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Full-Text Articles in English Language and Literature

William Shakespeare’S All Is True, Lord Chamberlain’S “Truth,” And Civil Religion, Paul Olson Sep 2022

William Shakespeare’S All Is True, Lord Chamberlain’S “Truth,” And Civil Religion, Paul Olson

Department of English: Faculty Publications

The first title for Shakespeare’s Henry VIIIAll Is True—may reflect standard early modern usage signifying that all is an aspect of ‘troth’ or loyalty, all is common understanding, or all is received from a divine source. In the play, the Lord Chamberlain, Shakespeare’s only character so named, serves the Henrician monarchy’s “truth” by serving Henry’s religious and monarchic goals as the Jacobean Lord Chamberlain similarly served James I’s goals, assuring audiences of the integrity, truth, and legitimacy of the monarchy and its faith. The play shows the Lord Chamberlain working to strengthen the loyalty of Henry’s realm …


Reminiscences Of Lafcadio Hearn, Setsuko Koizumi, Paul Kiyoshi Hisada, Frederick Johnson Jan 2022

Reminiscences Of Lafcadio Hearn, Setsuko Koizumi, Paul Kiyoshi Hisada, Frederick Johnson

Zea E-Books Collection

Setsuko Koizumi (1868–1932) was the daughter of a Japanese samurai family in Matsué. In 1891 she married a foreigner — Lafcadio Hearn (1850–1904) — and their union lasted 13 years and produced three children. Hearn adopted her family name, becoming Koizumi Yakumo 小泉八雲,and spent those years in Japan writing, teaching, and achieving international recognition. Setsuko’s Reminiscences tells something of the couple’s moves and travels, but focuses mostly on the character, habits, and eccentricities of her husband. The book is a heartfelt and intimate portrait of a marriage that brought Lafcadio the home and family he had never before enjoyed. This …


Idiomatic Surrogacy And (Dis)Ability In Dombey And Son, Peter J. Capuano Jan 2022

Idiomatic Surrogacy And (Dis)Ability In Dombey And Son, Peter J. Capuano

Department of English: Faculty Publications

To assert that Charles Dickens possessed a mastery of language unique among nineteenth-century novelists for its vernacular inventiveness is hardly controversial. The Oxford Dictionary of English Idioms lists Dickens among its most cited sources (others include the Bible and Shakespeare). Dickens’s use of ordinary, unembellished, and what Anthony Trollope termed vulgarly “ungrammatical” lower-class language sets his novels apart in style and tone from those of his famous peers (249). William Thackeray, the Brontës, George Eliot, Elizabeth Gaskell, Margaret Oliphant, Thomas Hardy and others – despite their many differences – generally composed their fiction in higher, more formal linguistic registers than …