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Full-Text Articles in English Language and Literature
Literary Theories Of Circumcision, A. W. Strouse
Literary Theories Of Circumcision, A. W. Strouse
Dissertations, Theses, and Capstone Projects
“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …
Grafting Onto `The Jew': The Importance Of Being Jew-Ish To Early Modern English Christian Identity, Joan Blackwell Wedes
Grafting Onto `The Jew': The Importance Of Being Jew-Ish To Early Modern English Christian Identity, Joan Blackwell Wedes
Wayne State University Dissertations
The dissertation examines how Jewish figures in early modern plays, prose, and poetry moved beyond the uncomplicated medieval image of murderous villain and towards a more reasoned consideration of the Jew's position in Christianity as well as in English life. While there has been significant scholarship on early modern representations of Jews, particularly in drama, these studies have not examined how Paul's Letter to the Romans, in forming much of Reformation doctrine, was also crucial in forming attitudes towards and representations of literary and living Jews. My project uniquely combines history, biblical studies, and literary analysis to reveal how early …
Methods Of Revision In Sixteenth-Century English Cycle Drama, John Case Tompkins
Methods Of Revision In Sixteenth-Century English Cycle Drama, John Case Tompkins
Open Access Dissertations
This dissertation contends that guilds-folk in sixteenth-century England made their own changes to the play-texts of civic drama and that these changes remain visible to us in the manuscripts which preserve the plays. Further, it argues that the actors and pageant-makers themselves often made these revisions, rather than the civic or ecclesial authorities traditionally credited for rewriting the pageants. These changes, introduced in production and transferred into the texts, helped keep the plays vibrant and successful throughout most of the sixteenth century and reflect the practical and local concerns of their participants. This work continues the historical investigations into pageant …