English Language and Literature Commons^™

"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic

Master's Theses

Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …

Ojai, Ohio, Italy, Home, Sabine Hoskinson

Canterbury Scholars

These are the sounds that run across the page and roll through my

mind. The sounds sing out notes of O's and dips of Y and J.

Like a wallpaper pattern, these words pace through my mind:

Ojai, Ohio, Italy, Home.

The Pulpit's Muse: Conversive Poetics In The American Renaissance, Michael William Keller

Dissertations (1934 -)

This dissertation focuses on the interaction between poetic form and popular religious practice in the nineteenth century United States. Specifically, I aim to see how American poets appropriated religious tropes—and especially religious conversion—in their poetry with specific designs on their audience. My introduction analyzes the phenomenon of religious conversion up through the nineteenth century with help from psychologists and historians of religion, including William James and Sydney Ahlstrom. In the introduction, I also explore how revivalist conversion helped inform the poetics of Walt Whitman and Ralph Waldo Emerson. Chapter one focuses on Emerson’s poetry, particularly as it enacts Emerson’s poetic …

Gardens, A Collection Of Stories, Jacob Wilbers

Canterbury Scholars

The inspiration for this collection comes from my mother's family. My mother grew up with three siblings - two sisters and a brother - in urban Chicago after her parents migrated from Mexico in the 1960s. The interrelated stories here are loosely based on real-life events that occurred to this family as my mother and her siblings grew up.

Fields Of Splendor, Sabrina Barreto

Canterbury Scholars

No abstract provided.

Insomniac Of The Soil: A Collection Of Poetry And Essays, Sarah E. Golibart

Senior Honors Projects, 2010-2019

“Insomniac of the Soil” is a homage to a landscape that has deeply informed Sarah Golibart's life and her artistic voice – the tidewater flatlands of Virginia’s Chesapeake Bay peninsula where her family lives and where Golibart has worked on farms since high school. Both her poems and essays are earthy, imagistic, and grounded – quite literally – in the soil as well as in a sensibility of ecological ethics and sustainability. “Insomniac of the Soil” is also a love song to the fervent and fallow cycles of the soil.

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

White Shadows: Perception And Imagination In Poetry, Madison Chartier

Undergraduate Honors Thesis Collection

In the spring of my sophomore year, I enrolled in the introductory course to writing poetry here at Butler University. I am not naturally a poet, but I have an appreciation for reading poetry and, at the time of the course, was curious to try my hand at the craft, despite having had little experience prior to the collegiate level. As may be expected, I ran into obstacles.

I enjoyed playing with language in experiments of sound and rhythm, but, despite the vast array of assonance, consonance, enjambment, and every other technique I employed, the poems I created throughout the …

Übermensch: A Feminist, Literary, & Artistic Rebuke To Modern Patriarchy In The Institution Of Liberal Arts Education, Virginia Valenzuela

Undergraduate Honors Thesis Projects

Übermensch: a Feminist, Literary, and Artistic Rebuke to Modern Patriarchy in the Institution of Liberal Arts Education is a multi-genre, multi-dimensional hybrid project that revels in and manipulates conventional forms of literary analysis, creative expression, and feminist politics. Through a feminist literary analysis of Tom Wolfe’s I Am Charlotte Simmons, accompanied by a creative companion of poems and personal essays, the author intends to elucidate society’s tactics of dominating, silencing and exploiting the female sex. In this way, her project intends to rationally and passionately describe the inescapable power of conformity in the lives of American college students, as well …

Unexpected Zeus, Adam Lambert

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

The Lyric And The Lathe: Dreams Of Perfect Poetic Efficiency, 1800-1917, Steven A. Nathaniel

Masters Theses

This study examines patterns of efficiency in the poetry and theory of William Wordsworth, Hilda Doolittle, and other figures from the Modernist and Romantic periods. I begin by defining perfect efficiency as occurring when energy transforms, without loss, inside a closed energy system, and I offer perpetual motion machines as hypothetical examples of this impossible state. I then demonstrate the process of efficiency in William Wordsworth's poetry, which begins with circumlocutory poetic cycles but contracts into terse repetitions. Since technical efficiency is calculated by the formula output/input, poetry's subjectivity makes poetic efficiency difficult to measure. However, I suggest that repetitions …