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Full-Text Articles in English Language and Literature
The Sanctuary Of Acceptance: Love And Identity Through The Letters And Poetry Of John Keats, Amanda Caridad Estevez Ms.
The Sanctuary Of Acceptance: Love And Identity Through The Letters And Poetry Of John Keats, Amanda Caridad Estevez Ms.
FIU Electronic Theses and Dissertations
In this thesis, I propose to explain how it is that the life and work of John Keats assists us in answering the question of how we create ourselves through the presence of others. I aim to do this through an analysis of the work that his relationship with Fanny Brawne inspired. In doing so, I hope to prove that romantic love creates a sort of metaphysical sanctuary for us to inhabit as we shift through the various incarnations of our identity throughout our lives. By synthesizing the theories of phenomenology and transgression, I hope to demonstrate how Keats’ rapid …
Reimagining African Authenticity Through Adichie's Imitation Motif, Ivette Rodriguez
Reimagining African Authenticity Through Adichie's Imitation Motif, Ivette Rodriguez
FIU Electronic Theses and Dissertations
In An Image of Africa, Chinua Achebe indicts Conrad’s Heart of Darkness for exemplifying the kind of purist rhetoric that has long benefited Western ontology while propagating reductive renderings of African experience. Edward Said refers to this dynamic as the way in which societies define themselves contextually against an imagined Other. Chimamanda Ngozi Adichie’s fiction exposes how, by occupying cultural dominance, Western, white male values are normalized as universal. Nevertheless, these values are de-naturalized by their inconsistencies in the lived experiences of Adichie’s black, African women. Women who are at once aware of and participant in, the pretentions that underlie …
The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo
The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo
FIU Electronic Theses and Dissertations
In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of the subject …