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“Without Stopping To Write A Long Apology”: Spectacle, Anecdote, And Curated Identity In Running A Thousand Miles For Freedom, Anjelica La Furno

Theses and Dissertations

Running a Thousand Miles for Freedom unapologetically challenges traditional nineteenth-century notions of race and gender by way of its treatment of spectacle, anecdotal use, and assertion of authorial choices that contradict the expectations of a white abolitionist audience. Its most challenging feature is what I will call Ellen’s “curated identity.”