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Bakhtin’S Problems Of Dostoevsky’S Poetics And The Ideological Problem Of The Brothers Karamazov, Natalie N. Griner
Bakhtin’S Problems Of Dostoevsky’S Poetics And The Ideological Problem Of The Brothers Karamazov, Natalie N. Griner
Honors Theses
Dostoevsky’s final novel, The Brothers Karamazov, strives to resolve the question of God’s existence. But many critics have acknowledged that Dostoevsky seems to present Ivan’s skeptical voice with equal, if not greater, force than Alyosha’s affirmative voice—a feature of the novel that is difficult to explain in the context of Dostoevsky’s avowed Christianity. There is an overwhelming consensus among critics that The Brothers is a thesis-novel. But in order to establish the novel as a defense of faith, the critic must ultimately dismiss the strength of Ivan’s voice; and in attempting to demonstrate that the voice of doubt prevails, …
Themes Of Self-Laceration Towards A Modicum Of Control In Nineteenth Century Russia As Expressed By Dostoevsky In The Brothers Karamazov, Jonathan Ball
Electronic Theses and Dissertations
The majority of the academic discourse surrounding Dostoevsky and his epic, The Brothers Karamazov, has been directed toward the philosophic and religious implications of his characters. Largely overlooked, however, is the theme of laceration. In the greater scope of laceration stands the topic of self-laceration. Self-laceration refers to the practice of causing harm to the self in a premeditated and specifically emotionally destructive fashion. The cause of this experience is varied and expressed in as many ways as there are individuals. The struggle in the Russian psyche between viewing the world as fatalistic or as more of an existential …