English Language and Literature Commons^™

Women Creators: Artistry And Sacrifice In The Novels Of Virginia Woolf, Issel M. Guigou

FIU Electronic Theses and Dissertations

This thesis examines different facets of feminine artistry in Virginia Woolf's novels with the purpose of defining her conception of women artists and the role sacrifice plays in it. The project follows characters in "Mrs. Dalloway," "To the Lighthouse," and "Between the Acts" as they attempt to create art despite society's restrictions; it studies the suffering these women experience under regimented institutions and arbitrary gender roles.

From Woolf’s earlier texts to her last, she embraces the uncertainty of identity, even as she portrays the artist’s sacrifice in the early-to-mid twentieth century, specifically as the creative female identity fights to adapt …

The Landscape Parks Of Jane Austen: Gender And Voice, Lauren N. Rey

FIU Electronic Theses and Dissertations

This thesis examines the function of specific garden features in Jane Austen’s novels, particularly in the seminal texts Pride and Prejudice and Mansfield Park. Male power, politics and land ownership dominated eighteenth-century society. Despite this, Austen’s woman protagonists utilize the tree avenues feature of landscape parks, voicing a need to redefine moral responsibility associated with land ownership. This thesis draws on the literary theories of gender studies and ecocriticism to examine garden spaces in Austen’s texts, though the primary focus of the investigation relies on exploring the primary texts themselves with a historical approach. In addition to this secondary critical …

The (Wo)Man In The Masque: Cross-Dressing As Disguise In Early Modern English Literature, Chelsea E. Franco

FIU Electronic Theses and Dissertations

Characters’ identities are integral to how audiences relate to them. But what happens when the character suddenly alters his or her outward appearance? Are they still the same person? This thesis seeks to argue that disguise does not alter a character’s true nature, as evidenced by Pyrocles in Sir Philip Sidney’s The Countess of Pembroke’s Arcadia and the Prince in Margaret Cavendish’s The Convent of Pleasure. Both Pyrocles’ suit of Philoclea and the Prince’s suit of Lady Happy are successful because, however subversive they appear at first, they ultimately adhere to societal norms of the time. The relationship between …