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Full-Text Articles in English Language and Literature
Julian Of Norwich: Voicing The Vernacular, Therese Elaine Novotny
Julian Of Norwich: Voicing The Vernacular, Therese Elaine Novotny
Dissertations (1934 -)
Julian of Norwich (1342-1416), the subject of my dissertation, was a Christian mystic whose writings, Revelation of Love and A Book of Showings, are the earliest surviving texts in the English language written by a woman. The question that has puzzled scholars is how could a woman of her time express her vision in such innovative and literary language? The reason scholars have puzzled over this for centuries is that women had been denied access to traditional education. Some scholars have answered this problem through close textual comparisons linking her text to those in the patristic tradition or through modern …
Apocalyptic Mentalities In Late-Medieval England, Steven A. Hackbarth
Apocalyptic Mentalities In Late-Medieval England, Steven A. Hackbarth
Dissertations (1934 -)
Apocalypticism, defined by expectation of an imminent End, assumes many forms and proves influential in the second half of the Fourteenth Century in England. Throughout my study, I demonstrate that a rich apocalyptic environment emerges in works of the period, including those of Chaucer, Gower, Langland, and the Pearl-poet. In this period, apocalypticism has provided explanations for plague, narratives that make evil more vivid, and arguments for urgent action. It gives contemporary phenomena special meaning. My study is organized around conspicuous centers of meaning that work reciprocally with the apocalyptic, simultaneously defining the End and defined by it. First, I …
The Creation Of Heaven In The Middle Ages, William Storm
The Creation Of Heaven In The Middle Ages, William Storm
Dissertations (1934 -)
My dissertation focuses on the intersection of the discourses of space and place, art, religion, and politics in poetical accounts of heaven. My study investigates how authors deploy these various traditions to create a heaven that accommodates the needs of a particular audience. Heaven is, according to Yi-Fu Tuan, a "mythical place," which cannot be located. To avoid the problems of a "mythical place," we represent that location with slightly-blurred experiential knowledge or communally-sanctioned practices. The creation of heaven, I argue, does not occur ex nihilo but through a refashioning of knowledge and practices to engage audiences with descriptions of …