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Articles 1 - 4 of 4
Full-Text Articles in English Language and Literature
Scott’S Reparative Land Ethic, Nigel Leask
Scott’S Reparative Land Ethic, Nigel Leask
Studies in Scottish Literature
A review essay discussing Susan Oliver's "important and convincing" book Walter Scott and the Greening of Scotland: Emergent Ecologies of a Nation (Cambridge University Press, 2021), noting Scott's land ethic and active role in managing his estate at Abbotsford and in afforestation, and suggesting that Oliver's book presents "a cumulative literary history of Scotland’s ecologies," so that Scott's poetry and novels "assume a new relevance for 21st century readers".
Digital Literary Geography And The Difficulties Of Locating 'Redgauntlet Country', Christopher Donaldson, Sally Bushell, Ian N. Gregory, Joanna E. Taylor, Paul Rayson
Digital Literary Geography And The Difficulties Of Locating 'Redgauntlet Country', Christopher Donaldson, Sally Bushell, Ian N. Gregory, Joanna E. Taylor, Paul Rayson
Studies in Scottish Literature
Presents a case study about Sir Walter Scott's Jacobite novel Redgauntlet (1824), drawn from larger grant-funded projects in historical geographical information systems based at Lancaster University, reviewing a variety of other historic literary mapping projects, describing the text corpus of Lake District sources and models used in the larger projects, and contrasting the location of Scott's fictional geography and places in the Solway Firth area of South-West Scotland with the historic places, largely across the border in North-West England, to which he also refers.
Sir Walter Scott's The Monastery And The Representation Of Religious Belief, Chad T. May
Sir Walter Scott's The Monastery And The Representation Of Religious Belief, Chad T. May
Studies in Scottish Literature
Examines Sir Walter Scott's novel The Monastery, written while he was also working on his better-known medieval novel Ivanhoe, and discusses its representation of the historical religious transition of Scotland from a Catholic to a Protestant country; focuses especially on Scott's treatment of the supernatural, in the figure of the White Lady, and argues that Scott uses her to allow representation of a personal religious experience or religious vision that otherwise fitted uneasily with his generally secular project for historical representation in fiction; and concludes by briefly sketching the significance of this atypical, transitional novel for understanding religious …
'I Am Not Writing Anything Just Now': A Letter From Walter Scott To Sarah Smith, February 13, 1814, John T. Knox
'I Am Not Writing Anything Just Now': A Letter From Walter Scott To Sarah Smith, February 13, 1814, John T. Knox
Studies in Scottish Literature
Describes and reproduces a letter written by Sir Walter Scott to the actress Sarah Smith (later Mrs Bartley), in February 1814, in which he tells her shortly before the anonymous publication of his novel Waverley that "I am not writing anything just now"; discusses Scott's interest in Smith's career, his brief comments on the dramatist Joanna Baillie, and the extent to which Smith was in his confidence about his writing.