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Articles 1 - 3 of 3
Full-Text Articles in English Language and Literature
The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore
The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore
Honors Program Theses
Geoffrey Chaucer's dream poem The House of Fame explores virtual technologies of memory and reading, which are similar to the themes explored in Danielewski's House of Leaves. "[ftaires!]", apart from referencing the anecdotal (and humorous) misspelling of "stairs" in House of Leaves, is one such linguistically and visually informed phenomenon that speaks directly to how we think about, and give remembrance to, our own digital and textual culture. This paper posits that graphic design, illustrations, and other textual cues (such as the [ftaires!] mispelling in House of Leaves] have a subtle yet powerful psychological influence on our reading and …
Land Of A Million Poets, Dorothy Bouzouma
Land Of A Million Poets, Dorothy Bouzouma
Morehead State Theses and Dissertations
A Thesis Presented to the Faculty of the Caudill College of Arts, Humanities, and Social Sciences Morehead State University in Partial Fulfillment of the requirements for the Degree Master of Arts in English by Dorothy Bouzouma on April 25, 2014.
"Wonderfully Ordinary" Words From A Romantic Archive Of Elizabeth Jolley's Writing For Students : Creative Process As A Garland Of Fragments, Andrea Wood
Theses: Doctorates and Masters
This project, including the visual artworks and poetry developed for the exhibition Wonderfully Ordinary, is the outcome of practice-led research into the creative process. Through creative practice—and the development of a personal and fragmentary process of invention—it aims to generate knowledge about creative practice as a form of philosophy in action. Drawing on Paul Carter’s concept of material thinking and historical ideas arising from Western Australian author Elizabeth Jolley’s (1923–2007)creative process and writing, it explores ways in which Friedrich von Schlegel’s (1772–1829) philosophical conception of the Romantic fragment might be revealed as a continuing idea of interest and tool …