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Ambiguous Pleasure(Ers): Negotiating The Bodies Of Falstaff And Moll, Lauren Van Atta

Honors Theses

The British Early Modern Period was a time of shifting social ideologies where class as well as gender were mapped onto bodies and embedded in the very material conditions of life. But class and gender were not discreet categories with dichotomous definitions like ‘male’ and ‘female’, or ‘nobility’ and ‘peasant’. They had many inbetweens, and the theater was perhaps the most glaring inbetween of all. The theater necessarily complicates definitions and ways of viewing bodies as no body is what they seem. And at the heart of these ambiguous identities lay the fat body. It is consumptive, it is transgressive, …