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Del Ornitorrinco A La Radio Ambulante: La Nueva Crónica Latinoamericana En La Era Neoliberal, Ulises Gonzales

Dissertations, Theses, and Capstone Projects

This dissertation explores the presence of neoliberal hegemonic imaginaries in narrative journalism written in Latin America between 1995 and 2021.

There are strong connections between a period of decline in the readership of some of the authors of the so-called “Latin American Boom,” the penetration of neoliberal economic policies in the region (with the privatization of State companies and the expansion of the telecommunications industry), and the renewed interest in non-fiction writing published by a number of print publications in the region during the last decade of the 20th Century and the beginning of the 21st Century, as in magazines …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

Clowning With Identity: Embodied Selves And Others In Comedy's Gendered Character Performances, Allison Douglass

Dissertations, Theses, and Capstone Projects

Clowning with Identity examines the comedic performance of characters. The enjoyment of a character feels easy to accept uncritically, but these performances work because they deploy stereotypes and the cultural meanings surrounding them, often through acts of appropriation, as the performer makes the choice to embody an identity separate from their own. This project connects theory on drag and gender performance and its ideas about identity-remixing to rhetorical theory on comedy and clowning practices, sketching the ways American practices of drag, clown, and comedic character work are all deeply linked through their historical development. I theorize the productive ways that …