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Uses Of Someone: Beyond Simple Person Reference, Yu-Han Lin
Uses Of Someone: Beyond Simple Person Reference, Yu-Han Lin
Purdue Linguistic Association Symposium
This study looks at how the non-recognitional reference form “someone” is used to refer to a known referent when a recognitional, such as a first name or a descriptive recognitional (Stiver, 2007), is available (Sacks & Schegloff, 1979). In a conversation, when participants have shared knowledge about who a referent is, the occurrence of “someone” connotes more than a simple reference to the referent. While there is little previous research concerning the use of a non-recognitional to complete particular social actions, in this study, I show how “someone” can be employed to accomplish disaffiliative actions such as complaints, accusations and …
A Queer Poet In A Queer Time: John Milton And Homosexuality, Adam J. Wagner
A Queer Poet In A Queer Time: John Milton And Homosexuality, Adam J. Wagner
The Research and Scholarship Symposium (2013-2019)
Scholar David Hawkes refers to John Milton as a “Hero of Our Time.” Milton’s written works, including his poetry and political treatises, contain cultural and theological insight applicable not only to his 17th Century English culture, but 21st Century American culture as well. As homosexuality continues to enter the public sphere in Western society, many scholars are uncovering past insights about how sexuality has evolved. Milton’s literary texts provide insight into his own sexual orientation and how people viewed human sexuality post-English Renaissance. Homosexuality is a broad topic, but Milton’s works give insight into three main areas—homosexual sex, sexual orientation, …
Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere
Postcolonial Disability In Mohesen Makhmalbaf’S Kandahar, Sukshma Vedere
Ray Browne Conference on Cultural and Critical Studies
Kandahar (2001), an Iranian film directed by Mohsen Makhmalbaf, details the journey of the protagonist, Nafas, to Kandahar to save her sister from committing suicide on the day of the solar eclipse. The film has gained recent attention by disability studies scholars for the representation of disability in Afghanistan; scholars have discussed the significance of prosthetics and international aid for the disabled in post-war zones of the Third World, but little has been said about disability as a postcolonial embodiment. I argue that Kandahar represents the postcolonial state as a disabled space both literally and metaphorically. It projects the veil …