English Language and Literature Commons^™

Anti-Woman Invective On The Early Modern Stage: Abuse, Degradation, And Resistance, Savannah Xaver

Dissertations

On the early modern stage, gendered epithets like “strumpet,” “mermaid,” “minx,” “hobby horse,” “courtesan,” “drab,” and “whore” are not just markers of misogyny. Instead, these insults harm the male user as well as their female target. My cross-playwright and cross-genre connections show the complex, wide use and impact of anti-woman terms. A wide-ranging study of the plays of Shakespeare and his contemporaries reveals that gendered insults signify masculine mental decline in tragedies as well as comedies and tragicomedies. In tragedy, the increasingly violent language of male slur users – like, for example, the frustrated Othello, who declares, of his wife, …

Protecting Dixie: Southern Girlhood In Children's Literature, 1852-1920, Laura Anne Hakala

Dissertations

Most scholarship about girlhood in children’s literature tends to rely on national models of girlhood. My project complicates those models by demonstrating how region shapes distinct forms of American girlhood. In particular, I examine representations of southern girlhood in children’s literature published between 1852 and 1920, drawing on the four types of literature that most featured southern girls during this time period: abolitionist literature, Confederate literature, postbellum plantation fiction, and family stories. Using a historicist methodology and spatial analysis, I place these texts in relation to information about the spatial arrangements and protocols of southern domestic sites. By viewing girlhood …

A Document In Death And Madness: A Cultural And Interdisciplinary Study Of Nineteenth-Century Art Song Settings On The Death Of Opelia, Jennifer Leigh Tipton

Dissertations

In the nineteenth century the character of Ophelia transformed from a minor role in Hamlet into one of the great muses of the Romantic period. Ophelia’s rise to an archetype of feminine madness was not a result of Shakespeare’s pen alone, but of the accumulation of interpretations of her character from actresses, artists, critics, writers, musicians, and social attitudes toward women. This paper focuses on nineteenth-century interpretations of her death, specifically art song.

A brief survey of the nineteenth-century European cultural and social climate pertaining to Ophelia is included in the paper:

*Shakespeare in France and Germany

*Nineteenth-Century Actresses in …

Reconceiving Self-Abnegation: Female Vulnerability As Embodied (Un)Sovereignty, Renee Lee Gardner

Dissertations

Liberal feminism views vulnerability as weakness and dominance as strength. This binary parallels nationalistic assertions of sovereignty. Within militaristic responses such as the U.S. retaliation to 9/11, however, we see the cost of refusing to acknowledge our vulnerability. In my analysis of eleven novels arising from eight distinct nation-states and representing historical moments from the final decades of slavery through the early post- 9/11 years, I use alternative (queer, postcolonial, Islamic) feminisms to read power in vulnerability. I explore female characters who deliberately self-abnegate – sacrificing their lives, bodies, voices, and children – but whose actions can be read as …

Mapping The Global Landscape In Women's Diasporic Writing, Martha Addante

Dissertations

As a contribution to the theory of cognitive mapping, the dissertation examines the ways in which contemporary novels by women writers of diasporic literature offer new conceptual maps of the present global space. This study argues there is a need for alternative mapping strategies that locate the female diasporic subject within the new global political economy. Fredric Jameson's theory of cognitive mapping and Arjun Appadurai's model of global flows provide a useful framework for mapping global space, yet each must be filtered through a feminist critique and modified by a feminist politics. Ultimately, the dissertation argues for a feminist theory …

Doers Of The Living Word: Gospel Ideology And The African American Womanist Novel, Rebecca Erin Huskey

Dissertations

In Playing in the Dark, Toni Morrison issues a charge and illuminates the challenge that she and other African American writers face in defining the self through a racially oppressive language:

Neither blackness nor "people of color" stimulates in me notions of excessive, limitless love, anarchy, or routine dread. I cannot rely on these metaphorical shortcuts because I am a black writer struggling with and through a language that can powerfully evoke and enforce hidden signs of racial superiority, cultural hegemony, and dismissive "othering" of people and language which are by no means marginal or already and completely known and …