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Full-Text Articles in English Language and Literature
Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye
Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye
Honors Projects
In her one-woman play, Iraqi-American playwright and actress Heather Raffo performs the testimonies of nine resilient Iraqi women, emphasizing their diverse experiences of the American occupation and life under the Baathist regime. Near the end of the play, one of the soliloquies breaks down into incoherence: an instance of poetic rupture. There is revolutionary potential latent in this avant-garde technique, and by applying it to her urgent and immediate postcolonial context Raffo simultaneously enacts and demands a response of justice to the injustices attested to throughout. Through the poetic rupture of Layal’s textual/psychological breakdown, Raffo undermines the system that, by …
"The Problem Of Locomotion": Infrastructure And Automobility In Three Postcolonial Urban Nigerian Novels, Danica B. Savonick
"The Problem Of Locomotion": Infrastructure And Automobility In Three Postcolonial Urban Nigerian Novels, Danica B. Savonick
Graduate Student Publications and Research
This essay analyzes automobility in three postcolonial urban Nigerian novels: the fantasy of self-propulsion that subtends a colonial modernity materialized through the erection of urban infrastructure. Tracing the disjuncture between automobility and infrastructure—the “problem of locomotion” (Achebe)—reveals the inextricability of mobility, modernity, urbanism, and colonial violence even into Nigeria’s formally postcolonial period. By exploring how characters both invest in and move beyond inherited colonial narratives, these novels challenge top-down images of Lagos, instead depicting it as a city “otherwise fashioned” (Abani) from their characters’ perspectives on what it feels like to dwell and sell on the streets.
Rhetorical Imperialism, Allison Welty
Rhetorical Imperialism, Allison Welty
Electronic Theses and Dissertations
José Donoso’s The Obscene Bird of Night is often described as a grotesque labyrinth of symbols and images representative of the Latin Boom literary moment. The novel’s purposefully ambiguous construction opens itself up to two opposing readings that reveal discrepancies and conflicts in postcolonial and globalization studies, and as such, my project consists of two papers, easily read separately or in conversation with one another. The first proposes a reading of the novel as an assertion of marginal identity onto the world stage, ultimately upholding the indigenous native as a source of strength. Here, the novel’s appropriation of the folklore …