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Modern Literature

Old Dominion University

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Full-Text Articles in English Language and Literature

The Spooky Vein: The Reparative Gothic-Modern In The Works Of Richard A.W. Hughes, Corwin R. Baden Dec 2021

The Spooky Vein: The Reparative Gothic-Modern In The Works Of Richard A.W. Hughes, Corwin R. Baden

English Theses & Dissertations

This dissertation explores the dual nature of Richard A.W. Hughes as a marginalized Gothicist and modernist. This duality facilitated the development of the author’s reparative vision for a 20th-century world traumatized by planetary war. The present study utilizes close readings—both surface and symptomatic—combined with archival research to assert that Hughes fashions this reparative imperative consistently across his corpus: in his short stories, poems, novels, stage plays, and screenplays. In his short stories, this vision includes an embrace of the Stranger, a shadowy Gothic figure whose possessions, power, difference, and familiarity lead the human subject from contestation, through representation, and toward …

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Dialogical Numbers: Counting Humanimal Pain In J.M. Coetzee's Elizabeth Costello, Mike Piero Jan 2018

Dialogical Numbers: Counting Humanimal Pain In J.M. Coetzee's Elizabeth Costello, Mike Piero

English Faculty Publications

This essay argues that J.M. Coetzee's Elizabeth Costello stages numerical sequences strategically, dialogically, and parodically in order to call attention to the ideological weight involved in counting. Focusing on how one counts - and accounts for - human and nonhuman animal pain, I contend that the repetition of numbers in the novel works to subvert the neoliberal faith put in numbers, quantification, and data. Without succumbing to some religious-mystical numerology, this reading attempts to expose the fiction involved in the act of counting and the need to pay more attention to numerical discourse in literary fiction. In tracking these numbers …

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Gay Habits Set Strait: Fan Culture And Authoritative Praxis In Ready Player One, Kevin Moberly, Brent Moberly Jan 2016

Gay Habits Set Strait: Fan Culture And Authoritative Praxis In Ready Player One, Kevin Moberly, Brent Moberly

English Faculty Publications

(First Paragraph) Gwendolyn Morgan reminds us that medievalism and authority are complementary fictions.1 Recognizing that the "past with which we identify actually reflects our present needs," she examines the way that contemporary writers establish the authority of their works by adapting, if not explicitly fabricating medieval sources.2 The result, she argues, is a kind of "double practice of medievalism," one that invokes the authoritative power of the Middle Ages by appropriating the medieval appeal to auctoritee, which is to say the pretense of "citing real and invented classical authorities" to both disguise and justify authorial invention.3 Morgan …

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Postmortem Diagnoses Of Virginia Woolf's 'Madness': The Precarious Quest For Truth, Nancy Topping Bazin Jan 1994

Postmortem Diagnoses Of Virginia Woolf's 'Madness': The Precarious Quest For Truth, Nancy Topping Bazin

English Faculty Publications

The reputation of British writer Virginia Woolf (1882-1941) is now well established. Her brilliance as a writer is seldom contested, and her place in the literary canon is assured. Whether interested in literary traditions, textual studies, applied feminism, or postmodern theory, most scholars and critics admire what she had to say and how she said it. The variety, volume, and quality of her writings are impressive; her skill as a writer is seen not only in her eight novels but also in her essays, diaries, letters, short stories, biographies and nonfictional works A Room of One's Own and Three Guineas …

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Women And Revolution In Dystopian Fiction: Nadine Gordimer's July's People And Margaret Atwood's The Handmaid's Tale, Nancy Topping Bazin Jan 1991

Women And Revolution In Dystopian Fiction: Nadine Gordimer's July's People And Margaret Atwood's The Handmaid's Tale, Nancy Topping Bazin

English Faculty Publications

Nadine Gordimer's July's People (1981) and Margaret Atwood's The Handmaid's Tale (1985) are both dystopias, nightmare visions of the future. Both of the worlds depicted come into being because of revolutionary coups. However, in both cases, the revolutions were in progress long before the actual takeovers, and there were opportunities for citizens to have prevented these dystopian situations from coming to pass. Yet, because changing the direction of political events requires energy, solidarity, bravery or at least some self-sacrifice, most citizens are reluctant to become involved. Nadine Gordimer and Margaret Atwood understand this attitude because they have felt that way …

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The Evolution Of Doris Lessing's Art From A Mystical Moment To Space Fiction, Nancy Topping Bazin Jan 1985

The Evolution Of Doris Lessing's Art From A Mystical Moment To Space Fiction, Nancy Topping Bazin

English Faculty Publications

After publishing ten major novels, Doris Lessing has begun writing what she calls '·space fiction'· for her new series entitled Canopus in Argos: Archives. In a review of the first two novels published in this series, namely, Shikasta ( 1979) and the Marriages Between Zones Three. Four, and Five (1980)1. Jean Pickering stresses that many of Doris Lessing's most avid readers were initially attracted to her because of her insights about the female experience and because of her allegiance to nineteenth-century realism." Pickering suggests that Lessing's growing interest in space fiction and Sufism (Islamic mysticism) has …

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