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English Language and Literature Commons

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Other English Language and Literature

Graduate Student Theses, Dissertations, & Professional Papers

2015

Articles 1 - 2 of 2

Full-Text Articles in English Language and Literature

Morphing Myths And Shedding Skins: Interconnectivity And The Subversion Of The Isolated Female Self In Angela Carter’S “The Tiger’S Bride” And Margaret Atwood’S Surfacing, Sara M. Laskoski Jan 2015

Morphing Myths And Shedding Skins: Interconnectivity And The Subversion Of The Isolated Female Self In Angela Carter’S “The Tiger’S Bride” And Margaret Atwood’S Surfacing, Sara M. Laskoski

Graduate Student Theses, Dissertations, & Professional Papers

This project is an analysis of the utilization of mythmaking and human-animal relationships reflected in Angela Carter’s “The Tiger’s Bride” and Margaret Atwood’s Surfacing. Carter and Atwood show how societal restrictions can devalue the connections between the body, the mind, and the natural world. Through the theoretical lenses of primarily post-structuralism and ecofeminism, this project seeks to show how these two authors subvert isolated female identities through the use of the fairy tale element of the human-animal transformation. This subversion rejects dualistic tendencies of the dominant, patriarchal society, opening new ways of identifying the self through interconnections otherwise rejected or …


The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews Jan 2015

The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews

Graduate Student Theses, Dissertations, & Professional Papers

This project is a socio-historic analysis of two late 14th century dream visions: Chaucer’s Book of the Duchess and the Pearl poem. Utilizing Robert Pogue Harrison’s concept of objectifying grief through ritualized communal mourning, this thesis examines the ways in which mourning literature functioned as consolatory device, and a form of public performance for the powerful patrons who commissioned the pieces. By engaging with pre-existing communities of grief, material culture, and courtly discourse these poems perform the work of mourning while simultaneously enacting modes of public performativity that stress the ethics of grieving, and suggest that, for royal patrons, …