thematic form of the novel in which the signifiers relate to each other and shift throughout. Ferdinand de Saussure explains in his "Course in General Linguistics," that the mental concept one has of a word is its "signifier" (62). Charlotte Bronte relies not simply upon a sequence of events …

Who Do You Think You Are?: Recovering The Self In The Working Class Escape Narrative, Christine M. Maksimowicz

Doctoral Dissertations

This project considers how socioeconomic impoverishment and society's failure to recognize working class women as valued subjects impinge upon a mother's ability to afford recognition to her daughter's selfhood. Situated within the larger North American literary tradition of fiction animated by flight in search of freedom, the texts here explored constitutes a subgenre that I term the “working class escape narrative.” Combining close readings of fiction by Toni Morrison, Alice Munro, and Sigrid Nunez with sociological research and psychoanalytic theory, I explore a relationship between mother and daughter characterized not by mirroring and bonding but rather the absence of intimacy …

Home/Economics: Enterprise, Property, And Money In Women’S Domestic Fiction, 1860-1930, Julia Poindexter Mcleod

Doctoral Dissertations

“Home/Economics: Enterprise, Property, and Money in Women’s Domestic Fiction, 1860-1930” connects American women’s literature to the ideological tensions that affected women’s participation in the development of industrial capitalism in the late-nineteenth and early twentieth centuries. Working against separate spheres ideologies that largely restricted women’s activities to domestic duties as wives and mothers and discouraged them from working in the public marketplace, American women authors engaged with the contemporary economic theories of John Stuart Mill and Thorstein Veblen and promoted New Woman principles to forge new avenues of fulfilling and productive work for women.

In chapters focusing on entrepreneurial work that …

Protecting Dixie: Southern Girlhood In Children's Literature, 1852-1920, Laura Anne Hakala

Dissertations

Most scholarship about girlhood in children’s literature tends to rely on national models of girlhood. My project complicates those models by demonstrating how region shapes distinct forms of American girlhood. In particular, I examine representations of southern girlhood in children’s literature published between 1852 and 1920, drawing on the four types of literature that most featured southern girls during this time period: abolitionist literature, Confederate literature, postbellum plantation fiction, and family stories. Using a historicist methodology and spatial analysis, I place these texts in relation to information about the spatial arrangements and protocols of southern domestic sites. By viewing girlhood …

Discreet Feminism: Neil Gaiman’S Subversion Of The Patriarchal Society In American Gods, Christopher P. Thompson

University of New Orleans Theses and Dissertations

Neil Gaiman’s use of a hyper-masculine American culture in American Gods sheds light upon the multiple issues surrounding a misogynistic society in which women are treated as sexual objects and punished for their independence as sexual beings. Gaiman’s efforts at highlighting these issues are discreet and hidden under layers of patriarchal expectations, but through the use of his protagonist, Shadow, Gaiman is able to provide an alternative to the society he represents. While he successfully illustrates this more “ideal” society, his endeavors fall short and are almost imperceptible throughout his novel. Gaiman’s work in American Gods, while lacking in its …

A Queen’S Reputation: A Feminist Analysis Of The Cultural Appropriations Of Cleopatra, Chamara Moore

Honors Theses

While there is no doubt that Cleopatra is considered a notable historical figure and popularly regarded character throughout modern media, there is a distinct pattern in her portrayal throughout time as a woman whose power is defined by her sexual promiscuity. Even throughout periods of powerful female monarchs, political change, and social progress her prowess as a leader has been assumingly attributed to her affairs with Julius Caesar and Marc Antony. The purpose of this study is to examine how literature and media has contributed to this sexualized reputation of a queen who yielded authority over such a prosperous nation. …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

Intersectionality In Jane Eyre And Its Adaptations, Laurel Loh

Graduate Theses and Dissertations

During the almost 170 years since Jane Eyre was published, there have been numerous adaptations in many different mediums and genres, such as plays, films, musicals, graphic novels, spin-off novels, and parodies. The novel has been read in many different critical traditions: liberal humanist, historicist, feminist, and postcolonial approaches dealing with topics such as the problem of female authorship and consciousness. In addition, it has been read in terms of an ideological struggle based on race, class, and gender; xenophobia and imperialism; female labor politics; and genre issues, to just name a few. As literary critics have explored numerous themes …

Contesting Victorian Beliefs: The Unintended Effects Of Victorian Novels, Christina Barquin

Honors Capstone Projects - All

Victorian society reproduced polarized gender roles known as the ideology of the separate spheres in order to confine the authority of women. However, as the Victorian Era progressed social norms were gradually contested, and the consequences of the assertion of female authority led to reform. In reinterpreting the Victorian women’s movement, I will interpret the effects of the writers of the late nineteenth century who argued explicitly against proposed changes in the traditional position of middle-class women. I will most closely examine how the late Victorian novels, A Marriage Below Zero by Alan Dale and The Revolt of Man by …

Who Is Ophelia? An Examination Of The Objectification And Subjectivity Of Shakespeare's Ophelia, Tynelle Ann Olivas

UNLV Theses, Dissertations, Professional Papers, and Capstones

William Shakespeare's Ophelia, from his tragedy play Hamlet, has predominately been perceived and depicted as an objectified female with very little purpose other than to support Hamlet's role as protagonist. I explore the ways in which Ophelia was objectified by her brother, father, and Hamlet. I also analyze how Ophelia not only exhibits subjectivity, that is the ability to think, act, and speak for herself, but plays the part of Shakespearean fool. In her interactions with Hamlet specifically, Ophelia addresses Hamlet first, raises questions of the prince, and conducts herself in a way that is not always in keeping with …

Women Wooing Men, Aisha Elizabeth Ratanapool

UNLV Theses, Dissertations, Professional Papers, and Capstones

Although many early modern English plays portray women courting men, I contend that there are significant resonances between the methods of Rosalind, the female protagonist from a Shakespearean comedy, and those of the Duchess, from a Websterian tragedy. Rosalind and the Duchess woo, propose to, and arrange the marriage ceremony between them and their love interests. The witty dialogue which permeates the wooing scenes helps establish a strong mental connection between Rosalind and Orlando and the Duchess and Antonio. I examine the motives behind wooing and comparatively analyze the strategies of these female characters. Through this analysis, I present Rosalind …

Mother's Bed: Gender Representation In Children's Literature, Karin Hanni

Senior Theses

This children's book and accompanying research paper both address gender inequity in children's literature. There is a significant imbalance of gender representation in children's literature, with the number of central male characters almost doubling that of central female characters. Additionally, the roles of males and females still tend to be stereotypical: boys are action-oriented and heroic, while girls are nurturing and passive. Further, it is believed that boys will only enjoy books about boys, while girls will enjoy books about both boys and girls. This imbalance in children's literature hurts both genders. Children not only learn to read from books, …

The Law And The Lady: Consent And Marriage In Nineteenth-Century British Literature, Heather Lea Nelson

Open Access Dissertations

While many scholars have written on women and marriage in nineteenth-century British history and fiction, this dissertation, The Law and the Lady: Consent and Marriage in Nineteenth-Century British Literature, is the first to apply consent theory to those unions. Modern consent theory dictates that for individuals to consent, they must be autonomous, capable, educated, mature, and volunteering, and they must express consent with opportunities to retract those expressions. This dissertation asserts that because nineteenth-century British women usually lacked these components, their marital consent was partial, illegitimate, or absent. Fiction frequently equivocated about this social problem of contemporary female marital consent. …

Dark Matter: Susan Howe, Muriel Rukeyser, And The Scholar's Art, Stefania Heim

Dissertations, Theses, and Capstone Projects

Instead of describing poetry as a set of constraints or history of practices, Muriel Rukeyser calls it "one kind of knowledge." Dark Matter heeds Rukeyser's call, theorizing a poetics of the "scholar's art," in which documentary investigation, autobiographical exploration, and formal innovation are mutual, interwoven concerns. The dissertation pairs American poets Susan Howe (b. 1937) and Muriel Rukeyser (1913-1980), reading their hybrid works not through the received categories of American poetry, or through common generic and disciplinary divisions, but using an inductive methodology that takes its lead from the poets. Understanding Howe and Rukeyser's literary experiments as serious interventions in …

The Sadistic Reader: Gender And The Pleasures Of Violence In The Novel, Pamela Burger

Dissertations, Theses, and Capstone Projects

This project seeks to explain the prevalence of narratives that feature sexual violence against women in the tradition of the Anglophone novel. To this end, it posits the existence of a sadistic reading practice that coincides with readers' sympathetic identification. A sadistic reader takes pleasure in the bodily violation of the woman at the center of a novel; such a reader enters the text expecting violence, and experiences a sense of narrative gratification when the inevitable violation plays out. These expectations emerge from repeated interactions with a literary tradition in which victimized heroines are routine. To explore such sadism, I …

Politics, Ethics, And Aesthetic Play In Diasporic Iranian Visual Literature: Neshat, Satrapi, Bashi, Soltani, Mehraneh Ebrahimi-Eshratabadi

Electronic Thesis and Dissertation Repository

Does the study of aesthetics create response-ability or have tangible effects in the real world? Does the ambivalent form of word/images created by diaspora artists change our gaze toward the Other and the landscape of the possible? In the age of a global march against abstract terror which seems to be only reinforcing terrorism, the sign “Muslim-woman” along with the concept of democracy have become rallying cries for novel civilizing-missions. Leaving aside the failed efforts of littérature engagée, I resonate with Jacques Rancière that the study of aesthetics is intertwined with that of politics. Gayatri Spivak, too, asserts that …

Angel Outside The House: The New Woman In Brittish Periodicals 1890-1910, Lindsay Rosa

Graduate Thesis Collection

The New Woman described in short fiction and editorial articles in British periodicals not only presented the ideal New Woman to readers, but served to shape the perceptions of the reader depending on the demographic of the targeted reading audience for that specific periodical. The audience for specific British periodicals featuring the New Woman included conservative families whose youth saw the New Woman figure as a role model. The New Woman figure easily connected to readers, particularly young, female middle-class readers, who easily identified with her because she possessed similar socioeconomic characteristics. Just as there were many New Women characters …

Sowing Seeds Of Subversion: Nineteenth-Century British Women Writers' Subversive Use Of Fairy Tales And Folklore, Shandi Lynne Wagner

Wayne State University Dissertations

"Sowing Seeds of Subversion: Nineteenth-Century British Women Writers' Subversive Use of Fairy Tales and Folklore" focuses on the fictional works of nineteenth-century British women authors, analyzing their use of fairy-tale and folklore motifs to criticize social mores, in particular those surrounding domestic ideology and the institution of marriage. By situating texts within their sociocultural contexts, I explore how nineteenth-century women authors revised and adapted classic fairy tales to communicate subversive, proto-feminist social criticism to a variety of audiences. I examine fiction and poetry published in literary annuals, in fairy-tale collections, and in the more generally available collections of poetry and …

Turning Their Talk: Gendered Conversation In The Nineteenth-Century British Novel, Rebecca Beach

Theses and Dissertations--English

Turning Their Talk investigates the pressures placed upon female characters’ communication styles as they enter the heterosexual market in Jane Austen’s Pride and Prejudice and Persuasion, Charlotte Bronte’s Jane Eyre and Villette, and George Eliot’s Middlemarch and Daniel Deronda. The title of this dissertation derives from a phrase found in each the six novels I examine--“she turned the conversation”—to suggest the subtle control female characters exercise through speech that allows them to achieve tangible forms of social agency. My dissertation argues that novelistic representations of speech mirror the paradoxical roles women historically faced as they balanced societal …

Hamlet #Princeofdenmark: Exploring Gender And Technology Through A Contemporary Feminist Re-Interpretation Of Hamlet, Allegra B. Breedlove

Scripps Senior Theses

Exploring the process of designing, producing, directing and starring in a multimedia feminist re-interpretation of Shakespeare's Hamlet set in a contemporary social media landscape.

Abandoning The Shadows And Seizing The Stage: A Perspective On A Feminine Discourse Of Resistance Theatre As Informed By The Work Of Susanna Centlivre, Eliza Haywood, Frances Sheridan, Hannah Cowley, And The Sistren Theatre Collective, Brianna A. Bleymaier

MA in English Theses

This thesis considers the development of a unique form of theatre - feminine resistance theatre. Through the process, this work will consider the true nature and power of theatre as an artform, the placement of the problematized female voice within society, literature, and theatre, and how the theatrical form can create a unique catalyst for the female voice to be considered and implemented. In order to fully comprehend the nature of this exploration, this thesis discusses the placement and relevancy of the foundation eighteenth century theatre provides, by examining four of the women who fought for the validity of the …

Übermensch: A Feminist, Literary, & Artistic Rebuke To Modern Patriarchy In The Institution Of Liberal Arts Education, Virginia Valenzuela

Undergraduate Honors Thesis Projects

Übermensch: a Feminist, Literary, and Artistic Rebuke to Modern Patriarchy in the Institution of Liberal Arts Education is a multi-genre, multi-dimensional hybrid project that revels in and manipulates conventional forms of literary analysis, creative expression, and feminist politics. Through a feminist literary analysis of Tom Wolfe’s I Am Charlotte Simmons, accompanied by a creative companion of poems and personal essays, the author intends to elucidate society’s tactics of dominating, silencing and exploiting the female sex. In this way, her project intends to rationally and passionately describe the inescapable power of conformity in the lives of American college students, as well …

Expanding The Literary Enterprise: How We Experience The Texts Of The Advanced Placement English Literature And Composition Curriculum, Molly Ostrow

Honors Theses

How we read the texts of the Advanced Placement English Literature and Composition curriculum.